This album got short shrift once upon a long ago. FGTH made much more of a splash and had most of their commercial success with 1984's "Welcome to the Pleasure Dome," but the band came apart so quickly that many people didn't notice this 1986 effort. That's a shame, because this is a very good album. It's far more straightforward then "Pleasure Dome;" there's none of the extra-long or extra-short tracks or crazy intros and interludes that laced the first album together. The concept here focuses in from the hedonistic and apocalyptic overtones of "Dome" to the nature of man in the modern world. And `focus' is a key word; whereas the first album was all over the place stylistically, this is just eight tight, well-crafted songs with an alternative-pop sheen provided by producers Stephen Lipson and Trevor Horn. If you enjoyed "Relax" and "Two Tribes" but never gave this album a chance, you might want to reconsider. And the Bowie cover that's been added as a bonus track (if you buy the right version) is just about worth it all by itself.