Loitering with Intent [Paperback]

Muriel Spark (Author)

Book Description

Series: New Directions Classic | Publication Date: June 2001

Muriel Spark in prime form: one of her most enjoyable, complex, and instructive jeux d'esprit.

"How wonderful to be an artist and a woman in the twentieth century," Fleur Talbot rejoices. Happily loitering about London, c. 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world," as secretary to the peculiar Autobiographical Association. Mad egomaniacs, hilariously writing their memoirs in advance—or poor fools ensnared by a blackmailer? Rich material, in any case. But when its pompous director, Sir Quentin Oliver, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself has already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end? "A delicious conundrum," The New Statesman called Loitering with Intent.

Editorial Reviews

From Publishers Weekly

Art, reality and the strange ways the two imitate one another are at the core of Muriel Spark's delightful Loitering with Intent, first published in 1981. Would-be novelist Fleur Talbot works for the snooty, irascible Sir Quentin Oliver at the Autobiographical Association, whose members are all at work on their memoirs. When her employer gets his hands on Fleur's novel-in-progress, mayhem ensues when its scenes begin coming true. Generating hilarious turns of phrase and larger-than-life characters (especially Sir Quentin's batty mother), Sparks's inimitable style make this literary joyride thoroughly appealing. ( June 28)
Copyright 2001 Reed Business Information, Inc.

Review

A delicious conundrum. -- The New Statesman

Generating hilarious turns of phrase and larger-than-life characters...Spark's inimitable style make this literary joyride thoroughly appealing. -- Publishers Weekly, 18 June 2001

I found it a delight from start to finish—funny, unexpected and compulsively readable...this strange, immensely enjoyable novel. -- Auberon Waugh, Daily Mail

One of Spark's very best novels—funny and clever and surprising. -- The New Republic

The most intensely Sparkian of her books. -- The Listener

Though first published only 20 years ago, Spark's offbeat fiction certainly deserves a place in [ND's] line of contemporary classics. -- Kirkus Reviews,, 15 February 2001

Unsurpassable. -- The Times Literary Supplement [London]

What a coolly crafted, wickedly funny novel this is! -- Daily Express

[A] delirium of delight....robust and full-bodied, a wise and mature work, and a brilliantly mischievous one. -- The New York Times Book Review Book Review

[O]ne of Muriel Spark's most accomplished moral fables or puzzles...it provides considerable insight and wit, and no easy answers. -- A.S. Byatt

See all Editorial Reviews

Product Details

• Paperback: 224 pages
• Publisher: New Directions (June 2001)
• Language: English
• ISBN-10: 0811214745
• ISBN-13: 978-0811214742
• Product Dimensions: 8 x 5.2 x 0.6 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #173,573 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

22 of 23 people found the following review helpful:

5.0 out of 5 stars The Brazen Spiritual 'Biography' Of "A Woman And An Artist", June 6, 2005

By 

J. E. Barnes - See all my reviews

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This review is from: Loitering with Intent (Paperback)

Muriel Spark's Loitering With Intent (1981) is a remarkable autobiographical novel based on the author's experiences on the intellectual and literary fringes of post-World War II London; the book may be Spark's greatest achievement following The Prime of Miss Jean Brodie (1961).

Wise, poised, hilariously funny, and almost seamlessly written, the book is also wonderfully instructive: Spark was fairly impoverished in 1949, and Loitering With Intent reveals not only how an individual can successfully combat the banal evil of the everyday, but perfectly illustrates Camille Paglia's maxim that "hunger is no excuse for groveling." In fact, the voice of narrator Fleur Talbot, Spark's stand in, is not unlike the voice of Paglia at her determined, sharp-tongued, pretension-piercing best. Fleur, like Paglia, calls it as she sees it, and isn't afraid to acknowledge that some people are irredeemably and aggressively awful. But Fleur doesn't avoid such people as a matter of principal: she accepts them as inevitable and lives a life of creative "infiltration": "I was aware that I had a daemon inside me that rejoiced in seeing people as they were, and not only that, but more than ever as they were, and more, and more." Fleur reveals other unusual skills as the story develops: like many artists, she is a bit of a mystic, a bit of a shaman.

Also like much of Paglia's work, Loitering With Intent is something of a blistering attack on high WASP hypocritical good manners and social decorum. While Fleur clearly believes in human decency, fair play, and politeness, she also believes in determined counterattack when duly provoked ("I was not any sort of a victim; I was simply not constituted for the role"); and her responses can be volcanic ("I was glad of my strong hips and sound cage of ribs to save me from flying apart, so explosive were my thoughts"). Fleur uninhibitably recognizes her eventual adversaries as "swine," "stupid," "awful," "hysterical," "insolent," and "self-indulgent fools." The Baronne Clotilde du Loiret is "so stunned by privilege that she didn't know how to discern and reject a maniac," homosexual poet Gray Mauser is "small, slight, and wispy, about twenty, with arms and legs not quite uncoordinated enough to qualify him for any sort of medical treatment, and yet definitely he was not put together right," and a friend has "the ugliest grandchild I have ever seen but she loves it."

Loitering With Intent is partially a transposition of Spark's experience as General Secretary of The Poetry Society in the late Forties. In her autobiography, Curriculum Vitae (1993), Spark stated that she was "employed, or embroiled, in that then riotous establishment." In the present novel, Fleur becomes workaday secretary to the Autobiographical Association, a crank operation run by social snob and blackmailer Quentin Oliver, who also suffers from a messianic complex of vast proportions. Ever perceptive, Fleur is confident that what she is witnessing around her is pure collective madness.

In Spark's first novel, The Comforters (1957), protagonist Caroline Rose slowly awakens to the fact that she, everyone she knows, and indeed her entire perceived universe are actually only the fictional creations of an unknowable author composing Caroline's history on some unrealizable, presumably higher plane. In Loitering With Intent, almost the opposite is true: as Fleur nears the end of completing her first novel, she becomes aware that the members of the Autobiographical Association are genuine human doppelgangers of the characters she has created, enacting an identical drama to the one she has constructed from her imagination. Thus, Fleur has foreseen the future unaware, and hazily anticipates the unavoidable disasters to come to those who are manipulative, vain, foolish, arrogant, petty, and power crazed.

One of the book's most fascinating elements is the chronically antagonistic relationship between Fleur and the aptly named Dottie, the maudlin wife of Fleur's bisexual lover, Leslie. Dottie is 49% friend and 51% enemy, and thus their oddly symbiotic relationship is of a kind most readers will recognize as having experienced at some point in their own lives. "I don't know why I thought of Dottie as my friend but I did. I believe she thought the same way about me although she didn't really like me. In those days, among the people I mixed with, one had friends almost by predestination. There they were, like your winter coat and your meager luggage. You didn't think of discarding them just because you didn't altogether like them."

Loitering With Intent is also one of the most acute examinations of the artistic temperament ever committed to paper. "When people say that nothing happens in their lives I believe them. But you must understand that everything happens to the artist; time is always redeemed, nothing is lost, and wonders never cease." And: "I have never known an artist who at some in his life has not come into conflict with pure evil, realized as it may have been under the form of disease, injustice, fear, oppression or any other ill element that can afflict living creatures. The reverse doesn't hold true: that is to say, it isn't only the artist who suffers, or who perceives evil. But I think it is true that no artist has ever lived who has not experienced and then recognized something at first too incredibly evil to be real, then so undoubtedly real as to be undoubtedly true."

The novel is also a celebration of applied self knowledge and the self confidence that evolves from it: Fleur repeatedly realizes "what a wonderful thing it was to be a woman and an artist in the twentieth century," and, regardless of the formidable enemies positioned against her, continually "goes on her way rejoicing."

In keeping with the era in which it is set, Loitering With Intent also includes a brief portrait of Osbert, Edith, and Sacheverell Sitwell as Leopold, Cynthia, and Claude Somerville, owners of The Triad Press, the publishers who eventually accept Fleur's prescient first fictional work.

5 of 5 people found the following review helpful:

5.0 out of 5 stars The Story of One's Life, August 9, 2003

By 

Manthos A. Mattheou - See all my reviews

This review is from: Loitering with Intent (Paperback)

There is a sense of the autobiographical in this novel which in fact is quite appropriate when one considers the actual pivot around which the whole plot revolves. As a note of caution however I must add that I make this statement without having any knowledge at all of Muriel Spark's actual life. As the author spins out the plot she manages to capture the essence of the main character's experience as a secretary for a group of people organized by an individual with the sole aim of writing their biographies so that they may be put away in a safe place for seventy years and their contents not actually revealed until all the people mentioned in these sets of memoirs are actually no longer alive. The idea is that this will be of interest to the historian of the future. Not that the novel itself concentrates unduly on the efforts of this group but rather on the intellectual and emotional reactions of the novel's main character, a young writer whose main concurrent aim in life is to get her first novel published. She is quite a likeable and attractive character and in fact she seems to be the only normal person amongst the rest of the characters portrayed in the novel, even though this impression may in fact be subconsciously and gradually formed in the reader's mind by the first-person point of view of the novel since everything is seen and judged through the eyes of the novel's main character. Even though this is a rather short book it is rather rich with experience and latent meaning well beyond the mere surface of the mostly humorous type of entertainment that pervades it from beginning to end.

20 of 27 people found the following review helpful:

5.0 out of 5 stars One of her best; one of the best books ever, April 25, 2000

By 

Glenn Fleishman - See all my reviews

This review is from: Loitering with Intent. (Hardcover)

It's hard to believe this book is out of print (as it appears to be in many editions). Spark is the finest living English writer (as of early 2000, she's still with us) and this is one of her best novels. It folds back in on itself. It's obviously autobiographical even with the kind of foreshadowing and self-reflection of the author, who doubles back the flashback, first seeing herself, then seeing herself remember herself.

The plot is fascinating and a constant undertow back into the same themes of the true reality of a book. Is this memoir (fictional) told by an unreliable narrator? I think so. It's hard to know. Some events seem Kafkaesque in their bizarreness, but then turn out to have plain explanations.

Ultimately, evil bizarrely destroys itself; good triumphs with sacrifices. All is never as it appears with Ms. Spark.