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This is a story about a different kind of princess than one might imagine; a princess that is an orphan - lonely, cold, hungry and abused. Sara Crewe begins life as the beloved, pampered daughter of a rich man. When he dies a pauper, she is thrown on the non-existent mercy of her small-minded, mercenary boarding school mistress. Stripped of all her belongings but for one set of clothes and a doll, Sara becomes a servant of the household. Hated by the schoolmistress for her independent spirit, Sara becomes a pariah in the household, with only a few secretly loyal friends. But through her inner integrity and strength of will, Sara Crewe maintains the deportment, inner nobility and generous spirit of a "real" princess.
It is a fabulous story of the triumph of human will, and good over evil.
This story is a real classic, and needs no re-writing to be as enjoyable and readable today as it ever was. Ask my 8-year-old daughter, who has already re-read it twice. Accept no substitutes, re-writes, abridgements or copies! This is a work of art, and should not be tampered with.
The writing is charming and Sara comes through as a person who is determined to maintain her values, through good times and bad. She has a definite personality and that is a good role model for any child. She stays true to her beliefs in being kind, mannerly, charitable and above all, herself.
The magic in this book is unsurpassed in children's literature. When Sara comes home, wet and cold and neglected, to find that a magician has transformed her world, you can't help but be enchanted. I will admit to reading it again now and then as an adult. The charm is still there.
Just a fun factoid; A Little Princess was originally a shorter story titled Sara Crewe, in a volume of children's novelettes by Burnett.
In some ways, this is a formula book for girls -- although it might be fair to say that this book invented the formula: plucky, mistreated orphan (mysteriously stripped of her fortune), who never loses hope and remains truly good transformed through a mysterious benefactor into a girl rich beyond her wildest dreams (see also: the Boxcar Children; Little Orphan Annie, etc).
Sara is an extremely engaging character. She is almost too good to be true -- kind to the servants, smarter than the headmistress, and able to tell stories that ensnare her listeners. Sara's stories enable her, first to make friends, and then later, to cope with the rather significant blows that life (and the author) deal her.
And, in the best of tradition of this type of story, Sara is rescued, her wealth is restored, she remains a perfectly lovely little girl, and the horrible headmistress who mistreated her gets her comeuppance. All is right with the world once again.
I hadn't read it before, but it instantly became one of my favorites. I was reading it in bed when I got to the scene where Sara finds out her father is dead; I had to stop reading and cry myself to sleep.
There are other scenes, though, that didn't make me cry then, but they sure do now. "Guy Clarence" giving his sixpence to Sara, so convinced that he's setting her up for life. Sara giving away the currant buns to the real beggar child, and the shopkeeper's reaction: "Left just one for herself. And she could have eaten the whole six. I saw it in her eyes." And the very last scene: "Her name is Anne. She has no other."
Another scene that doesn't make me cry, but is still very moving, is when Ram Dass drops into Sara's attic to retrieve the monkey. That conversation plays on so many levels. First of all, he's respectful because she's white and female: kind of creepy from today's perspective, but OTOH, it's been a long time, at that point, since anyone has shown her any real respect. But, because they are both servants, he can be forthright with her, not just say "Yes, Missee Sahib" as he might have when she was wealthy. And moreover, it's refreshing for her to talk with him about India, which she apparently misses a lot. She was never miserable there, at any rate!
And this scene is crucial, because after he leaves, she is face to face with the realization that her life is not going to get any better (as it stood, without Burnett's plot machinations). She mulls this, then decides, "Whatever comes cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside.
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