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Little Touch of Schmilsson in the Night


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Audio CD, May 23, 2006
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Little Touch of Schmilsson in the Night + Nilsson Schmilsson + Nilsson Sings Newman: 30th Anniversary Deluxe Ed
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Editorial Reviews

In the early '70s rock stars did not make standards albums, but that's what Nilsson did with this 1973 LP. He nearly cracked the Top 40, too, backed by Gordon Jenkins' orchestra as he sets that beautiful voice free on As Time Goes By; It Had to Be You; Always ; six bonus outtakes unissued in the U.S., and more!

Product Details

  • Audio CD (May 23, 2006)
  • Number of Discs: 1
  • Label: Sbme Special Mkts.
  • ASIN: B0045DO89M
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (137 customer reviews)
  • Amazon Best Sellers Rank: #2,959 in Music (See Top 100 in Music)

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Customer Reviews

Nilsson's voice is the perfect medium for these songs and the orchestration is beautiful.
R. Banninger
It was so relaxing and enjoyable, it would put me in a calm state and allow me to get the confusion of the day out of my head and get a good night's sleep.
Rocky Pool
I bought the vinyl album way back when it was released, and listened to it countless times.
P. Fusco

Most Helpful Customer Reviews

117 of 120 people found the following review helpful By R. Claster on July 31, 2000
Format: Audio CD
This album, featuring brilliant performances by both singer Harry Nilsson and arranger Gordon Jenkins, was (for some reason) hacked up and only about 65% of it was released. As the entire album was conceived as a whole, with links bridging the songs, this was a real shame.
However, the full album has recently been restored and released under the title "As Time Goes By: The Complete Schmilsson in the Night," and so you should absolutely avoid "A Little Touch" and make sure to get "As Time Goes By." You won't be sorry.
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52 of 53 people found the following review helpful By David Pearlman TOP 1000 REVIEWERVINE VOICE on May 25, 2006
Format: Audio CD
When this album was released in the early '70s--a collection of songs that were already decades old, carefully arranged by Sinatra's best ballad arranger Gorden Jenkins--it wasn't clear if this was intended as a loving tribute or an ironic statement. Coming from the hippest (and most talented) musician-come-practical joker in the room, and appearing years before this type of record would be popularized by people like Linda Ronstadt, it just seemed this album couldn't be serious.

Or could it?

Well, the truth is, it doesn't matter. Because context becomes irrelevant over time, and what's left is the music. And, what beautiful music it is. Tremendously well-chosen standards from throughout the first half of the 20th century, tremendously well orchestrated by a master, and sung with passion AND precision by a man of great vocal talent. Who cares what anyone was thinking? All you ever need to know is on the record.

Time has only been kind to this album, and to these ears it has dated not a whit in the more than quarter century since it was released. Perhaps because it was never of its time in the first place. Lush romantic music from a happier, simpler time--something we all need.

This remastered adds several four bonus tracks that were recorded during the same sessions but not included on the original album. These tracks fit in well with those from the album as originally issued. The sound of this remaster is also DRAMATICALLY better than the original US CD issue.
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53 of 55 people found the following review helpful By James R. Morris Jr. on May 29, 2006
Format: Audio CD
The remastered release of Harry Nilsson's Touch is cause for celebration. In a time when American Idols reign supreme, and faded pop singers try to resurrect ailing careers singing standards, yielding excruciating results, this CD reminds us that Mr. Nilsson was perhaps the first rocker to successfully record an album of standards. Along with Willie Nelson's 1978 Stardust, these two lps introduced an entire generation to its own musical heritage. But Mr. Nilsson's lp was first, and finest.
I purchased it back then (1973) and was transported by its romantic lyricism. Like many Beatles generation's kids, I was not enamored with the 70's music. Disco was on the horizon, jazz was becoming fusion, and country was becoming pop with a southern accent. The only place to go was to the past. And Mr. Nilsson must have known this. He didn't undertake this project to resurrect his own career, as he was on top at the time. It was a risky move; some warned of career suicide. The results, both commercially and critically, thankfully proved otherwise.
The album itself is composed mainly of prewar, (WW11 that is,) standards written by the likes of Gus Kahn, Herman Hupfield, and Irving Berlin. The lesser known jewels "Lazy Moon" and "Lullaby In Ragtime" glimmer just as much as the more familiar "Always", "Making Whopee", and "As Time Goes By". Mr. Nilsson employs a respectful approach, preventing a degeneration into camp, a la Tiny Tim. The renditions are joyous, and full of vitality, but not overdelivered (unlike so much of the bellowing we hear today). His vocals caress each lyric, and being who he is, Mr. Nilsson avoids the solemnity that often mars so many of these projects, while simultaneously rejecting the whimsey that was beginning to stereotype him.
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47 of 52 people found the following review helpful By S. Baird on September 17, 2006
Format: Audio CD
I've reviewed this album twice before on the Amazon site, first for the Australian import version entitled, "As Time Goes By," and then some while later when the British import version became available here.

THERE ARE DIFFERENCES here that may be of interest to someone who has not yet discovered this magnificent collection, and these differences may be important enough for you to consider one version over another. The audiophile with an especially capable system will prefer the British pressing.

First, and perhaps most importantly, the new domestic remaster simply adds the bonus tracks to the end of the album after following the original 13-song LP sequence. In my opinion, this is something of a disservice since it appears to me (and to some professional critics) that the song, "As Time Goes By," is intentionally placed at the end of the album -- in either the truncated original 1973 release or the expanded British and Australian imports -- because the artist intended the song to be an epilogue expressing the theme of the album as a whole. The tune emphasizes the importance of the various phases of many interpersonal relationships as they evolve from courtship ("Lazy Moon") through marriage ("For Me & My Gal"), infidelity ("Makin' Whoopee") and irreconcilable differences ("Thanks For The Memories"). Along the way, Nilsson is mindful of the importance of introspection ("This Is All I Ask) and his own mortality ("Over The Rainbow").

Not only does this new remaster merely append the five additional tunes omitted from the original release, there are two non-essential asides that are attached to two songs, but not indexed (one from an engineer telling Nilsson that he has "all the time he needs but not a second extra.
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Little Touch of Schmilsson in the Night
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