This book exposes the meeting of art and real estate markets, the happy meeting between artists' demand for housing and city officials and homeowners who wanted to 'upgrade' their neighborhoods by private market means--and how those artists were used and abandoned by real estate developers and investors who were banking on rising property values.
Born and raised in Philadelphia, I came to New York City to go to college--and have never left. Manhattan, as the critic John Berger writes, is the island for those who hope excessively--and I join my hopes and fears to those of everyone else in this ever-crowded, ever-new and ever-maddening place. I teach sociology at Brooklyn College and the City University Graduate Center, talking and writing about the neighborhoods, art scenes, real estate developers, immigrants and gentrifiers who make the city's soul.
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