From Publishers Weekly
Out of print for half a century, this wildly surreal fable mirrors Spain in moral decay, in the years before a fascist takeover. Among the bizarre characters we meet are Garcia, a prematurely white-haired poet who becomes a fingerprint analyst; Dona Valverde, a pious, necrophiliac widow who enjoys touching corpses at funerals; and Sister Carmela, a nun who seemingly elopes with her own brother. Strangest of all is Senor Olozagaolive-skinned giant, ex-butterfly charmer in a circus, who was reared by Spanish monks in China and now runs an agency for selling dead people's clothes. The sundry misfits gather at the Cafe of the Crazy in Toledo, where hard-up writers, among them the author, hang out in search of exploitable characters; mistaken identities, outlandish situations, interchangeable roles abound. Is this Pirandello? Actually, it's closer to the somnambulistic tales of the French surrealists; you keep reading this hypnotic novel the way a sleeping person wants to keep on dreaming. In an afterword, McCarthy compares Locos to the modernist detective novels of Nabokov, Calvino and Eco. Maybe, but surely most of the sleuthing consists of figuring out the characters' interconnections in the Byzantine plot. Alfau neatly skewers Spain's fatalism, its obsessions with death and sin.
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
First published in 1936 and unjustly ignored for the next half century, this novel anticipates the magic realism of modern Latin American fiction. Neatly divided into segments that read like short stories, it juggles a congeries of absurdist types such as pimps, beggars, and priests in what can be taken as a metaphor for Spain today. Early on, the author warns us about the uncontrollability of his characters, who are introduced en masse at the Cafe of the Crazies in the mad, fantastic city of Toledo (even though they all live in Madrid). The account of each character is a joy to read--from Dona Micaela Valverde's passion for going to as many funerals as she can find to Lunarito's money-making ruse of charging a fee to display her beauty mark. Readers careful enough to search out and accumulate the author's clues will be rewarded.
- Jack Shreve, Allegany Community Coll., Cumberland, Md.Copyright 1989 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.