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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Magnificent Music, November 1, 2009
A little while back I was fortunate enough to see Deerhunter open up for Nine Inch Nails. Although I was totally entranced by their performance, I could see that a lot of the people around me were not. But this isn't a critique of them - indeed, a part of me understands why they were disgruntled. Deerhunter, like Atlas Sound, is not the kind of music to thrash around to (like a good deal of NIN's outstanding catalog). My first listen to Logos was done with my body horizontal on a couch with a good pair of headphones. This, like so much of the music I love, is the best way to experience this album.
I've read in one place or another that Brandon Cox (the brainchild of Atlas Sound) is a huge fan of doo-wop music, and it shows on some of the album's best tracks. These songs, and others, are catchy and deep. Mr. Cox's musical knowledge obviously deep, and he seems to draw upon it in his own music. He's well versed in dream pop, shoegazer, classic rock, alternative rock, progressive, pop - you name it.
Give this album a try; you won't be disappointed. If you're hungry for more (and you will be), check out Deerhunter's albums and Atlas Sound's first album (and their recently released EP).
In my mind, this is what indie music is all about.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
Highest quality indie dream rock, October 28, 2009
4.5 stars
Deerhunter frontman Bradford James Cox released Logos to quite a bit of fanfare, which makes it one of the one percent of albums that lives up to its indie-hype. Cox seems to have hit the midpoint of several subgenres, suckering in disparate fans with his combination of upbeat harmonies, dreamy vocals, ambient synthstruments, distorted guitars, and, of course, the indie rock standby: semi-nonsensical lyrics that float on the music and emerge from background only to adorn it with solidly fun punchlines. Even the first listen reveals its flawless nature.
Highlights:
Walkabout, featuring Panda Bear of Animal Collective fame, starts out with a softly cavorting intro that leads into the most poppy music on the album.
Shelia is the standout song, easily engaging the listener's penchant for unique structure, massaging his dream-pop fetish while still feeding his hunger for straight up hard indie rocking.
Quick Canal features Stereolab's Laetitia Sadier and features a sprinkling of echoing electro-sounds that frame Sadier's soft singing beautifully.
Any true music aficionado will find something to like here. As for us, Logos has already earned a spot on our album of the year list.
[...]
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
The Other Side of Blind, March 23, 2010
Atlas Sound has released another record on the other side of stream of consciousness. While his previous effort was a lucid dream splayed out on a frozen lake - this piece runs the gammit of 50's doo-wop run through a crystalized teen dream. Love it.
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