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15 of 15 people found the following review helpful:
4.0 out of 5 stars
You can't outrun the devil, March 28, 2008
Sequel to 2 previous installments involving Nic Costa, partner Peroni, and Commissario Falcone, Lizard's Bite is more mystery than thriller. Two members, husband and wife, of a Murano glassmaking family are found dead in their own fornace, which has gone up in flames. Exiled to Venice for offending the powers that be in their own Rome police hierarchy, Costa and colleagues are assigned to close what looks like a cut and dried case. Who should emerge in the midst of the ashes but the enigmatic and powerful Hugo Massiter, who was heavily involved in a previous crime. Of course, in Venice, nothing is what it seems on the surface. The Roman cops are drawn inexorably into a complex web of death, lies, coverups, and stings, at their own great peril. Author Hewson further develops the characters of his big 3, as well as those of their lady loves, who are every bit as courageous as their men. Lizard starts slowly, then builds little by little, surprise by surprise, to its unexpected conclusion. We already have Lizard's sequel, The Seventh Sacrament, on our shelf, and I can't wait to see what happens next. I like these people.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars
A thrilling and fun novel by one of the finest mystery writers today, November 22, 2006
David Hewson may well be the finest mystery writer of our time. In my humble opinion, he's also one of our best contemporary writers, period. There are elements of Agatha Christie, Graham Greene and William Shakespeare in his work, but when you sit down and crack the spine of A SEASON OF THE DEAD or THE VILLA OF MYSTERIES, what you have is all and uniquely Hewson. Which brings us to THE LIZARD'S BITE, Hewson's latest work to be published in the United States. It is the fourth book in a series of novels featuring Italian policeman Nic Costa, who, along with his partner, Gianni Peroni, has been exiled to Venice. Reunions abound in the opening chapters --- some welcome, some not. All, however, are intriguing, not the least of which is the return of Inspector Leo Falcone, who has been laboring in Verona. But the trio is quickly put in the untenable position of investigating a pair of deaths for which the powers that be --- both official and unofficial --- have preordained the result. The situs of the murders is the Isola del Arcangeli, a factory that produced unique, highly priced and prized glass pieces for decades. But the factory and the Arcangelo family are suffering from a thousand cuts: an archaic furnace, cheap knockoffs, a falling demand. When Uriel, one of the Arcangelo brothers, is found dead in a fire at the factory, and the body of his wife Bella is discovered stuffed in the furnace, it is obvious to the local authorities that Uriel killed Bella and then died accidentally. Costa and Peroni are directed to make short work of an inverted pyramid investigation, with their reward being an early return to Rome. The conclusion is pre-ordained, as far as the local authorities are concerned. Hewson lets his readers know just enough to realize that the conclusion is dead wrong. The fun is watching how the police slowly deconstruct the obvious conclusion, deduce the correct one and then bring the culprit(s) to justice. Hewson peppers THE LIZARD'S BITE with a number of interesting --- and fascinating --- factoids about places and subjects that compel the reader to find out more on their own. But this common thread (among others) through Hewson's novels is not performed by rote. Think instead of a tightrope walker who performs his work daily for the same audience but introduces a new, and jeopardous, element every time. That's a Hewson novel. Very highly recommended. --- Reviewed by Joe Hartlaub
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
THe plot twists kept me going, August 9, 2007
First Sentence: In the shifting darkness of the vessel's bowels, low over the undulating black water, the animal waited, trembling. Roman police officers Nick Costa and Gianni Peroni think they are going to get some time off with their girlfriends, former FBI agent Emily Deacon and pathologist Teresa Lupo. But things change when their boss, Leo Falcone shows up and the three of them are told they are to investigate the deaths of a Moreno glass worker and his wife. But the pressure is on as wealthy Englishman, Hugo Massiter is about to buy the island currently owned by the victim's family. The three policemen are told to investigate the deaths quickly and verify the man killed his wife and then died of spontaneous combustion. With the help of their girlfriends, the three policemen finds things are not as simple as hoped. As a big Donna Leon fan, this was an interesting perspective of Roman policemen working in Venice. Many of the things Leon's Insp. Brunelli loves about Venice, these detectives hate. However, the corruption of some of the Italian police remains a consistent theme. There are a lot of interesting characters, but the story was short on character development. It was really the twists and turns along the way that kept me reading.
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