From Publishers Weekly
Spanglish a spoken hybrid of Spanish and English, which has become increasingly prevalent in Latino communities is for Morales a metaphor for the developing multiracial America, where one's identity "is about not having to identify with either black or white, while at the same time having the capacity to be both." Morales, who has written extensively for the Village Voice, focuses on underground and mainstream Latino culture and what he sees as their changing modes of assimilation and cultural exchange. In discussing the Lower East Side's famous Nuyorican Poets Cafe, Morales examines the effect of gentrification, finding that the (now defunct) Jennifer Lopez-"Puffy" Combs relationship mirrors the economic and cultural help that black culture has supplied in the mainstreaming and commercialization of Latino culture. Similarly, Morales describes gay culture's apparent influence on John Leguizamo as an example of how Latino artists meld together contemporary urban styles. Much of the book deftly theorizes the moves of these more visible figures, as well as street-level negotiations that are just as engaging. Morales has a deep political aim, backed by a real concern with lesser-known histories, as when he connects his 1992 Mexico City trip to the student uprisings there in 1968 or rhapsodizes about the norte¤o-hybrid music scene that includes bands like Caf Tacuba. If the book sometimes reads like a series of arts profiles somewhat stiffly strung together, Morales's passion for this our emerging culture still comes through. (Mar.)Forecast: Morales doesn't quite find the hook that will catapult this book to the fore of discussions of multiculturalism, but in the unlikely event that the legalization of Mexican immigrants comes back onto the political table, that would give it to him. For now, a lackluster cover that fails to advertise the book's celeb engagements may limit its reach.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
This is an intriguing book but one that stands on shaky ground. Without a bibliography and nary a note in sight, it is hard to reconcile the author's passionate argument that "Spanglish," an all-encompassing, mixed-race, cultural label, should supplant the words Hispanic, Latino, and, generally speaking, American. While Morales, a Village Voice contributor whose work has also appeared in Rolling Stone, the Los Angeles Times, and The Nation, seems to be on steadier ground in his discussions of how Spanish communities in America do or do not assimilate, it is difficult to imagine his theories working in places beyond the big melting-pot cities of New York, California, Florida, and Texas. The breadth of his argument does make for entertaining reading as it descriptively taps into various examples of "Spanglish" entertainment, music, and other contemporary cultural phenomena. The relative absence of any scholarly framework, however, weakens the author's utopian dream, despite his personal exhilaration at the prospect of resolving America's identity crisis. Recommended for academic and large public libraries. Ellen D. Gilbert, Princeton, NJ
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.