Limits of Control [Soundtrack]

Boris, Bad Rabbit | Format: Audio CD

Product Details

• Audio CD (May 12, 2009)
• Original Release Date: 2009
• Number of Discs: 1
• Format: Soundtrack
• Label: Lakeshore Records
• ASIN: B0021BSOTU
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #184,340 in Music (See Top 100 in Music)

Track Listings

1. Fuzzy Reactor

2. Saeta

3. Sea Green Sea

4. Feedback [Tloc Edit] [Version]

5. Por Compasión: Malaguenas

6. Farewell

7. N.L.T.

8. El Que Se Tenga por Grande

9. Dawn

10. You on the Run

11. Omens and Portents 1: The Driver [Tloc Edit] [Version]

12. El Que Se Tenga por Grande

13. Blood Swamp [Tloc Edit] [Version]

14. Schubert 2.: Adagio (String Quintet in C Major, O. 163, D.956) [Tloc Ed

15. Daft Punk Is Playing at My House

16. " " [Tloc Edit] [Version]

Editorial Reviews

This CD can be considered somewhat rare now. In poor shape but plays -

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

5.0 out of 5 stars "Are you interested in music, by any chance?", September 29, 2009

By 

Michael Brumitt (Indianapolis, IN United States) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Limits of Control (Audio CD)

Slow motion feedback and distortion, Spanish folk music, classical, and some alt rock all combine to be an album that is more a collection of meditations that just a soundtrack. Those scenes of rural Spain from the window of the train will be rising up in your mind when you hear the Boris tracks. No one combines image and sound together the way Jarmusch does--another great work from one of American's only cinematic artists.

1 of 1 people found the following review helpful:

5.0 out of 5 stars Fit the film perfectly, May 29, 2009

By 

crown of indica "buckethead noir" (saint paul,mn,usa) - See all my reviews
(VINE VOICE)   

This review is from: Limits of Control (Audio CD)

Jarmunsch is one of the few directors who understands about the marriage between the music and images that make up a film. When either is neglected it shows and feels lopsided to the critical eye and ear; this slow film was complimented by slow music and it couldn't have worked out more perfectly.If you're wondering what kind of music to expect if you haven't seen the film, it's post rock/drone rock.The music has slight variances that are drawn out over a long timeframe--pretty much like the film.