1 of 1 people found the following review helpful:
4.0 out of 5 stars
Excellent use of the piano, September 28, 2000
This review is from: The Limey (Audio CD)
Cliff Martinez made excellent use of the piano, invoking detective jazz stabs and Satie melancholy. Pianist Michael Williams (from the group 1 40 4 20, jazz albums "Wet" and "Jazz Trespassers") plays most expressively. The two have worked together before on "King of the Hill" with great success. Cliff's unexpected harmonies defy traditional voice leading to give a more ambivalent emotional tone for the director's handiwork. Martinez seems to understand music is abstract, while film rarely is.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Just the right blend, June 20, 2000
This review is from: The Limey (Audio CD)
I am, concededly, neither a musician nor any sort of expert in the field. I do fancy myself to have an appreciation of soundtracks. As is common with many films, this CD combines rock music with music composed specifically for the movie. It works. Indeed, the choice of, "The Seeker," as the title track for both the film and soundtrack is inspired, Terence Stamp's links with The Who notwithstanding.
I do wish that the full track-- or at least a clearer track-- of Terence Stamp's, "Colours," had been provided. This sound link to the film _Poor Cow_, in itself a precursor to _The Limey_, is integral to the relationship between Wilson (Stamp) and his daughter, Jenny.
A good CD purchase for fans of the film!
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
An excellent combination of songs and score, December 29, 1999
This review is from: The Limey (Audio CD)
Reflects the strengths of the film -- experimental, yet grounded in traditional styles. The Cliff Martinez tracks are among his best work. Ranks among the best of '99 alongside Angela's Ashes (Williams), House on Haunted Hill (Davis) and The Mummy (Goldsmith).
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