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Summer Reading
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The incomparable Maurice Sendak illustrates Amos Vogel's enormously amusing story, which first appeared in 1963 and has been rereleased for a new generation of lucky readers. Lori's melodramatic range of emotions throughout his arduous day is pure delight for fans of Sendak's familiar artwork, as seen in such classics as Where the Wild Things Are and In the Night Kitchen. Try not to be overly concerned at the idea of a small child wandering the streets of New York alone. This was written in another era, after all, and the silliness factor far outweighs the "unsafe" aspect. (Ages 4 to 8) --Emilie Coulter
Amos Vogel was born and educated in Vienna and came to America during the War. He founded Cinema 16, which was at one time the world’s largest film society, sat on international film juries, and has written and lectured on films.
In addition to Where the Wild Things Are, Maurice Sendak's books include Kenny's Window, Very Far Away, The Sign on Rosie's Door, Nutshell Library (consisting of Chicken Soup with Rice, Alligators All Around, One Was Johnny, and Pierre), Higglety Pigglety Pop! or There Must Be More to Life, In the Night Kitchen, Outside Over There, We Are All in the Dumps with Jack and Guy, and Bumble-Ardy.
He received the 1964 Caldecott Medal for Where the Wild Things Are; the 1970 Hans Christian Andersen Award for Illustration; the 1983 Laura Ingalls Wilder Award, given by the American Library Association in recognition of his entire body of work; and a 1996 National Medal of Arts in recognition of his contribution to the arts in America. In 2003, he received the first Astrid Lindgren Memorial Award, an international prize for children's literature established by the Swedish government.
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I loved this book as a child, and for years looked for it as an adult. Finally, when my fiance found it and gave it to me as an adult on my birthday (41st!) it brought tears to my eyes. It is that good. Thank you Messrs. Vogel and Sendak.
"(This is a very funny book and should not be read while drinking orange juice or you will spill it!)" Be sure to heed that warning. I suggest drinking nothing more colorful than water.
"One day Lori said to himself: 'I want to see Times Square.'"
Unfortunately, he doesn't quite know where it is or how to get there. He walked to the subway, but ended up at South Ferry. Then a bus took him to 242nd Street. From there, he was soon expelled from a taxi for lack of funds. The elevated subway took him to Uncle Eddie's home in Queens. The boat went to Staten Island. A helicopter flew him to Idlewild Airport (now Kennedy, having been renamed after this book was first published in 1963). A horse and wagon pulled him to the middle of Central Park. A pony trotted him around in circles. Some sea lions just got him wet. An elevator took him to the 125th floor of Macy's (there is no such floor).
He was then crying on the sidewalk, less than 12 blocks from Times Square.
A turtle speaks . . . s . . . l . . . o . . . w . . . l . . . y and tries to help. "So Lori got on, and the turtle started crawling (very slowly of course)."
"AND THIS WAS FOUR MONTHS AGO . . . And nobody has heard from them since . . . ."
The best part of the story is after Lori meets the turtle. Each two-page spread is initially accompanied by only one word, to emphasize the turtle's slowness. Mr. Sendak does a great job of showing how Lori's emotions shift as the turtle continues on speaking slowly.
On the other hand, much of the rest of the book seems somewhat pointless other than to list that there are lots of ways to get around in New York.
A major lesson here is that you need to have both a goal and some idea of how to achieve it. If you don't have a good plan, you had better get a strong partner. This book makes those lessons very well.
Where do you lack clear goals and direction to accomplish those goals? Who can help you quickly to reach effectiveness in your pursuit of the goal? How can you attract their assistance?
Be sure you're moving in the right direction . . . and at the right pace!