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Little Caesar

71 customer reviews

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$7.83 & FREE Shipping on orders over $35. Details Only 2 left in stock. Sold by Magic SuperCenter and Fulfilled by Amazon. Gift-wrap available.

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Editorial Reviews

A career-criminal abandons small-time holdups to become a powerful mob boss.
Genre: Feature Film-Drama
Rating: NR
Release Date: 25-JAN-2005
Media Type: DVD


Special Features

  • Leonard Maltin Hosts Warner Night at the Movies 1930, with newsreel, Spencer Tracy short "The Hard Guy," cartoon "Lady Play Your Mandolin," and theatrical trailers
  • New featurette: "Little Caesar: End of Rico, Beginning of the Antihero"
  • 1954 release foreword

Product Details

  • Actors: Edward G. Robinson, Douglas Fairbanks Jr., Glenda Farrell, Jack La Rue, Mary Healy
  • Directors: Elmer Clifton, Mervyn LeRoy, Rudolf Ising
  • Writers: Darryl F. Zanuck, Francis Edward Faragoh, Oliver Drake, Robert Lord, Robert N. Lee
  • Format: Black & White, Closed-captioned, Subtitled, NTSC
  • Language: English (Dolby Digital 1.0)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Warner Home Video
  • DVD Release Date: January 25, 2005
  • Run Time: 78 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (71 customer reviews)
  • ASIN: B0006HBLUK
  • Amazon Best Sellers Rank: #36,595 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Little Caesar" on IMDb

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful By Martin Asiner on January 25, 2003
Format: VHS Tape
It is too easy to view LITTLE CAESAR and to laugh at the often caricatured voice of Edward G. Robinson as the small time hood who clawed a rapid rise to the top of Chicago's underworld only to tumble equally fast. What the modern viewer may fail to grasp is that when LITTLE CAESAR was released in 1930 Robinson was no star and the gangster movie did not exist as a genre. With his menacing voice and tough guy attitude, Robinson changed all that. It is because of him that later cinema gangsters like Pacino and Brando could strut their stuff.
At the beginning of the film, Robinson is Rico Bandello, the 'Little Caesar.' He drifts into Chicago and invites himself as a member of the ruling gang. Even then, with nothing but his gravitas and physical presence, he could take words that were meant to be conciliating and twist them into a snarl laden with menace. What I found interesting was that whenever Robinson went face to face with an adversary, Robinson forced him to look down at his own diminutive height as if to say, 'Your size means nothing, fool.' It becomes soon clear that the mob boss will surrender his place through default. Rico Bandello manages to cram into little more than an hour a case study in the ephemerality of the solitary gangster who relies more on his brutal personality than on some hired brains to run his criminal enterprise.
On a technical note, the sound track was at times incomprehensible, an excusable flaw since sound engineering had just begun the year before. Further, the dialogue sounds incredibly cliched, but again, to the audience of 1930, Rico's words were jarringly original. When a gasping, dying, Little Caesar spits out as a last snarl of defiance, 'Is this the end of Rico?', Edward G. could not have known that his ending of this gangster film was but the prologue of a series of crime movies that are as popular today as when Rico Bandello lay on a filthy street, shocking America with his surprisingly emotional epitaph.
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15 of 16 people found the following review helpful By Amazon Customer on November 9, 2001
Format: VHS Tape
I had never seen a golden age gangster picture before so I decided to make a start with this one. I mainly rented it to see Douglas Fairbanks jr. (being a fan of Fairbanks Sr.'s silent films) I thoroughly enjoyed it.
A word of warning, this was made in 1930 and the sound cinema was still in it's infancy. Some of the acting is still between the mnore obvious emoting of silent cinema and the more subtle sound acting to come. Also, this was the start of a genre and so it is probably not as sleek as its successors.
That out of the way, this is the tale of the rise and fall of Rico (Edward G. Robinson) known as Little Caesar. A small time gunman who claws his way to the top of the mob and then tumbles from his throne. His downfall is caused, inadvertantly at first, by Joe (Fairbaks), his best friend from his small time hood days who became a nightclub preformer and wants to leave the mob behind.
Robinson chews up scenery as Rico and it is a joy to watch, in spite of sharing top billing, Fairbanks isn't in it all that much in the middle. Honorable mention goes to the actor who portrayed the head detective so well, he seemed to take almost satanic glee in catching crooks in their own egos.
Another sidepoint, Rico is not likable because he was never meant to be. Sure, his determination is interesting but underneath it all he is just a petty operator. This movie really has no hero (Joe is a bit weak and the detective is off his rocker in my opinion) and to have this in mind before watching will keep things enjoyable.
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12 of 13 people found the following review helpful By Steven Hellerstedt on May 5, 2005
Format: DVD
There are some movies that defy criticism. LITTLE CAESAR is a creaky old early talkie that suffers from static camera movements and competently undistinguished direction by Mervyn LeRoy. LITTLE CAESAR is one of the most important movies in Hollywood history, boasting a memorable to immortal performance by Edgar G. Robinson as the title character, Cesare Enrico `Rico' Bandello, and one of the greatest endings in cinema (Mother of mercy, is this the end of Rico!?) Whaddya know, whaddya say about a movie like LITTLE CAESAR?

I suppose you start by saying it's a great movie, but it sure feels old. Action takes place around concealed microphones, musical underscoring is virtually nonexistent, and some of the melodramatic elements - like the scene with the doting Italian mother - seem to belong to the age of Victoria, paper collars, and gas footlights. On the other hand, Robinson's performance as the brutal and ambitious gangster is timeless and close to perfect. There's a glowering, guttural, feral quality to it that pulls the movie up with him. His best scene comes towards the end of the film. The fallen and unrecognized Rico, unslept eyes dark and watery, hip flash of hooch nearly drained, listens as a couple of other flophouse denizens read aloud a newspaper article about the great, missing Little Caesar. Robinson grunts and mewls as the newspaper is read aloud, responding to what he hears. With nothing but facial expressions, body language and grunts Robinson pulls back the skin covering Rico's psyche and presents it for public inspection. It's a marvelous bit of business tucked into one of the greatest movie acting jobs ever.

The transfer print isn't pristine, but acceptable - usually pretty good.
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