The Lincoln Memorial is one of America's most recognised national shrines, yet it was almost not built. From the project's inception, the memorial - a modified Greek temple designed by the architect Henry Bacon - gave rise to charged cultural and aesthetic debate, including arguments about Modernism and Americanism. Christopher Thomas offers a detailed analysis of Bacon's design and the memorial as a system, including the statue of Lincoln by Daniel Chester French. Using archival data, Thomas discusses just why the memorial looks as it does. Because the idea of a memorial to Lincoln raised questions of race, the legacy of the Civil War, and lingering sectional animosities, the project sparked poltical debate between the legislative and executive branches of government and between political parties. Thomas traces the long and controversial path of the project, ranging from the immediate aftermath of the Civil War through the Progressive era, with its mix of novelty, racism and imperialism. As he concentrates on the memorial's background, design, construction, reception and uses - including the many public demonstrations for civil rights and justice that have taken place there - Thom




