From the Back Cover
"With an alertly startling intelligence, fullness of feeling, and supple voice, Mira Rosenthal travels the selvage-borders of being. These poems make a path between foreign and familial; between post-modern modes of knowing and a story-teller's narrative comprehensions; between fidelity to the outer world's registers of creatures, objects, and waters and interior worlds whose beauties are made purely by language. One underlying theme here is continuance in the face of pain; another is the dual-poled magnet of agency and observation; a third is the gift of transmutation, of poetry itself: 'a motion, / churning the simple milk of life to the butter / churned milk and salt eventually become.'" --Jane Hirshfield "The poems in this stark collection feel as if they have arrived just after casting off emotional ballast. A burden has been carried from the familiar world, and over time and distance, that load has been dispersed. And now the poet returns, halfway between grief and transcendence, but in that dark return lies hope." --Maurice Manning "In Mira Rosenthal's stunning debut collection, The Local World, memory is not a static screen for nostalgia but a fierce journey into the self where danger resides. These beautifully crafted poems work through a series of brilliant tropes, a tissue pattern resting over a piece of cloth, a knife cutting from the inside, a boy shadow-boxing with himself, a sunflower 'like the mask of ship rising tall.' Rosenthal is both a traveler and a thinker. Her poems, elegant marvels, dramatize her personal struggle to understand and transform the past. This is a dynamic book, one to read and reread." --Maura Stanton
About the Author
poetry has appeared widely in journals, including Ploughshares, The American Poetry Review, Notre Dame Review, West Branch,
. Her translations of Polish poetry have appeared in numerous journals and anthologies, and Zephyr Press has published her translations of The Forgotten Keys
by Tomasz Rozycki. She has received grants from the NEA, the PEN American Center, ACLS, and the Fulbright Commission, as well as fellowships from the MacDowell Colony, the Vermont Studio Center, the Banff Center, and elsewhere. She is also the founding editor of Lyric Poetry Review
. After graduating from Reed College, she earned an M.F.A. from the University of Houston and a Ph.D. from Indiana University. She is a Wallace Stegner Fellow in Poetry at Stanford University.