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Most Helpful Customer Reviews
9 of 11 people found the following review helpful:
3.0 out of 5 stars
Most competent adaptation of the story as a serious mystery,
By viewer (USA) - See all my reviews
This review is from: Ten Little Indians (aka And Then There Were None) (VHS Tape)
Agatha Christie's 1939 story idea captures the imagination. Ten strangers who each, in different ways, have gotten away with murder gather by invitation at an isolated mansion. Then their unknown host U.N. Owen systematically and mockingly murders them one by one. The idea was adapted into a film in 1945, 1965, 1974, and 1989. Unfortunately, neither Christie nor the filmmakers succeeded in turning this captivating but confining plot concept into a truly fulfilling story.
The book's premise is clever. Careful attention is paid to plot detail. Compared to the films, the book's assortment of past crimes and depictions of the characters' attitudes toward them are more varied, subtle, and interesting. The book is the least sentimental about the characters, treating them vaguely and suspiciously. It maintains more of a sense of intensity and purpose than the films. It details why and how Owen carried out the scheme. However, once the book establishes its imaginative premise, the story becomes thin and formulaic. There is little plot or character development. The storytelling seems flat, frigid, and, at times, slow-paced. There is no lead character to care about. The characters and their past crimes are sketched in summary fashion, and vary widely in quality. There are only two real plot twists. The second creates a major logical problem, which the book acknowledges and tries to overcome by weakly suggesting that the ploy would trick or "rattle" the murderer. The guests' murders are designed to follow the nursery rhyme and little more. Some cosmetic frills aside, the killings show, in themselves, no special cunning, skill, strategic advantage, or plausibility. Owen strikes crudely without detection too effortlessly. Worst of all, the book (and each film) has nothing serious to say about the powerful themes at the heart of the story. The story is inherently an observation of human nature in a desperate situation. How do the characters behave? How do they try to reason, to survive? Also by its very nature -- as the book's last pages show -- this is a morality play. How is each character a "criminal" and "beyond the law"? Does each get "justice"? Is justice the point, or simply a "lust" to torture and kill? Is the story about breaking the law or enforcing it, about mistakes or abuses in pursuing justice? None of this is meaningfully explored. In some respects, the films are worse and better than the book. The lighthearted approach of the 1945 and 1965 adaptations is entertaining, but comes at the expense of the story's plausibility and seriousness. Characters confess their secrets and treat the horror unfolding around them as if it were a parlor game. The 1974 film took a decidedly different tone, for good and ill. Gone from both 1945 and 1965 is the comical opening sequence and its catchy, upbeat music. The 1974 film has no opening music, just simple credits and silence invaded by the sound of an approaching helicopter. Its storytelling is cold and clinical. This matches its setting -- a palatial, ornate, immaculate hotel, shuttered and alone amid ruins in the Iranian desert. The 1974 movie captures more of a sense of fear, menace, and suspense. This includes the selection of Orson Welles to narrate the tape recording charging the guests with past crimes and also the way in which the killings are depicted. The characters are more serious. They are played, with authority, more like real people than caricatures. Richard Attenborough's judge is more stern, less folksy, than in prior versions. Stephane Audran is excellent as actress Ilona, radiant and charming on the surface but troubled and lonely at the core. The maid and butler are believable as hard, smooth con artists. In this important sense, the 1974 version is truest to the book and to those who want to see it presented as a serious mystery (the 1989 adaptation ends well but is low-budget and generally inept). Overall, however, the 1974 film is less substantial and entertaining than prior versions. The storytelling is so spare and unartful it can feel sterile and uninvolving, lacking in wit, ingenuity, eloquence, and energy. The only moment of real charm comes early and abruptly, when Charles Aznavour performs a song, "Dance in the old-fashioned way," with Audran looking on, enchanted and lovely. By contrast, Aznavour's rendition of Ten Little Indians is disappointing. At "six little Indians," he starts pounding the piano keys and shouting the words, only to let the music die out in anticlimax before "one little Indian." The outstanding cast is unable to breathe much life into the characters or interactions. Herbert Lom lends an air of authority, reserve, and intelligence (perhaps too much) to the doctor. But his restrained, stiff performance lacks any truly memorable quality, like Walter Huston's buffoonery and charm in 1945 or Dennis Price's vanity and arrogance in 1965, and he is unconvincing as a drunkard. Adolfo Celi can do nothing much with his role, and Gert Frobe little more with his. Elke Sommer, unflatteringly filmed, makes no impression as Vera and has no chemistry with Oliver Reed. Reed gives an impenetrable, impish performance as Lombard. The 1974 film copies from the imperfect 1965 script, and loses some memorable lines in the translation. Also, by 1974, Lombard has no career. The 1974 film is least faithful to the nursery rhyme. Events are out of Owen's control, as when a snake is let loose, an uncertain murder weapon; one character simply wanders off into the desert; and another screams when a candle blows out by chance, in prior adaptations a diversion engineered by Owen. The location is so faraway and desolate it raises questions about why the guests would be willing to go there, without at least investigating, and how Owen could have made the arrangements. The film lapses back to 1945's short final exposition scene. Re-writes to reflect the end of hanging as a form of capital punishment, and to make Owen choke out incoherent last words, rob that crucial scene of even the inadequate dramatic effect of its predecessors.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Yet Another Great Film Never Released On DVD!!!,
Amazon Verified Purchase(What's this?)
This review is from: Ten Little Indians (aka And Then There Were None) (VHS Tape)
The plot is very simple to explain: A group of individuals to varying degrees are placed in a desert mansion for a dinner party/weekender with a twist, murder. One by one, each member of the dinner party is eliminated in a cruel and particular way, so as to follow along with the rhyme involved in the title of the motion picture. But how they all arrive at their individual final destinations is marvelous! The setting and set pieces are magnificent and beautiful, touches of marble and lavish oriental rugs adorn the viewer's scope. This movie was claimed by many at the time to be a disappointment from the original motion picture from 1945 and its first remake in 1965, some twenty years later. Adversely enough, this film had an attractive setting in the exotic desert and a sprawling palace to view on a grand scale; contemporary actors from the 70's that were not the greatest of their day but good enough to make the word play work well for their characters.
All in all, I can't believe that this movie was never put on DVD, but as we all know if the demand is too low for the film to be made into a DVD then it will go off into the lost motion picture sunset as many other great films from the 60's and 70's have over the years. If you're lucky you can find this movie on VHS at a local video store that still carries VHS tapes as the one I bought has been. Of all of the adaptations of this story I find this one to be the most beautiful and scary of settings and plot dynamics: A palace in the middle of a desert. The thought alone makes me cautious, for one thing or another if you were on an island, there's an occasional boat that goes by or even water to swim across regardless of crocs, alligators or the essential shark, but in the desert you'll pass out from exhaustion/dehydration in little to no time at all. It's a shame this movie was never reproduced, I still hold out hope that some day it might.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
good rendition,
By it (Sunnyvale, CA USA) - See all my reviews
This review is from: Ten Little Indians [VHS] (VHS Tape)
I recorded this off the air many years ago and enjoy viewing it every year or two. I am surprised that it is not out on DVD, the cast containing several very famous acting people such as Goldfinger, Inspector Clouesau's boss, and the chaste and tastefully sexual Elkie Sommer.
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