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44 of 46 people found the following review helpful:
4.0 out of 5 stars
Fleming finds his style., July 28, 2005
After "Casino Royale" (1953) introduced James Bond to the world, Ian Fleming quickly followed up with his second novel, the vastly superior "Live and Let Die" (1954). Whereas its predecessor is an apprentice work and one of the weakest of the whole series, "Live and Let Die" is fine Fleming, with all the characteristics that mark the best Bond novels: quick pacing, deft characterization, a solid plot, and Fleming's own inimitable style.
The plot is straightforward: someone is smuggling gold coins into the US and the British Secret Service wants to find out who. M sends Bond to America, where he hooks up Felix Leiter to pursue the nefarious Mr. Big, a gigantic Haitian who works for SMERSH and uses voodoo to maintain his control over his minions. Bond, of course, succeeds, but only after much death, suspense, and sexual tension with Solitaire, his delicious female companion.
I would rank "Live and Let Die" in the second-tier of Bond novels, along with "From Russia, With Love" and "Moonraker." It doesn't quite reach the level of such absolute masterpieces as "Doctor No," "On Her Majesty's Secret Service," or "You Only Live Twice," but it's certainly superior to such relatively weak entries as "Goldfinger," "Casino Royale," and the disastrous "The Man with the Golden Gun." All in all, a classic Bond thriller.
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20 of 21 people found the following review helpful:
3.0 out of 5 stars
The Fleming 'sweep' commences..., May 8, 2005
This was the second Bond novel overall, but the first to feature the blueprint for the Bond novels and films to come. Unlike the superb "Casino Royale" which was almost exclusively kept to one location, LALD is a globe trotting epic dragging Bond from NYC to the Caribbean and incorporating nerve shattering adventures in planes, trains and even finishes up as a sea faring thriller. Amongst all of this, somehow Fleming finds time to establish a number of classic 007 motifs - the decadent hotels, iconic villain, sidekick villians, mastermind death plots, development of Felix Leiter's friendship with Bond, the briefing from M. To cap it off, Q branch also rates it's first ever mention, and the beginnings of the novel's gadgetry fixations begin here. LALD is most notable as being the first of it's form and it must have hit readers powerfully with it's freshness on first release. This was 007 as we now know him - brave, resourceful, invincible - master of any skill or body of knowledge. For me, and most Bond readers, familiar with the genre, it's a good read, not a great one, because it skimps on Bond's psychology which ultimately gives a level of excitement and depth that the movies can't equal (although they certainly have different advantages over the books). You need look no further than "Casino Royale" for the thrill of getting inside James Bond's mind and for enjoying his enigmatic and self centred ethics. This read is much more straight forward and dare I say it, predictable good fun. It deserves it's accolades because it was there first.
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15 of 16 people found the following review helpful:
4.0 out of 5 stars
Great Spy Fiction, June 20, 2003
Ian Fleming readers will know what they are getting, and fans of the movie may not. This is the second Bond outing in novel form, the first being CASINO ROYALE. But like the movies, it's unnecessary to see or read them in order. There are a few references to the first novel, mostly vague "from the Royale incident" statements, but nothing major. Bond is darker, less suave than the movie version, and it comes out in this dark novel. It's actually has more to do with the movie For your eyes Only than LIVE AND LET DIE. There's an ocean motif in this one, lots of sharks and underwater perils. Vivid and exciting. good stuff
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