Customer Reviews

With a Little Help from My Friends: The Making of Sgt. Pepper

5 star:		(8)
4 star:		(3)
3 star:		(0)
2 star:		(1)
1 star:		(1)

 

 

This fascinating, thorough, and accurate book about the making of the Sgt. Pepper album is the U.S. edition of Martin's Summer Of Love. It's the same book: same text, same photos, different title. Martin did a tremendous job researching this book, combining his and others' enjoyable first-hand recollections about the making of the album with extensive research at the EMI studios, relistening to the session tapes (including the unreleased alternate takes), checking the detailed notes written on the original session sheets, and so on. (In contrast, for All You Need Is Ears all those years ago, he relied on his memory, and the results were much less complete.) Amazingly, this was the first Beatles book to reveal that Paul McCartney played lead guitar on the "Sgt. Pepper" title track (yes, he sure did), and also the first to thoroughly dispel the tired myth that "Lucy In The Sky With Diamonds" was "all John": it was a true cocomposition by John AND Paul (as John said himself in at least two interviews). It's refreshing to see a book like this that assumes the TRUTH will be "good enough" entertainment for any sensible reader. Martin, thankfully, simply ignores rock writers' relentless post-Lennon rewriting of Beatles history, which has magnified anything negative Lennon ever said about McCartney while ignoring anything positive (such as Lennon's praise of "When I'm Sixty-Four" to interviewer Anne Nightingale)... and has consistently seized on Lennon's MOST mistakenly exaggerated or misleading claims about his own role in the creation of songs, while "forgetting" about all the many times John happened to give Paul completely fair, due credit (such as his 1965 interview with Valerie Wilmer, in which he described "Ticket To Ride"'s melody as cowritten by McCartney). George Martin, who admired and liked both Lennon and McCartney, has no axe to grind about them, or the other two Beatles... and he finds the right balance of modesty and candor in describing his own important role in the creation of this album, too. The previously unseen session photos are a fine bonus. This book is a keeper.

I'm pretty surprised about the few people here who have actually bashed this book. As a big Beatle fan and one who's read tons of books about them, I don't recall any inconsistancy's in this book whatsoever. Though short, this is probably one of the most prized Beatle books in my collection. My only complaint is I wish George Martin would do the same thing he's done here with Sgt. Pepper and write books about the sessions for the White Album, Revolver and Abby Rd. : ) A treasure to own. A book to read and re-read over and over.

For fans of pop music history, and especially for those interested in recording science, this book is a must read. George Martin, the Beatles' producer, tells the detailed account of how the group's most famous album was created, from the beginning creative germs to the cover art.

For those in the recording industry, Martin's detailed explanations of how he created some of the now-famous effects on that album, at a time when recording science was still somewhat primitive, is quite interesting.

If you don't like the Beatles' music, you probably won't be able to sit through the sometimes technical recording talk, but anyone for whom the Beatles marked the culture of their youth should find it fascinating.

An excellent account of the making of the greatest rock'n'roll album ever produced: Sgt Pepper, written by the man who put it together. There's been a lot of claptrap about who, if anyone, could be considered "the fifth Beatle". I say it's George Martin. Why? The Beatles are about music, and outside of the four, no one had a hand with their material as Martin did. If you loved the Sgt Pepper album, you'll like this book.

This book isn't perfect. As a previous reviewer has remarked, it's inconsistent with Martin's previous books, not to mention other books that have been written about the Beatles. Still, it provides a contrasting point of view, and as such is worth looking over. Nobody's perfect, and Martin admits in so many words that his memory isn't ironclad. Just don't bet the ranch on what Martin has to say.

Martin does a great job with this book. Song by song, it lets you go to Abbey Road and see the fab four record. Sometimes Martin gets emotional, sometimes funny, and sometimes personal. He tells about his close relation to the Beatles and how they grew together during the making of an album that changed rock n' roll forever. Any Beatles fan must read this book.

This fascinating look inside the 1967 Sgt. Pepper sessions is told by perhaps the only insider who attended every recording (with one interesting exception) with a mind unaltered by chemicals.

It is a well accepted fact that two of the best produced pop/rock albums to date are Sgt. Peppers and Pet Shop. The reason for owning this album is to gain an inside look into the master mind of one of these most important albums. It may be true that our recording equipment has improved our flexability but nothing can replace a truly great producer and great musicianship. George Martin is one of the truly great hero's of our ART and this book gives us a wonderful look into one of his master pieces. I am a big Beatles fan but this book is really directed to producers rather than The Beatles fan base...and I love it. This book has become very hard to get a hold of but it is a MUST HAVE for the library of every producer.

The expectations I had for this book were met. Number 1 condition of item being "very good " was right. Number 2 printing was "First edition in USA"
If you like Beatle style music, check out a couple of songs for sale on Itunes, Amazon Artist:Scott Rodd, Titles: Press One and Mr. Crow.
Thank you.

I'm interested in obtaining a copy of this book. If you have one to sell, email me at bsahner@aol.com.