- Buy a CD or a vinyl record, get a $1 Amazon MP3 Credit. Limit one promotional credit per customer. Here's how (restrictions apply)
- Includes FREE MP3 version of this album Here's how (restrictions apply)
| ||||||||||||||||||||||||
Product Details
Would you like to update product info or give feedback on images? |
| 1. What's Goin' On |
| 2. The Ghetto |
| 3. Hey Girl |
| 4. You've Got A Friend |
| 5. Little Ghetto Boy |
| 6. We're Still Friends |
| 7. Jealous Guy |
| 8. Voices Inside (Everything Is Everything) |
"Donny Hathaway Live" is a joyous, but bittersweet effort. Only the classic Donny Hathaway/Roberta Flack duet album compares to the monumental achievements of "DH Live." None of Hathaway's other recorded efforts, including his 2nd live album, "In Performance," were ever able to effectively showcase his musical talents and exquisite vocals. This makes "DH Live" a gem of enormous importance in light of the new wave of '70s "old school" music currently being made by the likes of D'Angelo and Maxwell. In fact, D'Angelo's funky, but flawed "Live At The Jazz Cafe In London, 1996" sounds like a tribute to the stirring principles laid down on "DH Live."
Hathaway's album begins with a fresh interpretation of Marvin Gaye's "What's Goin'On"--a bold move when you consider that Gaye's masterwork album of the same name was simultaneously on the charts and redefining the boundaries of soul at the time of Hathaway's release. Part of Hathaway's genius was his ability to successfully transform Gaye's insightful street testament into a jazzy soul sermon--a fact borne out by the reaction of the audience.
And, that's another great thing about "DH Live." The call and response between the artist and the audience is mixed right up front with the music--as if you're actually sitting in the club hearing this music for the first time. (A far cry from today's "live" recordings with muted crowd response and post-concert studio "sweetenings.") The result is an emotional experience that approaches the ferver of a church revival, as on Hathaway's take on Carol King's "You've Got A Friend."
Surprisingly, Hathaway is not the only star on this album. Hathaway describes him on this cd as "the baddest bass player in the county--Willie Weeks!" And "badd" he is. Weeks, who would go on to work with several legendary bands (including the Doobie Bros.) and artists during the '70s unleashes a funky bass solo for all time on "Everything Is Everything." Just when you think it couldn't possibly get any funkier! His top-to-bottom bass playing literally "sings" on each track.
You must remember that James Brown was still the King of Soul with Aretha as his Queen,in 1972. Motown was still at its peak. But, with "DH Live," a new, sophisticated, soul sound was emerging. It would take root throughout the '70s--inspite of the later onslaught of disco.
And then, there's Donny's voice--soulful beyond description, and with a smooth, grace-of-style untraceable to any soul artist before him. Hathaway proves himself to be a true vocal original in the soul/gospel vein.
It is unfortunate that most people who know of Donny Hathaway only know him as Roberta Flack's duet partner on a few hits. He never became a star in his own rite with the pop crowd. And, with his sad and controversial death in 1979, "DH Live" became an obscure title that was even out-of-print for a while.
Perhaps the time is now for a reconsideration of Hathaway's work, and particularly this album. Listen to "Donny Hathaway Live" again and again and again as I have over the past few decades. Soul, R & B, Funk, Jazz--call it what you want. It doesn't get any better than this. It's the definitive Donny Hathaway album--and, it's one of the greatest live dates ever recorded.