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Most Helpful Customer Reviews
44 of 48 people found the following review helpful:
3.0 out of 5 stars
Could I have some more, please?,
This review is from: Live at the Fillmore East (Audio CD)
Since other reviewers have delved into specifics regarding which songs were played at the Fillmore and which should have been included, I'm not going to reiterate those details. Suffice to say that songs ranging from the classic ("The Loner," "Cinnamon Girl") to the more obscure (some Buffalo Springfield tracks), have been left off this recording. Reprise is lucky that they don't have an army of disgruntled Neil Young devotees storming their offices. But has anyone considered that their frustration could be misguided?
Actually, from what I hear, Neil Young himself is behind the release of this album, and he's planning on going through his archives personally to determine what should be released. And yes, I've heard that some songs, at least "Cinnamon Girl," no longer existed on high-quality tape. The emphasis here was clearly on giving people the best sounding material. And yes, that's admirable, but let's face it - there aren't many people out there who are going to buy this except the big fans, the ones who already have Live Rust and Weld, the ones who own all the original albums, the ones who have been begging for the release of a full show by Neil Young and Crazy Horse circa Everybody Knows This is Nowhere, while Danny Whitten was still alive. And this just doesn't cut it. Regardless of the controversy surrounding Live at the Fillmore East, what's here is very, very good. "Down by the River" and "Cowgirl in the Sand" are astounding, revealing the tremendous skill of both Young and Whitten, while the shorter songs show the loose genius of Neil and the band. "Wonderin'" is an excellent version of the tune later revamped for Everybody's Rockin' in rockabilly form, and I particularly like "Winterlong." If you're a huge fan of Neil Young and Crazy Horse, by all means, pick this one up. Just know that this is going to feel like something of a missed opportunity. By the way, I don't understand why one reviewer distinguished between Neil Young and Miles Davis on the basis of race - is that bigotry against a white musician? The two play different styles, on different instruments, with different intentions. Why in God's name does it matter which one was black and which one was white? They were/are both tremendously talented musicians, and that's why I like them both; not because of their skin color.
27 of 28 people found the following review helpful:
5.0 out of 5 stars
Some people just don't get it!!!!!!!!!!!,
By
This review is from: Live at the Fillmore East (CD/DVD) (Audio CD)
All of the people who have dissed the dvd in this set as not being worth it, don't understand what the intent is. it is not a bonus extra with photos on it. it is a higher resolution music version of the cd.
cd's are recorded at 16 bits resolution and at a sampling rate of 44.1khz. the dvd is recorded at 24 bits of resolution and sampling rate of 48 or 96 khz. it does sound better!!!. i understand some people wont care, but for those of us that want the utmost in fidelity will want this version (provided that you have a dvd player instead of a cd player in your "music" system.) neil has been releasing albums in this form since warner brothers dropped the "dvd-audio format"(i wont even go into what that is, suffice it to say another specialized audio format) that neil embraced as well
16 of 16 people found the following review helpful:
4.0 out of 5 stars
just enough,
This review is from: Live at the Fillmore East (CD/DVD) (Audio CD)
With this release, the first from Neil's infamous "Archives", comes a all-too brief glimpse of the original Crazy Horse sound captured at full force, with the late Danny Whitten, at the legendary NYC venue in March, 1970.
While the nearly 20 minute long rendition of "Cowgirl In The Sand" has already attained legendary status, there is also a well played extended take of "Down By The River" included in this set. The two songs together elevate the overall package "just enough" for the avid Neil collector to throw their money down, but probably don't add up to enough for the casual Neil fan to do the same this time around. The historical significance of Whitten and Young leading the Horse with such power and electricity will be lost on the less enthusiastic Neil fans out there. But make no mistake about it, this is the way these songs were meant to be played and heard by the world. So if that's important to you, then this becomes a must-have CD (especially in the nice hi-resolution stereo mix of the DVD...turn it up to 11 and enjoy a Crazy Horse show right in your own house!) As has already been stated and commented on in abundance on this site and many others, as well as all over the rock music world, Neil's choices of what to leave in/what to leave out, ultimately leave his fans really scratching our heads and "Wonderin". But then, what's new? I'm not one to say that "Winterlong", "Wonderin" or "Come On Baby Let's Go Downtown" are less deserving of inclusion than the omitted songs ("The Loner", "Cinnamon Girl", the entire acoustic set, etc etc), but those longtime fan favorites not making the cut of a 44 minute CD is baffling to say the least. Ideally, this would've been the full electric Horse set on one CD, and the entire solo acoustic set on antoher CD to make this one heck of a double-disc package and a phenomenal introduction to the vaults. But alas, we'll take what we can get and patiently wait for more. Lord knows Neil has taught his fans a thing or two about patience (and head scratching).
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