A contemporary psychological thriller in the style of Ruth Rendell, from one of today's most versatile and compelling storytellers. It was easy for Elizabeth. She married the man she loved, bore him two children and made a home for him which was the envy of their friends. It was harder for Ruth. She married Elizabeth's son and then found that, somehow, she could never quite measure up! Isolation, deceit and betrayal fill the gaps between the two individual women and between their different worlds. In this complex thriller, Philippa Gregory deploys all her insight into what women want and what women fear, as Ruth confronts the shifting borders of her own sanity. Laying bare the comfortable conventions of rural England, this spine-tingling novel pulses with suspense until the whiplash double-twist of the denouement.
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Book Description
Editorial Reviews
From Publishers Weekly
Gregory's sixth novel moves from her usual historical fiction (A Respectable Trade, etc.) to a contemporary tale that treats familiar, middle-class domestic ground with a horrific tilt. Every Sunday, Ruth and Patrick Cleary, a young English couple married just four years, visit Patrick's parents in Bath. Both Ruth and Patrick work in news production, but even in the common area of career the balance of attention tips heavily toward Patrick. Ruth feels like an outsider in the close-knit Cleary family, and Patrick and his parents are oblivious to her pain. Orphaned since childhood, Ruth has always yearned for love and a sense of belonging. In the first flush of passion, Patrick promised these; he even promised to help Ruth recover her lost childhood by traveling back to her childhood home in Boston. Snugly married and absorbed by his career, however, Patrick has lost track of his wife and his promises. When the cottage at the end of the lane from his parents' manor house comes up for sale, he sells the Bristol condo Ruth loves without a thought. Ruth soon becomes a poster-girl for co-dependence: she loses her job and unwillingly becomes pregnant. After her son is born, she sinks into depression, allowing her mother-in-law to take over completely. Finally, she is manipulated into a "rest home" where she becomes zonked on antidepressants. Hitting bottom, Ruth rallies, only to take control of her life in a joltingly twisted way. Gregory writes smoothly enough, but her insights into the dysfunctional family are only pedestrian, laying fallow ground for a surprise ending that neither horrifies nor enlightens.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Ruth Cleary is carried along on a tide of family actions that leave her living in the little house she never wanted with a baby she hadn't planned to have. As Ruth struggles with postpartum depression and unresolved feelings about the premature deaths of her own parents, her mother-in-law, Elizabeth, manipulates information and situations to take control over Ruth and her family. The character of Elizabeth and her relationship with Ruth are developed carefully, drawing the reader through a range of emotional responses to reach the inevitable conclusion that Elizabeth is waging psychological warfare on Ruth. Gregory's (Fallen Skies, HarperCollins, 1995) novel is a compelling tale of family relationships and of the horror that can ensue when the balance of power is skewed against one member. That Ruth ultimately triumphs makes this most satisfying reading. A good purchase for general fiction collections.?Caroline M. Hallsworth, Cambrian Coll., Sudbury, Ont.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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More About the Author
Born in Kenya in 1954, Philippa Gregory moved to England with her family and was educated in Bristol and at the National Council for the Training of Journalists course in Cardiff. She worked as a senior reporter on the Portsmouth News, and as a journalist and producer for BBC radio.
Philippa obtained a BA degree in history at the University of Sussex in Brighton and a PhD at Edinburgh University in 18th-century literature. Her first novel, Wideacre, was written as she completed her PhD and became an instant world wide bestseller. On its publication, she became a full-time writer, and now lives with her family on a small farm in the North of England.
Her knowledge of gothic 18th century novels led to Philippa writing Wideacre, which was followed by a haunting sequel, The Favoured Child, and the delightful happy ending of the trilogy: Meridon. This novel was listed in Feminist Book Fortnight and for the Romantic Novel of the Year at the same time - one of the many instances of Philippa's work appealing to very different readers.
The trilogy was followed by The Wise Woman, a dazzling, disturbing novel of dark powers and desires set against the rich tapestry of the Reformation, and by Fallen Skies, an evocative realistic story set after the First World War. Her novel A Respectable Trade took her back to the 18th century where her knowledge of the slave trade and her home town of Bristol produced a haunting novel of slave trading and its terrible human cost. This is the only modern novel to explore the tragedies of slavery in England itself, and features a group of kidnapped African people trying to find their freedom in the elegant houses of 18th century Clifton. Gregory adapted her book for a highly acclaimed BBC television production which won the prize for drama from the Commission for Racial Equality and was shortlisted for a BAFTA for the screenplay.
Next came two of Gregory's best-loved novels, Earthly Joys and Virgin Earth, based on the true-life story of father and son John Tradescant working in the upheaval of the English Civil War. In these works Gregory pioneered the genre which has become her own: fictional biography, the true story of a real person brought to life with painstaking research and passionate verve.
The flowering of this new style was undoubtedly The Other Boleyn Girl, a runaway best-seller which stormed the US market and then went worldwide telling the story of the little-known sister to Anne Boleyn. Now published in 26 countries with more than a million copies in print in the US alone, this is becoming a classic historical novel, winning the Parker Pen Novel of the Year award 2002, and the Romantic Times fictional biography award. The Other Boleyn Girl was adapted for the BBC as a single television drama and a film is now in production starring Scarlett Johansson as Mary Boleyn, Natalie Portman as Anne Boleyn and Eric Bana as Henry VIII.
A regular contributor to newspapers and magazines, with short stories, features and reviews, Philippa is also a frequent broadcaster and a regular contestant on Round Britain Quiz for BBC Radio 4 and the Tudor expert for Channel 4's Time Team.
She lives in the North of England with her husband and two children and in addition to interests that include riding, walking, skiing and gardening (an interest born from research into the Tradescant family for her novel, Virgin Earth), she also runs a small charity building wells in school gardens in The Gambia. Fifty-six wells have been built by UK donors to date.
Philippa obtained a BA degree in history at the University of Sussex in Brighton and a PhD at Edinburgh University in 18th-century literature. Her first novel, Wideacre, was written as she completed her PhD and became an instant world wide bestseller. On its publication, she became a full-time writer, and now lives with her family on a small farm in the North of England.
Her knowledge of gothic 18th century novels led to Philippa writing Wideacre, which was followed by a haunting sequel, The Favoured Child, and the delightful happy ending of the trilogy: Meridon. This novel was listed in Feminist Book Fortnight and for the Romantic Novel of the Year at the same time - one of the many instances of Philippa's work appealing to very different readers.
The trilogy was followed by The Wise Woman, a dazzling, disturbing novel of dark powers and desires set against the rich tapestry of the Reformation, and by Fallen Skies, an evocative realistic story set after the First World War. Her novel A Respectable Trade took her back to the 18th century where her knowledge of the slave trade and her home town of Bristol produced a haunting novel of slave trading and its terrible human cost. This is the only modern novel to explore the tragedies of slavery in England itself, and features a group of kidnapped African people trying to find their freedom in the elegant houses of 18th century Clifton. Gregory adapted her book for a highly acclaimed BBC television production which won the prize for drama from the Commission for Racial Equality and was shortlisted for a BAFTA for the screenplay.
Next came two of Gregory's best-loved novels, Earthly Joys and Virgin Earth, based on the true-life story of father and son John Tradescant working in the upheaval of the English Civil War. In these works Gregory pioneered the genre which has become her own: fictional biography, the true story of a real person brought to life with painstaking research and passionate verve.
The flowering of this new style was undoubtedly The Other Boleyn Girl, a runaway best-seller which stormed the US market and then went worldwide telling the story of the little-known sister to Anne Boleyn. Now published in 26 countries with more than a million copies in print in the US alone, this is becoming a classic historical novel, winning the Parker Pen Novel of the Year award 2002, and the Romantic Times fictional biography award. The Other Boleyn Girl was adapted for the BBC as a single television drama and a film is now in production starring Scarlett Johansson as Mary Boleyn, Natalie Portman as Anne Boleyn and Eric Bana as Henry VIII.
A regular contributor to newspapers and magazines, with short stories, features and reviews, Philippa is also a frequent broadcaster and a regular contestant on Round Britain Quiz for BBC Radio 4 and the Tudor expert for Channel 4's Time Team.
She lives in the North of England with her husband and two children and in addition to interests that include riding, walking, skiing and gardening (an interest born from research into the Tradescant family for her novel, Virgin Earth), she also runs a small charity building wells in school gardens in The Gambia. Fifty-six wells have been built by UK donors to date.
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Most Helpful Customer Reviews
24 of 24 people found the following review helpful:
5.0 out of 5 stars
Perfect Example Of A Top Notch Psychological Thriller,
By Veronica (England) - See all my reviews
This review is from: The Little House (Isis) (Audio Cassette)
The Little House is a remarkable gem of a psychological thriller. It makes even the most normal, everyday events seem sinister and riveting.The plot focuses on Ruth who is talked into starting a family by her husband and living down the road from his upper class parents in the country. Then the nightmare unfolds. The book is a masterpiece of claustrophobia as Ruth's in-laws intrude more and more into her life. All throughout the book I felt tense and unsettled - just as I love to be when I am reading a thriller. I could absolutely empathise with Ruth and as her situation got worse and worse I was routing for her all the way. Ruth is a delightful, yet in some ways tragic character. She is a successful journalist and yet her past has meant that she is needy and desperately seeking love. She thinks she has found a family which she can belong to at long last in her in-laws but what she fails to realise is that they want to control her. The mother in-law, father in-law, and Ruth's husband Patrick are chillingly plausible and well developed. The beauty in this novel is that unlike in many other psychological thriller's these three characters are not evil, they truly believe they are doing the best for Ruth and themselves - even as they push her further and further towards the limits of her own sanity. Overall The Little House is a fantastic study of relationships between a woman and her in-laws and how the ordinary things can lead someone to madness, and to do the most unspeakable things. The Little House's packs a hard, chilling punch, especially as the ending is so unexpected and compelling. I would recommend this book unreservedly. JoAnne
7 of 7 people found the following review helpful:
5.0 out of 5 stars
This is a page-turner!!!,
By
This review is from: The Little House: A Novel (Hardcover)
What a wonderfully written book! I was immersed in the lives of these well developed characters within minutes and couldn't stop reading until I'd reached the end in one sitting. This is an illuminating book for women. It illustrates the frightening results when a woman is unable or unwilling to set boundaries in her life. I was so affected by this book that I bought it for my newly married daughter and insisted she read it as an object lesson. I think most women will relate to the heroine of this book. The ending was electrifying and immensely satisfying!
8 of 9 people found the following review helpful:
5.0 out of 5 stars
WHAT A READ!!!!,
By rabidreader (arkansas) - See all my reviews
This review is from: Little House (Paperback)
I thought this book was wonderful.We used to live in England and it was so true to the way English folks are it brought back lots of memories. It held my attention until the last page. I found I could NOT make myself put it down. I became so angry with some of the characters I knew that it must be a well written book. When you get so invloved with a book you just want to shake some of the characters to me it means the author is doing a pretty good job of immersing you in her story. You will not be sorry you picked this book to read. I read the last 3 pages over and over and found myself thinking of the ending long after I had closed the the book. LOVED IT!!!!
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