From Publishers Weekly
Amelia was excited about escaping from her father's house to go live with her mother and her mom's lesbian lover in San Francisco. However, the 12-year-old soon discovers that having an assumed name, lying to her new friends about her past and negotiating the maze of complications arising from her mom's lifestyle isn't as much fun as she thought it would be. But when her father finally hunts her down and forces her to return home, Amelia is able to draw strength from her experiences to make a difficult choice. This first novel tackles some hefty social issues including racism, homosexuality, lawbreaking, personal integrity and justice. Though Salat's carefully worded treatment generates options for the reader, her style is constrained and lacks spontaneity. Still, this is a courageous, thought-provoking and thorough foray into some tough, worthy concerns. Ages 9-12.
Copyright 1992 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Kirkus Reviews
After six years in her father's custody, Amelia, 12, escapes through a window at three a.m. to live with Mom and Janey, whose lesbian bond is in its ninth year. At first, Mom stays in New York to confuse Dad's detective while Amelia and Janey fly to San Francisco and set up house under new names; Amelia describes the anxious care required to keep their stories consistent and avoid attention. Though she doesn't go to school (they hire a tutor), she becomes close to a girl she meets at the library, but it's not an easy friendship: Elizabeth reads Amelia's secretiveness as racism (Amelia's not sure about bringing Elizabeth home, but it's not because she's black) or as lack of trust. Eventually, Amelia confides in her friend, and Elizabeth holds true (though her nice, strict parents have their prejudices). Then the detective tracks them down, and--forcibly and under threat of prosecution- -Dad takes Amelia back to Long Island, where she manages to make contact with Mom and will probably accept her offer to reopen the custody question in court. Salat's debut is carefully fashioned to present the issues: Amelia has always preferred her mother, whose relationship with Janey is mature, stable, and affectionate; her placement with Dad was a result of homophobia- -his and the court's. The main characters are likable and believable, though not shown in depth; Dad, however, is so one- dimensionally adamant that it's hard to credit Amelia's love for him. Even so, crafted with insight and skill. (Fiction. 11-14) --
Copyright ©1993, Kirkus Associates, LP. All rights reserved.
--This text refers to the
Hardcover
edition.