Live at Monterey [Extra tracks, Live]

Jimi Hendrix | Format: Audio CD

Product Details

• Audio CD (October 16, 2007)
• Original Release Date: 1967
• Number of Discs: 1
• Format: Extra tracks, Live
• Label: Geffen Records
• ASIN: B000VI6T6K
• Also Available in: DVD Audio  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (34 customer reviews)
• Amazon Best Sellers Rank: #56,584 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever, so this re-mastered version of the rather short, ten-song gig is long overdue. Released in conjunction with the similarly titled DVD (which presents the audio in stunning 5.1 surround), the music has never sounded better. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power. This may not have been the band's finest hour, but it is surely its most significant. Fortunately, tape decks and cameras were running to record the event for posterity, ensuring that rock guitar had entered a new era and there was no turning back. --Hal Horowitz

Product Description

The DVD soundtrack features a new 5.1 surround and 2.0 stereo mixes by Eddie Kramer, Jimi's original engineer. The CD will feature the brand new, stereo mix heard here for the first time.

Customer Reviews

Most Helpful Customer Reviews

23 of 26 people found the following review helpful:

2.0 out of 5 stars NOT THE BEST AUDIO AVAILABLE, April 17, 2008

By 

BOB (LOS ANGELES, CA) - See all my reviews
(TOP 500 REVIEWER)   

This review is from: Live at Monterey (Audio CD)

I'm always interested in having the best audio version of any recording. Therefore, when this new version was released, I picked it up and compared it to an older edition, the fourth disc of the Rhino Monterey Pop Box, released in 1992.

I was very unpleasantly surprised and dismayed to find the new disc does not have the clarity of the Box CD. The drums & cymbals especially sound muffled.

From a historical standpoint, it's interesting to hear the small snippets of Hendrix' conversation in between songs that do not appear on the Box disc, and yes, the new CD packaging & photos are excellent.

However, it's no fun, after listening to the Box CD for the past 16 years, hearing a new version that has less clarity.

I haven't heard the other versions of this show, released after the Rhino Box, but I sure can't recommend this one.

18 of 20 people found the following review helpful:

5.0 out of 5 stars Behold - A Terrible Beauty Is Loosed Upon The Landscape, May 21, 2008

By 

El Lagarto (Sandown, NH) - See all my reviews

Amazon Verified Purchase

This review is from: Live at Monterey (Audio CD)

When Jimi Hendrix walked onto the stage at Monterey he was relatively unknown in the United States. When he walked off the stage, popular music had been completely transformed. The American debut of the Jimi Hendrix Experience at Monterey isn't just the most exciting live rock concert ever recorded; it's also one of the most significant moments in the history of modern American music. Hendrix took the music world completely by storm and turned it on its head. His influence today is greater than ever, 41 years after the fact. Days after the mind-boggling "set the guitar on fire" stunt, Hendrix was a household word.

The set kicks off fast and hard with Killing Floor, one wonders how Mitch Mitchell (drums) could keep up without injuring himself. Next up, Foxey Lady, soon to be a standard. The treatment of Bob Dylan's beautiful ballad, Like A Rolling Stone, is compelling and soulful. Rock Me Baby is simply beyond belief; it throws off heat like a jet engine. A hard-edged version of Hey Joe comes next; it's blues all right, but psychedelic blues. By the time Hendrix gets to Can You See Me? it's clear that he and his cronies are all settled down and solidly in the groove, this one speeds past like a bullet. The Wind Cries Mary is handled gently and carefully, it's a great song and provides a welcome break from the mayhem.

Purple Haze has never sounded ruder, more demented, and incoherent - it is riveting. If you have any imagination at all, think about what this music must have sounded like to people who'd been nursed on The Platters, The Four Freshmen, and The Beach Boys. We are now completely accustomed to the influence Hendrix has had and it's easy to forget that when this was recorded what Hendrix was doing wasn't merely new, it was earth shattering. As to the closer, Wild Thing, I remember the Troggs version, sort of a frat house crowd pleaser. Hendrix takes it into the stratosphere; in many ways it's the highlight of the performance. Burning the guitar was theatrical genius, really, after you've just invaded the greatest nation on earth and conquered it in one night, what else is there to do?

8 of 8 people found the following review helpful:

4.0 out of 5 stars June 18, 1967 - "The Day The Music Came Alive!", January 3, 2009

By 

M. McKay (Downey, CA United States) - See all my reviews
(REAL NAME)   

This review is from: Live at Monterey (Audio CD)

There's really no need to say it again. But I will anyways. Jimi Hendrix at The Monterey Pop Festival was and still is one of rock and roll's most incredible and legendary performances EVER! And a debut performance for an American audience at that! You can like any guitarist you wish, that's all fine and dandy, but NO ONE is Jimi (and yes, that includes Mr. Eric Clapton). What we have here is the 40th anniversary reissue of that performance on CD, after years of it being M.I.A. from the Hendrix catalog. There's no doubt that this reissue is practically all pros but, believe it or not, there are also a few cons. As a matter of fact, I found this new reissue a tad disapointing in comparison to the original 1986 release "Jimi Plays Monterey" on Reprise Records.

First off the pros of the set; all of the minor edits that were made for the original release to fit on cassette, CD, and LP have been reinstated letting you hear EVERY bit of stage patter that Jimi said inbetween songs. Every brief tune up and even moments of almost complete silence can be heard now too, making for some groovy feeling anticipation between each song. You even get to finally hear the announcer that introduced Brian Jones to the stage so Brian could then introduce Jimi! These are all nice little additions, but they don't cover up for the cons of this release.

Personally, I'm not that happy with this mix compared to the original. Jimi's lead vocals are pushed to the fore while some of his most blistering guitar leads are pushed back in the mix. The volume levels seem to rise and fall with every track and some of the song intros have been weakened in this new mix, especially on "Killing Floor." On the original 1986 issue of "Jimi Plays Monterey," Jimi's fast strummed introduction to "Killing Floor" came ripping through the speakers like a runaway locomotive! It still does on this reissue, but with a "squashed" and "lessened" quality to it. That really disapointed me when I heard it! The recording now seems smothered in noise reduction (my first time ever complaining about such a thing). The overall feeling of you the listener actually being in the audience seems lost in this new mix. There is no "air" or "space" around what you're hearing as there was with the original release.

And then there is the AUDIBLE tape damage you now have to deal with, especially during the freak-out ending to "Wild Thing," the most important part of the entire concert. It occurs not once but TWICE during the ending. This incredible coda also does not attack through the speakers as it used to. Mitch Mitchell's drumming is pushed forward as Jimi's insane feedback is actually pulled back! WHY?! Is this due to the fact that while mixing and creating the '86 release, killer analog equipment was utilized and NOW we supposedly have better stuff to mix these old recordings in the all digital age?! Well, the results speak for themselves. This reissue get four stars for being VERY GOOD when it could have had five with a better mix. If you own a record player, by all means seek out a mint copy of "Jimi Plays Monterey" on vinyl and get this one for your CD collection.