From School Library Journal
Grade 1-5-To add to Jewell Reinhart Coburn's Domitila (Shen's, 2000) and Joe Hayes's Little Gold Star/Estrellita de oro (Cinco Puntos, 2000), comes San Souci's variant of the same story. Sweet young Teresa lives peacefully with her father, Tom s, in the high hills of New Mexico. He tends sheep, and she keeps house. Their measured existence is shattered when an opportunistic widow with two daughters persuades Tom s to marry her. On a rare visit home, Tom s brings a lamb to his daughter. The outraged stepmother kills it and sends the brokenhearted girl to wash its fleece in the river. The fleece is snatched by a fish, and as Teresa begins to cry, a lovely woman in blue appears and promises to get it back if she will tend to the old man and the baby in a hut on the hill. Teresa does so gladly, not knowing that the woman is the Virgin Mary and that she has been asked to care for the Holy Family. Her reward is a gold star, planted in the middle of her forehead. When she returns home, the stepmother is again enraged, but sends her daughters to do the same and receive gold stars. The results are disastrous. From this point on, the story follows the traditional tale, until the satisfying ending when the Blessed Virgin again helps the young woman. San Souci's telling is smooth and fluid. Martinez's lovely, luminous watercolor illustrations are a perfect match for the text. His accomplished sense of extended line gives all of his figures a romantic, elongated look, and his command of expression is exceptional. A noteworthy addition to an already impressive crop of Southwestern "Cinderella" stories.
Ann Welton, Terminal Park Elementary School, Auburn, WA Copyright 2000 Reed Business Information, Inc.
Gr. 2-4, younger for reading aloud. The author of
Cendrillon: A Caribbean Cinderella (1998) and the new
Cinderella Skeleton [BKL S 1 00] here gives the ever-popular picture-book tale a Southwestern flavor. While washing the fleece of a lamb her cruel stepmother has killed, Teresa meets the Blessed Mary, who asks her to tend old Joseph and the Holy Infant. When Teresa is finished, Mary returns and rewards her with a touch that places a gold star on her forehead. When her callous, clumsy sisters rush off for similar decorations, they are given not stars but goat horns and donkey ears. In Sergio Martinez's elegant Hispanic settings, Teresa and her beau, Don Miguel, are slender, graceful figures, comically juxtaposed against Teresa's lumpish, elaborately dressed stepmother and stepsisters, who are portrayed with exaggerated expressions of dismay or annoyance. Mary reappears to help Teresa secure her stepmother's permission to marry, and by the unalloyed happy ending, horns and hairy ears have vanished, too. Cinderella fans have to be rapid readers to keep up with the steady stream of new renditions, but this consolidation of old and new published versions mixes laughter and romance in pleasing proportion--and features an unusual (to say the least) fairy godmother. A source note is provided.
John PetersCopyright © American Library Association. All rights reserved
