London: The Biography (Hardcover)

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Editorial Reviews

From Publishers Weekly

Novelist and biographer Ackroyd (The Plato Papers; T.S. Eliot; etc.) offers a huge, enthralling "biography" of the city of London. The reader segues through this litany of lists and anthology of anecdotes via the sketchiest of topical linkages, but no matter not a page is dull, until brief closing chapters in which Ackroyd succumbs to bathos, for which he's instantaneously redeemed by the preceding chapters. He admits to using no original research, openly crediting his printed sources. Ackroyd examines London from its pre-history through today, artfully selecting, organizing and pacing stories, and rendering the past in witty and imaginative ways. "The opium quarter of Limehouse," he tells readers, for example, "is now represented by a Chinese take-away." Fast food, it seems, was always part of the London scene. When poet Thomas Southey asked a pastry cook why she kept her shop open in the worst weather, she told him that otherwise she would lose business, "so many were the persons who took up buns or biscuits as they passed by and threw their pence in, not allowing themselves time to enter." Ackroyd covers unrest and peace, fires and ruins, river and rail transport, crime and punishment, wealth and poverty, markets and churches, uncontrolled growth and barely controlled filth. If there is a hero among the throngs, it may be engineer Joseph Bazalgette, who in 1855 began building 1,265 miles of sewers to contain the Stygian odor of progress and keep the huge, ugly metropolis livable. No one should mind the extraordinary price of this extraordinary achievement. B&w illus., maps not seen by PW. (On sale Oct. 16)Forecast: Published to acclaim in England, this is virtually guaranteed major review coverage here, and the publisher will also shoot for national media. Anglophiles and others will rejoice.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal

This trip through London, conducted by novelist/biographer Ackroyd, is less concerned with chronology than with human drama.
Copyright 2001 Reed Business Information, Inc.

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Product Details

• Hardcover: 832 pages
• Publisher: Nan A. Talese; 1st edition (October 16, 2001)
• Language: English
• ISBN-10: 0385497709
• ISBN-13: 978-0385497701
• Product Dimensions: 9.4 x 6.1 x 2.2 inches
• Shipping Weight: 2.8 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (54 customer reviews)
• Amazon.com Sales Rank: #239,123 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

81 of 83 people found the following review helpful:

5.0 out of 5 stars A Remarkable Work, December 4, 2001

By	D. W. Casey (Sturbridge, MA United States) - See all my reviews (REAL NAME)

Everyone can tell stories about their hometown and anecdotes about the place they grew up, some of which are true, some of which are dubious, and some of which are outright fabrications. I can tell you stories about my small hometown in Massachusetts which can alternately put you to sleep or amuse you.

Imagine someone telling you stories about London; stories which over 2000 years have been embellished and polished to the point where they might be considered mythology. Consider these stories ranging over the whole course of the city's life, and you have some idea of what this book is like. It is a breathtaking book, where anecdotes of Rome, the Middle Ages, the Renaissance, The Victorian Era, and today are all seamlessly mixed in a wonderful stew. I cannot imagine the amount of scholarship that went into this work; I rather think that Mr. Ackroyd is some type of immortal who has experienced these stories and anecdotes of London firsthand.

This is a truly wonderful book to give to any Anglophile friends you may have; it is history at its compelling best, long on anecdote and short on drudgery. It is also written extremely well; there is never a jarring turn of phrase in the book. Well worth the hardbound price, this is the perfect Christmas present to anyone you know who has lived in London, been to London, or who loves history.

61 of 68 people found the following review helpful:

4.0 out of 5 stars A magnificent achievement. However ..., November 28, 2002

By	Joseph Haschka (Glendale, CA USA) - See all my reviews (TOP 500 REVIEWER)

As evidenced by its 779 narrative pages and its 13 pages of sources, LONDON: THE BIOGRAPHY is a prodigious accomplishment by author and city resident Peter Ackroyd. And it did take me five weeks to read it.

Since I'd rather be in London than anywhere else, especially the Southern California I'm in, I began this volume with giddy anticipation. In his narrative of the city from pre-Roman times to the present, Ackroyd touches on the history of many of its diverse aspects: rivers, commerce, architecture, transport, theaters, street ballads, parks, food, weather, maps, neighborhoods, nationalities, fires, fog, pestilences, the effects of the Blitz, public lighting, law enforcement, sanitation and clubs. He also doesn't neglect London's unsavory side: alcoholism, gambling, blood sports, prisons, crime, the homeless, poverty, beggars, mob violence, racism, child labor, prostitution, overcrowding, the insane, slums, air and water pollution, and general squalor and filth. Because the author seemed (to me) so preoccupied with the latter dreary group, I suspect he's a closet social reformer.

LONDON isn't a riveting read. Surprisingly, I could put it down for such jolly pursuits as taking out the trash and cleaning the cats' litter box. Perhaps it's because the author's style, never leavened by any humor, becomes at times almost ponderous. For instance, in the chapter "How Many Miles to Babylon?", he comments:

"Yet there is one more salient aspect to this continual analogy of London with ancient civilisations: it is the fear, or hope, or expectation that this great imperial capital will in its turn fall into ruin. That is precisely the reason for London's association with pre-Christian cities; it, too, will revert to chaos and old night so that the condition of the 'primeval' past will also be that of the remote future. It represents the longing for oblivion... The vision is of a city unpeopled, and therefore free to be itself; stone endures, and, in this imagined future stone becomes a kind of god. Essentially it is a vision of the city as death. But it also represents the horror of London, and of its teeming life; it is a cry against its supposed unnaturalness, which can only be repudiated by a giant act of nature such as a deluge."

Good heavens, man! Get a grip!

I assume that the author loves his city, or he wouldn't have expended such enormous effort to tell its story. However, his affection is ofttimes difficult to infer, as when he writes:

"This is the horror of the city. It is blind to human need and human affection, its topography cruel and almost mindless in its brutality... The image is of a labyrinth which is constantly expanding, reaching outwards towards infinity. On the maps of England it is seen as a dark patch, or stain, spreading slowly but inexorably outwards."

LONDON provides a magnificent tapestry of information, and is a colossal achievement. However, until the last twenty-five or so pages, the author failed both to convince me that he derived any personal joy from residence in the city or to remind me why I love this place so much. Ackroyd's references to a city brutalizing, oppressing and dehumanizing its inhabitants are numerous to the point of being tiresome. Therefore, I finished the book admiring it much more than feeling good about it. Indeed, it wasn't until page 772 that I came across a statement (by Boswell) that struck a very personal emotional chord:

"I was full of rich imagination of London ... such as I could not explain to most people, but which I strongly feel and am ravished with. My blood glows and my mind is agitated with felicity."

14 of 15 people found the following review helpful:

4.0 out of 5 stars Like the City, an organic work in progress, November 16, 2004

By	D. Myers "a general reader" - See all my reviews (REAL NAME)

This review is from: London: The Biography (Paperback)

As far as I am concerned, you can have Paris in the springtime. Give me London in the rain.

Ackroyd's book shares many characteristics with its namesake - it is crowded, organic, chaotic, and full of life. It also shares many of the City's faults - it's hard sometimes to find what you are looking for, and you can look in vain for any reason behind the juxtapositions of different cultural artifacts. Nevertheless, anyone who has spent more than the obligatory few days in the obligatory tourist sites will recognize the city from Ackroyd's prose.

One may complain that Ackroyd lingers too much on London's history of crime, social unrest, and dirt. Well, what do you expect of a city that boasts having had the "Great Stink" of 1858? Casual travelers, people who are looking for a simplistic history to read while in line for Madame Tussaud's, and anyone who desires a Disney-fied, Mary Poppins fantasy will be unhappy with this book.

But if you want to know what London _feels_ like, this book comes closer than anything else I have read to making me feel like I do when I am there. There is no city better for aimless wandering, stumbling through alleys, exploring the Underground, and observing the small details. It is a world-city grown pell-mell by greed, lust and need, with beauty in unexpected places and quiet rarer than gold, and more precious. In short, it is life. And, as Samuel Johnson famously said, "when a man is tired of London, he is tired of life; for there is in London all that life can afford."