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Living Life inside the Lines: Tales from the Golden Age of Animation
 
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Living Life inside the Lines: Tales from the Golden Age of Animation [Paperback]

Martha Sigall (Author), Jerry Beck (Foreword)
5.0 out of 5 stars  See all reviews (7 customer reviews)

Price: $22.00 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

March 21, 2005

Martha Sigall worked with all the classic cartoon characters-Bugs Bunny, Daffy Duck, Tom & Jerry, Droopy Dawg, Beany & Cecil, Tweety, and Porky Pig-and the madcap artists who created them-Chuck Jones, Tex Avery, Bob Clampett, Frank Tashlin, Friz Freleng, William Hanna and Joseph Barbera, Bill Melendez, and Ben (Bugs) Hardaway.

As a teenager Sigall became an apprentice painter working in the Golden Age of Hollywood at the Leon Schlesinger studio, making $12.75 per week coloring animation cels that would introduce Bugs Bunny and Elmer Fudd to the world. She recounts her wild and wonderful experiences with the Warner Bros. cartoon crew, working and laughing all day with the animators, partying all night with the Looney Tunes gang on the bowling and baseball teams, and participating in weekend scavenger hunts. She was president of the in-house "Looney Tunes Club," co-wrote the company gossip column, and performed in the company's theatrical troupe.

After World War II, Martha joined MGM Animation (Tom & Jerry, Tex Avery) in Culver City as an assistant in the camera room and later freelanced her ink and paint services, creating art for many classic features, shorts, commercials, and TV series-including Garfield, Peanuts, and The Pink Panther.

Written with warmth, humor, and a touch of nostalgia, this is a rarely told story of what it was like to be a part of a team of artists who were creating masterpieces of animation. Martha recalls her lifelong friendships with writer Michael Maltese, animators Ben Washam, Ken Harris, Herman Cohen, Paul Smith, Bob Matz, and many others. She writes of her experiences of being a woman in a male-dominated industry, particularly during the war years when she was one of the first women camera operators in the industry.

Recipient of numerous awards for her artistry, Martha Sigall, Culver City, California, worked in animation production from 1936 to 1989.


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Living Life inside the Lines: Tales from the Golden Age of Animation + Did You Grow Up With Me, Too? - The Autobiography of June Foray + The Magic Behind the Voices: A Who’s Who of Cartoon Voice Actors
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Editorial Reviews

From the Publisher

An insider's account of the wild and wacky teams that created the cartoon classics for Warner Bros. and MGM Animation --This text refers to the Hardcover edition.

From the Inside Flap

An insider's account of the wild and wacky teams that created cartoon classics for Warner Bros. and MGM Animation

Product Details

  • Paperback: 245 pages
  • Publisher: University Press of Mississippi (March 21, 2005)
  • Language: English
  • ISBN-10: 1578067499
  • ISBN-13: 978-1578067497
  • Product Dimensions: 8.5 x 6.5 x 0.6 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,411,649 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
5.0 out of 5 stars (7 customer reviews)
 
 
 
 
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18 of 18 people found the following review helpful:
5.0 out of 5 stars An inside look at the animation business from 1936-1989, March 27, 2005
By 
Bob Sigall (Honolulu, Hawaii) - See all my reviews
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This review is from: Living Life inside the Lines: Tales from the Golden Age of Animation (Paperback)
I am the author's son and encouraged her to write this book. Martha Sigall worked in the animation business from 1936 until 1989 and was there when Bugs Bunny, Tweety, Roadrunner, Daffy Duck, and many other characters were created.

When I visited, she always had great stories about these cartoon characters, the animators, and the practical jokes they played on each other. I, and many others, finally convinced her that the public would love to hear them.

"Living Life Inside the Lines" contains many fascinating stories such as:
- How Bugs Bunny got his name.
- How Tweety was originally flesh colored and censors made them "put feathers on him because he looked naked."
- How Mel Blanc was able to break into the business.

Many historians have written books on animation without ever having worked in the business.  Martha Sigall was there to witness first-hand the creation of cartoon characters such as Daffy Duck, Bugs Bunny, Elmer Fudd, Tweety, and many others. 

She was also there to witness the creative talents of Tex Avery, Friz Freleng, Chuck Jones, Bob Clampett, Mike Maltese, Bill Melendez, Bill Hanna, Joe Barbara, and many others. Her book will interest anyone who grew up with these cartoons.

The title, "Living Life Inside the Lines," refers to the fact that animators draw the character's outline in black and the inkers and painters paint the colors inside.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars A Joyful, Priceless Personal Memoir, June 23, 2006
By 
J. D Suggs (Atlanta, Georgia United States) - See all my reviews
This review is from: Living Life inside the Lines: Tales from the Golden Age of Animation (Paperback)
When Chuck Jones received his special Academy Award in the mid-1990s, he wondered aloud from the stage where all the "laughing faces of Termite Terrace" had gone. They're right here in Martha Goldman Sigall's wonderful book. Martha was a central participant in the Golden Age of the animated short: she inked and painted on timeless, classic films directed by Chuck Jones, Tex Avery, Bob Clampett, Friz Freleng, Bob McKimson, Frank Tashlin, Bill Hanna and Joe Barbera, and others, and almost certainly contributed to more animated films than all of them combined, probably without receiving a single screen credit in that era. But she sketches the men and women who sketched Bugs Bunny and Tom and Jerry masterfully in this extremely well-written book, which, like Martha herself, is very warm, funny, and people-oriented. Her personal portraits of artists like Treg Brown, Virgil Ross, Ben Washam, and many others are a crucial contribution to animation history as well as a fun and funny reading experience.

This is the best book on the Schlesinger studio (birthplace of Bugs Bunny, Daffy Duck, Porky Pig, and many others), and provides perhaps a thousand important details about that historic cartoon studio and MGM's that aren't found elsewhere. Martha sketches the 1941 strike, the Red Scare, wartime Hollywood, and other events from the animation community's perspective, and also sheds light on the historic industry locations such as 861 Seward, where six different studios sought shelter through the years; the neat and clean (but long gone) MGM building in Culver City, and the shabby Van Ness home of Leon Schlesinger and his "kids".

In what may be the last major eyewitness account of the classic era of animation, Martha raises the spirit of those long-gone laughing faces, and humanizes the creation of the great cartoons and timeless characters that will last forever. The joy she obviously felt in her career infuses the book and the reader.

Martha and her husband Sol, who, happily, is also heard from here, have always been like beloved grandparents to animators in Southern California (one of which this author was for a few years), but in 1996 they kindly donated themselves to the Warner Brothers Museum and are now officially public treasures. If you're not in the area, you can claim your share of them right here in this wonderful book. They should designate a rating higher than five stars for it.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars Delightful History, April 23, 2005
By 
Beatlebrain (Here There And Everywhere) - See all my reviews
This review is from: Living Life inside the Lines: Tales from the Golden Age of Animation (Paperback)
I love reading stories from animations golden age and this book is especially charming.
Most people don't know it, but the ink and paint departments in all the major and minor studios were the real unsung heroes of the cartoon business-many ladies being accomplished artists in their own right and having the ability to take well drawn line drawings and just adding the right touch to each cel that the scenes would really shine. Water effects being one of the areas of animation that without great inkers and painters could tend to look "hokey".
I give this book 5 stars, but I wish it had more pictures!!
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