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Literal Madness: Three Novels: Kathy Goes to Haiti; My Death My Life by Pier Paolo Pasolini; Florida (Acker, Kathy) Paperback


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Literal Madness: Three Novels: Kathy Goes to Haiti; My Death My Life by Pier Paolo Pasolini; Florida (Acker, Kathy) + The Remains of the Day
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Product Details

  • Series: Acker, Kathy
  • Paperback: 352 pages
  • Publisher: Grove Press; Reprint edition (January 13, 1994)
  • Language: English
  • ISBN-10: 0802131565
  • ISBN-13: 978-0802131560
  • Product Dimensions: 8.5 x 5.6 x 1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,049,689 in Books (See Top 100 in Books)

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14 of 19 people found the following review helpful By A Customer on July 10, 1997
Format: Paperback
Kathy Acker has become known as the queen of punk feminist fiction. With Literal Madness she solidified that position. Three short texts unrelated to each other but connected by the quest metaphor. Of the three, Kath Goes to Haiti -- a pseudo-biographical piece -- calls for the most sustained interest. It is ostensibly a travel book adventure in the third world, but ultimately its quest is the undermining of linear narrative. Acker is a storyteller of the postmodern, disjuctive type. She short-circuits the narrative line in order to call the reader's attention to the discontinuous nature of our lives in/as fiction. She creates a hyperreality in Haiti, transforms place into text, and thereby questions the so-called reality principle. When her alter-ego "Kathy" discovers that Haiti is more a state of mind than a Caribbean island, the disjuncture in the text becomes sensible and senseless at the same time. The effect is surreal; but hyperreality (Jean Baudrillard's term) and surreality have in common elments of discontinuity and therfore serve to disorient the reader. Anyone looking for a 'good, old-fashion story' will have to look elsewhere because Acker's book satisfies none of the traditional reader's desires for linear regularity and certain expectability as to what stories do. Labeled pseudo-pornography, Kathy Goes to Haiti and other texts by Acker certainly do contain pornographic elements. But it soon becomes clear to the careful reader that what is at work in her fiction is the question of what pornography "means," especially for women. Can it be a tool to deconstruct itself? Can women themselves use it -- as Acker does -- to undermine its negative effects for women?Read more ›
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0 of 1 people found the following review helpful By Jack Lennox on February 18, 2013
Format: Paperback Verified Purchase
it's new and clean.
It's def a buy.
if you need the book i mean.
I needed it for class
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5 of 12 people found the following review helpful By roymeo on April 27, 2000
Format: Paperback Verified Purchase
Kathy goes to Haiti. Every man wants her to be his wife. A man takes her home. She is his wife. She cries. Little kids laugh at her. She goes somewhere else. Different men want Kathy as their wife. She doesn't let the first one take her home. Kathy is learning.
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