Little Honey

Lucinda Williams | Format: Audio CD

Product Details

• Audio CD (October 14, 2008)
• Original Release Date: 2008
• Number of Discs: 1
• Label: Lost Highway
• ASIN: B001DXF9JU
• In-Print Editions: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.5 out of 5 stars  See all reviews (70 customer reviews)
• Amazon Best Sellers Rank: #7,082 in Music (See Top 100 in Music)
  • #20 in Music > Folk > Contemporary Folk > Alternative Folk
  • #89 in Music > Country > Americana

Editorial Reviews

Amazon.com

Lucinda Williams does anguish so well it’s easy to forget that Happy Woman Blues is not just the title of her 1980 album, but also the way she thinks of herself. That identity comes across full force in Little Honey, the follow-up to 2007’s heavily brooding West, where her melancholy voice seemed to creak with sadness. Here, a full-throated Williams revels in the rejuvenation of her engagement to her manager/co-producer Tom Overby, over whom she’s positively giddy on "Real Love." Her newfound bliss opens the floodgates to a musical revival, as well, since Little Honey, her ninth studio album, ranks as one of her most diverse, ranging from pounding rock ‘n’ roll (the raw sex of the title track) to the Hank Williams-ish country blues of "Well, Well, Well," to "Knowing"'s ‘60s soul. But some of the finest writing appears on "Plan to Marry," as thoughtful a meditation on love as any time-honored sonnet. Just when Williams seems to have run the gamut, she pulls out a Stones-y (via Louisiana) cover of AC/DC’s "It’s a Long Way to the Top" as the punctuation mark. It all makes for a rollicking ride with one of roots-rock's most unpredictable and passionate artists. -– Alanna Nash

Product Description

Lucinda Williams has always been adept at painting landscapes of the soul, illuminating the spirit's shadowy nooks and shimmering crannies -- but she's never captured the sun breaking through the clouds as purely as on her new Lost Highway release, Little Honey

The album features a duet with Elvis Costello "Jailhouse Tears" Other guest vocalists include Matthew Sweet, Susanna Hoffs, Jim Lauderdale, Tim Easton and Charlie Louvin.

The first single "Real Love" is available for download in the Amazon MP3 store.

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

54 of 58 people found the following review helpful:

4.0 out of 5 stars Really inspired., October 15, 2008

By 

the bomba (Amsterdam, The Netherlands) - See all my reviews

This review is from: Little Honey (Audio CD)

Lucinda's ninth album contrasts with the downbeat nature of "West" in being a generally a more upbeat collection; it comes as a bit of a surprise to learn that most of its songs were originally written for "West" (though "Circles And Xs" dates back to 1985 and "Well Well Well" to the Sweet Old World days of 1992).
"Little Honey", however, stretches Lucinda's already eclectic musical envelope even further beyond the approved boundaries of country and Americana.
She's retained West's engineer Eric Liljestrand as co-producer (with Tom Overby) for Little Honey, and there's real high-octane chemistry in the support crew, which mostly comprises her latest crack road band (now collectively known as Buick 6), including among its ranks guitarists Chet Lyster and Doug Pettibone, bassist David Sutton and drummer Butch Norton; additionally, keyboardist Rob Burger (who'd played on the "West" sessions) returns to gently fill out the textures some more.
In the 30 years since her first album, Lucinda Williams has become known as one of the most expressive, emotive singers around, her country-blues voice cracked through with heartbreak. She's still crying, but this time it's tears of joy over her marriage to manager Tom Overby. Yet this is no saccharine outpouring: "Honey Bee" is a stomping, fearsome ode to her lover, while gorgeous lament "If Wishes Were Horses" recalls earlier pains.
"Little Honey" is a very physical album, though it still keenly (and sensually) expresses that quality of introspective spiritual heartache that has made Lucinda one of country music's most enduring songwriters of our time.
It kicks off with the rock power of "Real Love". That's followed by "Circles and Xs": It's classic country blues as is the next track "Tears Of Joy", a soulful groove, a gorgeous stately stroll.
Williams is also a great lyricist and on "Little Rock Star", she offers a stark warning on the wasting of talent.
Warm fuzzy horns and distant guitars gently wash over the eight-minute sprawl of "Rarity", a prolonged low-key assault on the senses, leading into "Plan To Marry", a Joan Baez-tinged reflection on love's vagaries.
Having lulled us into the mood of these melancholy musings, Lucinda then lurches off down a rockier road with a swaying and strutting take on AC/DC's "It's A Long Way To The Top".
Strangely less so is the duet with the ubiquitous Elvis Costello.
The song "Jailhouse Tears" - two quirky voices in perfect symmetry -
is perhaps just too campy and obvious.
Highlights :"If Wishes Were Horses", "Tears of Joy" and "It's A Long Way To The Top".

31 of 33 people found the following review helpful:

4.0 out of 5 stars Another winning number. It jumps at # 9 of the Billboard 200 chart., October 15, 2008

By 

India - See all my reviews

This review is from: Little Honey (Audio CD)

"The object of cultish adoration for years, the American singer/songwriter is universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. Part of the reason was her legendary perfectionism: she released records only infrequently, often taking years to hone both the material and the recordings thereof. Plus, her early catalog was issued on smaller labels that agreed to her insistence on creative control but didn't have the resources or staying power to fully promote her music. Yet her meticulous attention to detail and staunch adherence to her own vision were exactly what helped build her reputation".-Steve Huey/AMG
At 56, after 30 years in the music business, a string of critically acclaimed albums and three Grammys, she is still something of an acquired taste.
Maybe it's her voice - red raw with passion - or maybe her songs are sometimes just too intense for many listeners.
Her ninth studio album is another masterclass of soulful country blues, but it finds her in more upbeat mood than last year's excellent "West".
For someone whose music is a byword for heartbreak, it's disconcerting that Lucinda Williams's latest album should open with a boisterous, bluesy paean to the joys of love.
On "Real Love", the sense of abandon is fuelled by the electric guitar that she loves but, before the suggestion takes hold that "Little Honey" is the rock album she's always threatened to make, the tone shifts into the more familiar territory of sadness and regret.
"Tears Of Joy" is accompanied by softly throbbing blues guitar and an emphasis on the word 'crying'; while Williams never conceals the fissures of experience running through her fabulous husky voice.
Yet it's emotional ambiguity that Williams excels at, and "Little Honey" drips with it.
This album is notable for its lightness of touch. Whether that's the campy, honky-tonk jam with Elvis Costello ("Jailhouse Tears") or the sparse ballad for her fiancé ("The Knowing), she wraps her honeysuckle voice around them all.
Little Rock Star's sweet tale of redemption through music could be the story of Williams's own life.
Lucinda is happier on more wistful subject matter, particularly "If Wishes Were Horses" and "Circles and Xs"; but not even some superior guitar-playing and an intriguing collection of backing singers (Matthew Sweet, Susanna Hoffs and Charlie Louvin) can hide a certain kind of mediocrity of most of the second half of the album.
All in all, it's a bittersweet treat of soulful country blues.
It is not a bad outing at all, it's great album but not her best.
My favourite tracks: "Jailhouse Tears","If Wishes Were Horses" and "It's A Long Way To The Top".
It debuts at # 9 of The Billboard 200 Chart; at # 1 of the Top Internet Albums and at # 1 of the Top Tastemakers Chart.
Issue Date: 2008-11-01

West

15 of 18 people found the following review helpful:

5.0 out of 5 stars Yes, it's a Real Love!, October 16, 2008

By 

Michael - See all my reviews

This review is from: Little Honey (Audio CD)

Little Honey is a much happier album the Lucinda's last album, West, although I'm not sure it's better, it's just as good just the same.
The album kicks off with "Real Love" a rocking, happy tune. It's something we've never heard from Lucinda, then it goes into the country-tinged ballad "Circles and X's" which was actually written over twenty years ago and I'm not sure why she hadn't used it before, and she slips into a very bluesy "Tears Of Joy" talking about playing games but now she has met a man to whom she loves, then comes the loud, beautiful "Little Rock Star", now this is one of the highlights, most definitley, it may even be the best song on the album. "Honey Bee" is a fast raunchy rocker, it is fun although a bit silly.
"Well Well Well" comes next and I must say, it's a bit too country for my taste. It's an okay song, but again just not my taste. If "Well Well Well" was a disappointment, "If Wishes Were Horses" made up for it and then some! This is my second favorite next to "Little Rock Star". But then things take a turn downward when we get to "Jailhouse Tears", which again is an okay song but I think adding Elvis Costello's vocals wasn't a great idea, but the song itself is okay. So now we're on "Knowing" and I must say, it's a beautiful little love song and "Heaven Blues" is a wonderful little blues song about going to Heaven, the music is almost too happy for lyrics that are so sad. "I'm gonna see my mother up in Heaven..."
"Rarity" is another beautiful love song and "Plan To Marry" is about how "love is a sword" and a song for those who love, believe in love and why people marry.
"It's A Long Way To The Top" is a cover and it's a great rock n' roll closer to an awesome Lucinda Williams album! 5 stars.