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The Lives of the Heart: Poems
 
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The Lives of the Heart: Poems [Paperback]

Jane Hirshfield (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

August 2, 1997
A new volume of poems by the award-winning author of October Palace.

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Editorial Reviews

Amazon.com Review

Poet Laureate Robert Pinsky writes that Jane Hirshfield "approaches the poem in a way that feels exactly right to me: plainly, reverently, intelligently." This is true both in her essays about poetry (see Nine Gates) and in her poems. Her recurrent themes of art, nature, and mystery startle the reader in many of these poems. Take, for example, the intriguingly titled "Lying," which is short enough to quote in its entirety: "He puts his brush to the canvas, / with one quick stroke / unfolds a bird from the sky. / Steps back, considers. / Takes pity. / Unfolds another."

From Library Journal

A gifted writer in midcareer, Hirshfield has published her fourth collection of poetry in tandem with a book of essays geared toward the creative writing student. The poems are of the moment?each a single gesture encompassing the dichotomies of presence and absence, life and death, being and not-being?and are heavily influenced by classical Japanese verse Hirshfield helped translate with Mariko Aratani (Ink Dark Moon: Love Poems, by Ono no Komachi and Izumi Shikibu) and the Zen Buddhism she has studied for many years: "I turn my blessing like photographs into the light;/ over my shoulder the god of Not-Yet looks on." The best are tragic in their unencumbered vision of human limitation; in one, the speaker listens to a piano played movingly?indeed, even more so, because it is played haltingly?and is ashamed "not at my tears, or even at what has been wasted,/ but to have been dry-eyed so long." Several of the nine essays in Nine Gates originated as lectures presented at writers' conferences. Clear and methodical?sometimes to the point of tediousness?they discuss the process of poetry with examples from standards like Frost, Yeats, Larkin, Whitman, and a few contemporaries. More individual are the discussions of non-Western verse and aesthetics and the process of translation from Japanese (Hirshfield cannot read Japanese and admits her translations were done cooperatively with a native speaker). In a rare personal confession, she describes herself to the late poet Richard Hugo, whom she did not know: "I don't write much/ about America, or even people. I'd often enough rather/ talk to horses." Indeed, it is the quiet restraint of these writings?poems and prose?that appeals. Recommended.?Ellen Kaufman, Dewey Ballantine Law Lib., New York
Copyright 1997 Reed Business Information, Inc.

Product Details

  • Paperback: 128 pages
  • Publisher: Harper Perennial; 1 edition (August 2, 1997)
  • Language: English
  • ISBN-10: 0060951699
  • ISBN-13: 978-0060951696
  • Product Dimensions: 9 x 6 x 0.4 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #860,226 in Books (See Top 100 in Books)

More About the Author

Jane Hirshfield is the author of seven collections of poetry, including the newly released Come, Thief (Knopf, 2011), After (HarperCollins, 2006), which was named a "Best Book of 2006" by The Washington Post, The San Francisco Chronicle, and England's Financial Times; Given Sugar, Given Salt (finalist for the 2001 National Book Critics Circle Award, and winner of the Bay Area Book Reviewers Award), The Lives of the Heart, and The October Palace, as well as a now-classic book of essays, Nine Gates: Entering the Mind of Poetry. She is also the author of The Heart of Haiku, an Amazon Kindle Single exploring the essence of haiku and its 17th-century founding poet, Matsuo Basho, which was named a "Best Kindle Single of 2011."

Hirshfield has also edited and/or co-translated three books collecting the work of poets from the past: The Ink Dark Moon: Love Poems by Komachi & Shikibu, Women of the Ancient Court of Japan, Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women, and Mirabai: Ecstatic Poems.

Hirshfield's other honors include The Poetry Center Book Award; fellowships from the Guggenheim and Rockefeller Foundations, the National Endowment for the Arts, and the Academy of American Poets; Columbia University's Translation Center Award; and the Commonwealth Club of California's California Book Award. Her work has appeared in The New Yorker, The Atlantic, The Nation, The American Poetry Review, Poetry, McSweeney's, Orion, five volumes of The Best American Poetry, and many other publications, and has been featured numerous times on Garrison Keillor's Writers Almanac program, as well as in two Bill Moyers PBS television specials. In fall 2004, Jane Hirshfield was awarded the 70th Academy Fellowship for distinguished poetic achievement by The Academy of American Poets, an honor formerly held by such poets as Robert Frost, Ezra Pound, William Carlos Williams, and Elizabeth Bishop.

Hirshfield's work has been called "passionate and radiant" by the New York Times Book Review, and After was described in the San Francisco Chronicle's Book Review as evidencing "the grasp of a master" and "filled with somber, judiciously lit treasures." A starred review in Booklist describes "poems of exquisite restraint and meticulous reasoning," while a British magazine, Agenda, states, "The poems' realized ambition is wisdom." The Washington Post describes Hirshfield as taking her place in the "pantheon of modern masters of simplicity." Never a full-time academic, Hirshfield has been a visiting professor at UC Berkeley and elsewhere, a member of the Bennington College MFA faculty, and has appeared at writers conferences, literary centers, and festivals both in this country and abroad. Her books have appeared on bestseller lists in San Francisco, Detroit, Canberra, and Krakow.

Jane Hirshfield was born in New York City in 1953 and was a member of the first graduating class at Princeton University to include women. After graduating, she did a year of farm labor in New Jersey before moving west in a Dodge van with tie-dyed curtains. She studied Soto Zen intensively for eight years, including three in monastic practice at Tassajara Zen Mountain Center in the wilderness inland from Big Sur, and received lay ordination in 1979. She has cooked at Greens Restaurant in San Francisco, driven 18-wheel truck, worked as the independent editor of several books that have sold in the millions, and spent four years living without electricity. She now lives in the San Francisco Bay Area in a small white house surrounded by fruit trees, a vegetable garden, lavender, and roses, with scientist Carl Pabo.


 

Customer Reviews

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24 of 24 people found the following review helpful:
5.0 out of 5 stars A "Heart" of gold., August 21, 2001
By 
This review is from: The Lives of the Heart: Poems (Paperback)
"Take the used-up heart like a pebble/ and throw it far out," Jane Hirshfield writes in one of the eighty-two poems collected here. "You may do this, I tell you, it is permitted. Begin again the story of your life" ("Da Capa," p. 19). I arrived at this 1997 book of poetry after reading Hirshfield's equally stunning collection, GIVEN SUGAR, GIVEN SALT, earlier this year. These poems are meditations upon the heart, shaped from its interior mysteries. These poems speak to those readers who have also experienced those mysteries.

In a recent interview, Hirshfield said that "the dharma of life" teaches us to notice "our day-to-day interdependence with other people, animals, plants, objects. The experience of interconnection is rubbed into us, hour by hour, until we carry its evidence within us as a kind of patina. Love, loss, desire, hunger, fatigue, grief wear us down into the acknowledgement of our true nature--which is, paradoxically, that we have no true nature separate from everything else. Not one corner of this world is unconnected to all the rest" ("The Bloomsbury Review," July/August 2001). That dharma is evident in these poems.

Many of Hirshfield's poems are drawn from her observations of the natural world. "The rains come," she writes in "The Roses of Nag Hammadi Library," "the deer slip back into the mountains/ like hungry, rose-colored smoke./ They move mouthful by mouthful; pensive,/ they slowly rise" (p. 36). In "Respite," she writes, "Passing the fig tree/ I see it is/ suddenly huge with green fruit,/ which may ripen or not." And "Near the gate," she writes in the same poem, "I stop to watch/ the sugar ants climb the top bar/ and cross at the latch,/ as they have now in summer for years./ In this way I study my life" (p. 49).

"Poetry's work is the magnification and clarification of being," Hirshfield wrote in the Preface to her book, NINE GATES. "Through poetry," she said in the previously-mentioned interview, "we can know our individual lives and all of life more fully, more richly--we're given a broader existence." From the "fragrant carpets of alpine flowers" (p. 3) to salty heartache, Hirshfield wanders the landscape of the human heartland in this truly passionate collection of poetry, showing us how to live life deeply along the way.

G. Merritt

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19 of 20 people found the following review helpful:
5.0 out of 5 stars Moving toward the heart, June 21, 2001
By A Customer
This review is from: The Lives of the Heart: Poems (Paperback)
I admire and enjoy Jane Hirshfield's work, and, as always, appreciate her audacity in using the word 'heart' (a poetry workshop reject) as the core of her book. On a metaphysical level, heart is all there is, because heart is the essence of a thing. Jane expounds on this assumption by evocatively portraying aspects of the heart to her readers. I highly recommend this book and have turned to it often as inspiration for my own writing; Jane asks not only how, and what, but also why, pointing to the open-ended space at the end of words. Buy the book. (P.S. This review was not an exercise in brevity.)
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