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Live at Smalls


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Audio CD, May 10, 2011
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$16.48 & FREE Shipping on orders over $35. Details Only 1 left in stock. Sold by 86books and Fulfilled by Amazon. Gift-wrap available.


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Product Details

  • Audio CD (May 10, 2011)
  • Original Release Date: 2011
  • Number of Discs: 1
  • Label: SmallsLIVE
  • ASIN: B004NWHW5C
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #318,073 in Music (See Top 100 in Music)

1. Oh yes I will
2. Sunday
3. Yama
4. Almost Blues
5. Peaceful Place
6. Afternoon in Lleida
7. Wilsonian Alto
8. Good Morning Heartache
9. Looking Up

Editorial Reviews

Jazz pianist and composer Bruce Barth has been sharing his music with listeners the world over for more than two decades. Deeply rooted in the jazz tradition, his music reflects both the depth and breadth of his life and musical experiences. In addition to traveling widely and performing his own music, he has also performed with revered jazz masters, and collaborated with leading musicians of his own generation. The Star-Ledger writes, No one sounds quite like Barth. His solos are characterized by robust swing, his ability to tell a story, and by his rich, beguiling sound.

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Most Helpful Customer Reviews

2 of 2 people found the following review helpful By R. Weinstock VINE VOICE on January 14, 2012
Among newer releases on Smalls Live in its Live at Smalls series is one by the Bruce Barth Trio. Pianist Barth is accompanied by the bass of Vincente Archer and drummer Rudy Royston on location recordings from the Greenwich Village club that captured a late September 2010 performance. I am most familiar with Barth from his work on Terrell Stafford's excellent celebration of the music of Billy Strayhorn, This Side of Strayhorn, (MaxJazz), but this is first album under his name I have heard. He has a pretty extensive resume including a stint with Terence Blanchard and a number of prior recordings as a leader.

With the exception of a rendition of Good Morning Heartache, the trio performs Barth's original compositions. The opening "Oh Yes I Will is not typical of several performances in that it opens in a pensive, impressionistic manner before Barth's playing builds heat while Royston pushing things along and Archer provides a steady anchor. Sunday opens somewhat in a similar fashion as it develops in a similar fashion before the arpeggios are contrasted with block chords before it closes more pensively. There is a lovely ballad Yama and the lovely version of Good Morning Heartache, finds Barth playing with great restraint and in a spare fashion while Royston provides understated percussive support.

This listener's favorite track might be Almost Blues. This is a terrific, spirited hard bop blues with a Monkish tinge with some driving playing with Royston's rhythmic accents pushing it along before he solos and then trades fours with Barth. Archer gets to solo on Peaceful Place and the spirited Wilsonian Alto which has a bit of latin spice in the performance.
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