Live Cream [Original recording reissued, Original recording remastered, Live]

Cream | Format: Audio CD

Product Details

• Audio CD (April 7, 1998)
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered, Live
• Label: Polydor / Umgd
• ASIN: B0000067L5
• Also Available in: Vinyl
• Average Customer Review: 4.5 out of 5 stars  See all reviews (16 customer reviews)
• Amazon Best Sellers Rank: #42,065 in Music (See Top 100 in Music)

Track Listings

1. N.S.U.

2. Sleepy Time Time

3. Sweet Wine

4. Rollin' And Tumblin'

5. Lawdy Mama

Editorial Reviews

CREAM LIVE CREAM

Customer Reviews

Most Helpful Customer Reviews

38 of 44 people found the following review helpful:

3.0 out of 5 stars a living document, November 5, 2004

By 

Don Schmittdiel "running_man" (Clinton Twp., MI) - See all my reviews

This review is from: Live Cream (Audio CD)

'Live Cream' was released in June of 1970, more than two years after most of the tracks were recorded at the Fillmore West and Winterland sites in San Francisco, and 3 years after 'Lawdy Mama', the predecessor to 'Strange Brew', was laid down at Atlantic Studio's. All of the live tracks are extended versions of songs found on the band's first studio release, 'Fresh Cream'. There is a 'Live Cream - Volume Two' (released in March of 1972) disc also available, and those tracks are drawn from Cream's second and third studio releases, 'Disraeli Gears' and 'Wheels of Fire', so it appears some forethought and planning went into these live documents. Together with live tracks from 'Wheels of Fire' and 'Goodbye', there is as much live material available from the band as there is studio work.

Since 'Fresh Cream' was primarily a blues-rock album, 'Live Cream' exudes the same feel. On most of the numbers, however, such as the opener, 'N.S.U.' and 'Sweet Wine', the blues are fairly rapidly clicked up a notch as the band jams in rock mode. While 'N.S.U.' only timed out at 2:47 on 'Fresh Cream', it burns for over ten minutes here, while 'Sweet Wine' keeps pouring out for over fifteen minutes. Mercifully, especially given the year was 1968, we are spared any extended drum solo's, although if any drummer was worthy of an extended drum solo, it would be Ginger Baker. 'Sleepy Time Time' and a fine cover of Muddy Water's 'Rollin' and Tumblin' are only broadened by a few minutes over their studio counterparts on this disc. Jack Bruce contributes all of the lead vocals while Eric Clapton supplies occasional background support. The musicianship is exemplary, with Bruce's bass improvisations predominant. Clapton's guitar is certainly exceptional, but by his standards this isn't his most accomplished recordings. I believe the live tracks from 'Wheels of Fire' put on a finer display of his talents, although my own perception may be biased as I favor his playing in the psychedelic, wah-pedal mode.

For my money the real gem in this collection is the shortest, and most out-of-place track on the disc, that being the closer, 'Lawdy Mama'. If you never heard the song that 'Strange Brew' is based upon, here's your chance. The author of this traditional blues number is unknown, but here we get Cream's version, arranged by Clapton. The lyrics to 'Strange Brew' are better, and as you listen to the song the effects of years of conditioning will most likely compel you to 'hear' those lyrics over the verses of 'Lawdy Mama'. It's a great historical piece, even if it is completely out of place on this disc.

'Cream' had already disbanded when 'Live Cream' was released in 1970. In fact, Clapton had already written the next chapter in his career by recording the 'Blind Faith' album with Steve Winwood the year previous. So the two live discs that were released in the early 1970's were an attempt to further document, and profit from, the short-lived phenomenon that was 'Cream'. We're fortunate to have these recordings, even if they were only dusted off and released because there wasn't anything else being produced. The sound is tremendous, but since the disc was remastered there was an opportunity to expand on the track listings and the liner notes. Unfortunately, the producers did nothing to go beyond what was made available on the original vinyl release.

30 of 35 people found the following review helpful:

5.0 out of 5 stars Cream's best live album, September 28, 2000

By 

kireviewer (Sunnyvale, Ca United States) - See all my reviews
(VINE VOICE)   

This review is from: Live Cream (Audio CD)

This album was released after Cream broke up. It is an amazing collection of 4 live tunes ranging from 6 to 15 minutes long. This is power trio jamming at its best. It is an excellent fusion of jazz, blues and mostly rock. While there is alot of Eric Clapton and his guitar solos, there is much intriguing interplay with Ginger Baker on drums and Jack Bruce on bass and harmonica. Overall, it is much more complex and energetic than the live material on Wheels of Fire, and far superior to the follow up Live Cream II.

The fifth song, Lawdy Mama is a short, interesting studio artifact It is Cream's version of a traditional blues tune that eventually evolved into Sunshine of Your Love.

If you like Cream, the best bet is to get the box set Those Were the Days. It includes all 6 Cream albums plus other unreleased material.

15 of 16 people found the following review helpful:

5.0 out of 5 stars Colossal!, May 9, 2005

By 

Milesfan! (Margate, Florida United States) - See all my reviews

This review is from: Live Cream (Audio CD)

This is quite simply the greatest live album ever made. Astonishing performances of great songs, wonderfully recorded and mixed. From the opening notes of NSU to the crescendo close of Sweet Wine, the sonic attack never lets up for a second.

Jack, Eric and Ginger were like three racehorses desperate to cut loose from the gate. The nature of their musical relationship has to be unique in music history. All three having huge competitive egos, they were still totally, absolutely in sync at this magical moment in the short life of Cream. The resulting combined firepower is breathtaking; no wonder no other band wanted to be on the same bill. Clapton is simply phenomenal, and he is by far the weakest of the three musically. Bruce and Baker take the creative spirit to another level, completely free of cliche or repetition.

The heart of the matter is Sweet Wine, essentially a throwaway tune from the first album. Here it is the launch pad for the most complex, evolving, intuitive improvisation in the history of electric music. 35 years later, this music continues to shock and awe and astonish. Play it as loud as you can physically stand it.