"Fichtenau delivers a fascinating view of tenth-century Europe on the eve of the second millenium. He writes this hoping we, on the eve of the third millennium, will take time also to look at who we are and at our world. . . . This engaging book lucidly carries the reader through an amazing amount of material. Medieval scholars will find it resourceful and challenging; the nonscholar will find it fascinating and enlightening."—A. L. Kolp, Choice
"Living in the Tenth Century resembles an anthropological field study more than a conventional historical monograph, and represents a far more ambitious attempt to see behind the surface of avowals and events than others have seriously attempted even for much more voluminously documented periods. . . . It is remarkably rich and readable."—R.I. Moore, Times Higher Education Supplement
"Fichtenau offers a magnificent survey of all the main spheres of life: the social order, the rural economy, schooling and religious belief and practice in both the secular and monastic church. His command, especially of the narrative sources, their fine nuances of attitude emotion and underlying norms, is masterly and he employs them here with all the sensitiveness and feel for the subject that have always been the hallmarks of his work."—Karl Leyser, Francia
"Living in the Tenth Century resembles an anthropological field study more than a conventional historical monograph, and represents a far more ambitious attempt to see behind the surface of avowals and events than others have seriously attempted even for much more voluminously documented periods. . . . It is remarkably rich and readable."—R.I. Moore, Times Higher Education Supplement
"Fichtenau offers a magnificent survey of all the main spheres of life: the social order, the rural economy, schooling and religious belief and practice in both the secular and monastic church. His command, especially of the narrative sources, their fine nuances of attitude emotion and underlying norms, is masterly and he employs them here with all the sensitiveness and feel for the subject that have always been the hallmarks of his work."—Karl Leyser, Francia
