Amazon.com: Liszt: Christus: Franz Liszt, Helmuth Rilling, Iris Vermillion, SWR Stuttgart Radio Symphony Orchestra, Stuttgart Radio Symphony Orchestra, Henriette Bonde-Hansen, Michael Schade: Music

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Liszt: Christus
 
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Liszt: Christus

Franz Liszt , Helmuth Rilling , Iris Vermillion , SWR Stuttgart Radio Symphony Orchestra , Stuttgart Radio Symphony Orchestra , Henriette Bonde-Hansen , Michael Schade Audio CD
4.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Performer: Iris Vermillion, Henriette Bonde-Hansen, Michael Schade
  • Orchestra: SWR Stuttgart Radio Symphony Orchestra, Stuttgart Radio Symphony Orchestra
  • Conductor: Helmuth Rilling
  • Composer: Franz Liszt
  • Audio CD (April 1, 2003)
  • Number of Discs: 3
  • Label: Brilliant Classics
  • ASIN: B00008UANN
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #588,412 in Music (See Top 100 in Music)

Disc: 1
1. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 1. Christmas Oratorio. Introduction
2. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 1. Christmas Oratorio. Pastorale and Herald Angel's So
3. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 1. Christmas Oratorio. Stabat Mater speciosa
4. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 1. Christmas Oratorio. Pastoral Music at the Manger
5. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 1. Christmas Oratorio. March of the Three Magi
Disc: 2
1. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 2. After Epiphany. The Beatitudes
2. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 2. After Epiphany. The Lord's Prayer
3. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 2. After Epiphany. The founding of the Church
4. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 2. After Epiphany. The Miracle
5. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 2. After Epiphany. Ride into Jerusalem
Disc: 3
1. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 3. Passion and Resurrection. Tristis est anima mea
2. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 3. Passion and Resurrection. Stabat Mater dolorosa
3. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 3. Passion and Resurrection. O filii et filiae
4. Christus, oratorio for soloists, chorus, orchestra & organ, S. 3 (LW I7): Part 3. Passion and Resurrection. Resurrexit

 

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3 of 3 people found the following review helpful:
4.0 out of 5 stars A fine version of a rewarding work, November 7, 2009
This review is from: Liszt: Christus (Audio CD)
Liszt wrote a rather large number of large-scale choral and orchestral works in the latter part of his life. They have never achieved huge popularity, and it isn't hard to hear why - the style is surprisingly austere and reflective and there are few immediately striking things in them; still, they tend to grow on the listener on repeated listenings, and the three hour oratorium Christus is, if not quite a masterpiece, a very impressive work. It contains, for instance, an almost half-hour, slow-moving and superficially simply Stabat Mater Speciosa for female chorus alone, sure to stretch patience on first hearing but actually quite stirring; the only really instantly memorable tune is probably the one from the March of the Three Holy Kings. But this work isn't for listeners on the lookout for simple thrills and orchestral pyrotechnics, and for the rest of us there are ample musical rewards.

What about the performances? Rilling chooses a rather brisk tempo for the opening movements, which I think works rather well, and he generally shapes the music with a good sense of direction and purpose. The orchestral playing is generally good, but there is a certain lack of subtlety and beauty of tone at places - I can imagine a more glowing performance, but at least Rilling keeps the pace up and does not submit to the real danger of sounding belabored. I have no qualms about the singing, either from soloists or chorus; in fact, the impressive line-up of vocalists lives up to one's expectations. Sound quality is more than good enough, so this set can be firmly recommended.
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