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| Disc 1: | ||||
| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Don't Drink The Water | 9:13 | $0.99 | |
| Play | 2. JTR | 6:52 | $0.99 | |
| Play | 3. When The World Ends | 3:46 | $0.99 | |
| Play | 4. So Right | 6:15 | $0.99 | |
| Play | 5. Big Eyed Fish | 7:08 | $0.99 | |
| Play | 6. Bartender | 9:54 | $0.99 | |
| Play | 7. What You Are | 6:56 | $0.99 | |
| Play | 8. Crash Into Me | 5:57 | $1.29 | |
| Play | 9. Everyday | 8:42 | $0.99 | |
| Play | 10. I Did It | 3:44 | $0.99 | |
| Play | 11. If I Had It All | 4:31 | $0.99 | |
| Disc 2: | ||||
| Song Title | Time | Price | ||
| Play | 1. Angel | 14:31 | $0.99 | |
| Play | 2. Warehouse | 9:25 | $0.99 | |
| Play | 3. Recently | 4:12 | $0.99 | |
| Play | 4. Digging A Ditch | 5:33 | $0.99 | |
| Play | 5. What Would You Say | 4:53 | $1.29 | |
| Play | 6. All Along The Watchtower | 9:24 | $0.99 | |
| Play | 7. The Space Between | 5:00 | $1.29 | |
| Play | 8. Stay (Wasting Time) | 7:47 | $0.99 | |
| Play | 9. Two Step | 9:18 | $1.29 | |
| Play | 10. Ants Marching | 7:55 | $0.99 | |
Product Details
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Let me start with this then: "Live at Folsom Field" DOES NOT DISSAPPOINT. Every track is good, and many are spectacular.
CLASSIC DMB MATERIAL("Under the Table and Dreaming" to "Live in Chicago" and everything in between): "Don't Drink the Water" has a very high energy level and Dave is screaming throghout much of the song. Definetly a promosing start to the CD.
There's another version of "Crash" on the CD, and it isn't any better or worse then any other version of the song. "Dixie Chicken" ending is present!
A great "Warehouse" graces the second set and it is excellent, although not as good as the "Live at Red Rocks" version. Dave seems to be having fun with the vocals and there is some nice violin work.
"Recently" is nice and tight. Very soft and care-free, just the way this song should be played. Dave's voice is very soft and pleasant. The best version of this classic track.
"What Would You Say" is sub-par and the studio version is much better. A little to lazy. Still, it's not terrible and is worth a listen.
"All Along the Watchtower" Another version of this Dylan classic? Yes, but this time it doesnt close the show. A little different placement in the setlist is nice and Dave hits a electric guitar solo in this version! Almost worth the price of admission alone. But I still miss Tim Reynolds...
The encore of "Two Step" and "Ants Marching" is fabulous, especially "Two Step". Dave messes around with some of the words at the beginning and adds it adds a nice twist.
NEWER DMB MATERIAL ("Everyday" and "Busted Stuff"): All of the "Everyday" songs are good, with "Everyday" highlighting. A long nine minute version of the best song from the album. A lot of vocals between Dave and the Lovley Ladies.
"The Space Between" is decent, but sounds much too much like the studio version: no solos or variations. Just stick with the studio version.
The "Big-Eyed Fish" into "Bartender" is very good: its hard to mess up such a great a song as "Bartender" though.
Everything else from "Busted Sutff" is pretty standard, and "JTR" makes its first "official" DMB appearance.
Although "Live at Folsom Field" is really dynamite, there are a few problems. Firstly, the crowd is much too loud and prominent at times. I'd rather hear Dave then some fans yelling his name, thank you. Also, there should definetly be an Intro track before "Don't Drink the Water" because there is about 2 minutes of crowd noises that you have to wait through to get to the song itself.
Other then those few complaints, this is another great Live album from Dave Matthews and company.
DMB really has to be listened to live to fully appreciate the range of their work. Their extended improvisations and heartfelt way of playing reaches back to the glory days of rock music when Zeppelin would stretch out their classic numbers like "Dazed and Confused" into memorable concert pieces. One will never hear "Warehouse" the same way twice. DMB finds new ways to interpret its music, much in the same way Coltrane never rested on "My Favorite Things." Dave Matthews constantly amazes me with the breadth of his musical range, and he has found perfect company in Tinsley, Moore, Beauford and Lessard.
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