From Publishers Weekly
The subtitle of Edwards's Twain-indebted debut, written over the course of 30 years, might be "A California Yankee in Doctor Freud's Court." Following a physical assault, Stan "Wheeler" Burden is precipitated into the past-1897 Vienna, to be exact-from 1988 San Francisco. Wheeler has been a teenage baseball star and famed rock 'n' roller, but he's dreamed of Vienna since his prep school days, where his teacher, Arnauld Esterhazy, instilled a love of the city's gilded paradoxes. Vienna of 1897 is indeed hopping: Freud is discovering the Oedipus complex, Mahler is conducting his symphonies, and the mayor, Karl Lueger, is inventing modern, populist anti-Semitism-which the young Hitler will soon internalize. Making this a true oedipal drama, Wheeler's father and grandparents come to town, too, all at different ages, and with very different agendas. Edwards has great fun with time travel paradoxes and anachronisms, but the real romance in this book is with the period, topped by nostalgia for the old-school American elite, as represented by the we-all-went-to-the-same-prep-school Burdens. This novel ends up a sweet, wistful elegy to the fantastic promise and failed hopes of the 20th century.
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Wheeler Burden one day finds himself mysteriously transported from 1988 San Francisco to the Ringstrasse of 1897 Vienna. This strange occurrence begins a tale that sprawls over 91 years, two continents, two world wars, and a century of intense intellectual, cultural, and political change. Readers also get a great saga about Boston Brahmins, wealthy yet with a morass of tacky little secrets. The author adds to this tasty little ragout cameo appearances by Freud, Mahler, Schoenberg, Wickstein, Mark Twain, Buddy Holly, and Winston Churchill. A leisurely tale, the plot unfolds slowly through a complex structure of multiple viewpoints and narrators. It’s very talky, but the dialogue usually drives the plot forward and is often leavened by touches of ironic humor. Readers may find the overabundance of coincidences maddening, but that won’t keep them from reading on to the shocking climax and the thoroughly satisfying and elegant resolution. Myriad readers will enjoy this book—especially historical-fiction buffs and family-saga devotees—so stock up. --Ellen Loughran











