Among the unique material contained in this release are over a dozen songs and performances never previously released on any official Queen live album. That concert, being heard live for the first time in the soon to be released Queen: Live at the Rainbow '74, marked the culmination of the band's countrywide tour, their first as headliners - hot on the heels of a tour supporting Mott the Hoople, late in 1973, on which they were widely regarded as having blown the hit band off the stage. Queen got rave reviews, almost unheard of for a support band, and it was obvious that in future they would be top of the bill.
Just before the March Rainbow gig, Queen performed their new single 'Seven Seas of Rhye' on must-see UK TV music show Top of the Pops. The highly coveted slot was a lucky break - they filled in for David Bowie, who was unavailable - and the band made the most of it, delivering a thrilling performance that pushed the song into the Top 10.
Although the group now had a first hit single under its belt, and second album Queen II had just been released to critical acclaim, many felt that playing The Rainbow was overambitious. It was the premier London venue of the time, on a par with L.A.'s Palladium and New York's Fillmore East. But the band had paid its dues, slugging it out in clubs and college halls for four years, and never doubting their own potential. The band's confidence was vindicated when the venue quickly sold out the capacity of more than 3,000 seats.
Queen's performance was spectacular from the second that Freddie Mercury strutted onto the stage in his soon to become trademark white 'eagle suit,' specially made for him by top fashion designer Zandra Rhodes. He pranced and posed, capturing the audience in seconds with his extraordinary voice and stage presence, while Brian May provided the counterpoint with his remarkable ground-breaking guitar playing. The powerful 'engine room' of drummer Roger Taylor and bass player John Deacon completed a sound unlike anything British audiences had previously heard.
That electrifying show was recorded by Roy Thomas Baker, co-producer of Queen's first four studio albums, and slated to be the band's third album (and debut live album) - a career defining release like James Brown's Live At The Apollo or The Who's Live At Leeds. Intended to be a recording that captured the magic of a live band firing on all cylinders, Queen: Live at the Rainbow '74 would undoubtedly have been a big success. But Queen's ferocious creative momentum produced a stack of new songs begging to be recorded and instead of releasing the live album the band went into the studio to record what was to become their breakthrough album, Sheer Heart Attack. As a result the completed Rainbow live album was shelved and consigned to the archives.
Later in 1974 Queen had their first chart-topping single, 'Killer Queen,' which encapsulated their brand of driving rock and clever lyrics. It appeared on Sheer Heart Attack, which was released in the autumn, was a massive hit and remains to this day many fans' favorite Queen album. To celebrate this success and crown a remarkable year, Queen returned to The Rainbow in November 1974 for two sell-out gigs that were even more spectacular than the one in March.
1) Two CDs, one CD featuring the March show and the second CD featuring the November show
2) A DVD/SD Blu-Ray of the November show with four “bonus” tracks from March
3) A 60 page hardback book containing lots of previously unseen photographs, and (among other items), reproductions of reviews and features from the time.
4) Reproductions of Brian May’s parents’ tickets from the March concert
5) A reproduction of the tour itinerary folder for the March concert from promoter Mel Bush, including a letter instructing the band not to trash the hotel room or there will be dire consequences!
6) A reproduction of the 8 page show tour program
7) Two button badges – reproductions of items available at the concert
8) A reproduction of the purple and gold March concert poster
9) A reproduction of a fashion shoot in The Telegraph Magazine, featuring the band with fashion models.
10) A reproduction of the sticker stage pass from the March concert