Customer Reviews

The Lives of the Artists Volume 1

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Vasari was a life-long correspondent of Michaelangelo, a contemporary of Leonardo, etc., so the accounts are written about his friends and comnpetitors, not 100+ years later, thru the prism of time. Yet this translation is in readable, 20th Century English.

The chapters on Brunelleschi, Donato, etc. are lively, entertaining as well as instructive. MUST reading for anyone going to Italy, or to see works of the Florentine artists.

(N.B. I am an engineer who never had a fine arts class, ever!)

A good introduction to Medieval, Renaissance, and Mannerist artists written by someone who lived around their time and had actual contact with some of the artists, as well as personal painting experience. He is, however, colored by his personal relationships with the artists, hyperbolic, and constrained by the Zeitgeist of the era. In exploring the relationships of artist and patron he is able to shed light on their social situation and the constant struggle of the elevation of the art of painting among the liberal arts. In English, some of the grandeur of his writing is lost, and it lacks the poetic ease of the Italian original. If you want a fuller version, I suggest (especially for bilingual speakers) a translation with the Italian original on the other side of the page.

Printed originally in Italian in the mid-sixteenth century, this book is considered not only the first history of art but also the first to put into words the process of growth and rebirth that characterized the Renaissance. Vasari writes about artists who were, for the most part, his contemporaries. He knew of their work and their lives, if not first-hand then by reputation or by association. The little stories he weaves into their lives give insight into each artist's personality. Though Vasari does try to make them all fit the mold of the Renaissance man, he shows us the chinks in the facade.