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London Bridges (Alex Cross) Mass Market Paperback – October 1, 2005

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Editorial Reviews

From Publishers Weekly

In his 10th adventure, Alex Cross, now working full time for the FBI, is confronted by two of his most deadly foes: the faceless ex-KGB agent from last year's Big Bad Wolf, who's known as "The Wolf" and is threatening four metropolises with nuclear destruction; and the insane serial killer The Weasel, last seen in Patterson's Pop Goes the Weasel. Patterson's action is fast and furious, and narrators Fernandez and O'Hare do a fine job of keeping up with him. O'Hare does especially well with his performance of The Wolf, giving the Russian-accented villain a calm, almost soothing vocalization that nicely counters his sadistic actions. Fernandez brings a warm humanity to Cross, especially in scenes with his family, giving listeners a break from the murder and mayhem that rule much of the book. The narrators' performances are accompanied by well-placed music and sound effects. Each chapter opens with an ominous ticking clock and an electronically distorted voice announcing the chapter title, a technique that at first seems fitting for the book's style and tone, but soon becomes more annoying than effective. Still, this one quibble will not stop Patterson's fans from thoroughly enjoying the latest installment in the Cross series. Simultaneous release with the Little, Brown hardcover (Forecasts, Nov. 8, 2004). (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.


'If you feel like a roller coaster, breathless ride, London Bridges is the hottest ride in town' -- Ballarat Courier, Australia 20041126 'Any thriller writer, wannabe or actual, would do well to study Patterson's 10th Alex Cross novel!Patterson continues to elaborate his finest hero, cerebral yet emotional, dedicated yet flawed, caught between duty and family' -- Publisher's Weekly 20041108 'Un-put-down-able' -- Daily Express 20051001 --This text refers to the Paperback edition.

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Product Details

  • Series: Alex Cross
  • Mass Market Paperback: 416 pages
  • Publisher: Vision; Reissue edition (October 1, 2005)
  • Language: English
  • ISBN-10: 0446613355
  • ISBN-13: 978-0446613354
  • Product Dimensions: 4.2 x 1.2 x 7 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (555 customer reviews)
  • Amazon Best Sellers Rank: #42,357 in Books (See Top 100 in Books)

More About the Author

It is no surprise that in January, 2010, The New York Times Magazine featured James Patterson on its cover and hailed him as having "transformed book publishing," and that Time magazine hailed him as "The Man Who Can't Miss." Recently, NBC's Rock Center with Brian Williams profiled Patterson's prolific career, AARP named him one of the "50 Most Influential People Who Make Our Days a Little Brighter," and Variety featured him in a cover story highlighting his adventures in Hollywood.

In 2013, it was estimated that one-in-five of all hardcover suspense/thriller novels sold was written by James Patterson, his books have sold over 300 million copies worldwide, and he holds the Guinness record for the most #1 New York Times bestsellers of any author. And his success isn't based solely on thrillers like the perennially popular Alex Cross, Women's Murder Club and Michael Bennett series. Patterson is now also the current bestselling author in the young adult and middle grade categories.

He's been called the busiest man in publishing, and that's not just because of his own books. For the past decade, James has been devoting more and more of his time to championing books and reading. From the James Patterson Pageturner Awards, to his website, to his College Book Bucks scholarships and his regular donations of hundreds of thousands of books to schools here in the states and troops overseas (see interviews on Fox & Friends, The Dennis Miller Radio Show and, Patterson has passed on his passion of books and reading and supported those who do the same. Jim personally funded a major ad campaign re-printing a recent opinion piece on about how it is our responsibility to get our kids reading. The ad has run in the New York Times, The New Yorker, and USA Today. Those ads are a call to action to parents to make their kids reading a top priority; and were featured by USA Today here. Patterson believes that we cannot rely on schools, teachers or the government to get our kids reading; only parents can make this crucial change in the reading habits of our kids. Here are links to some interviews on his first-ever dual lay down (two books, one for parents and one for kids, in one day): AOL's You've Got, NBC's "Today Show" with Hoda and Kathie Lee, USA Today and Family Circle, NBC's "Today Show" with Al Roker, as well as an interview with AARP.

Customer Reviews

In short, the book is a total waste of one's time.
Roger Long
Further, we are used to the ending where the bad guy walks away clean.
The book just seemed lacking for too many stretches.
A Humble Reader

Most Helpful Customer Reviews

119 of 127 people found the following review helpful By Jerry Bull on November 16, 2004
Format: Hardcover
This is the tenth in Patterson's Detective (now FBI special envoy) Alex Cross series, and from the outset, we would surmise that if you are not a faithful follower of the previous nine, you will be lost. First, both central villains are reprised from earlier books (the "Weasel" from "Pop Goes the Weasel"; and the "Wolf" from "Big Bad Wolf"), but it's not so clear how or why they are in cahoots. The Weasel in specific gets bumped off so unceremoniously that we almost wonder why he was even included in this novel. Second, and worse, the brief scenes featuring Alex's little boy and his mother Christine, Alex's current squeeze Jamilla, and his ex-partner Sampson, etc. etc., were so sketchy that the uninformed reader might think these segments irrelevant filler.

Couple that with an incredulous plot wherein the Wolf is leading the presidents of four countries around by their noses, almost a trite post-9/11 recital of terror with Al Queda thrown in every few chapters just for effect; it soon becomes clear this is not one of Patterson's better efforts. The storyline is as usual reeled out in short, three-page chapters, with action galore. But we are given so little meat, so little background, so little motivation to care, that the race toward the end of the book was almost anticlimactic. An overdose of red herrings and gratuitous slayings did little to endear the plot to us either.

While we generally enjoy Patterson's fast-paced thrillers, this one looks too much like a bad screenplay - you know the feeling: it's not that it's horrible, but you wonder later why you spent so much money for so little real entertainment. He can do much better, and so can you.
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25 of 26 people found the following review helpful By BU Guy on November 13, 2004
Format: Hardcover
If you look back through James Patterson's celebrated Alex Cross series, you'll find some of the finest thrillers written in the past decade. Along Came a Spider, Kiss the Girls, Pop Goes The Weasel, and Roses are Red are all prime examples of a talented writer at the height of his career. Unfortunately, Roses are Red was the last entry in this series that truly captured the essence of the Alex Cross character, and everything that's come after has been mediocre at best, with London Bridges being no exception.

The story picks up right where The Big Bad Wolf left off. Cross is working for the FBI tracking the Wolf, the most ruthless predator he's dealt with in his long career. To complicate matters, the Wolf has joined forces with the Weasel, a villian from previous Cross novel Pop Goes the Weasel. After blowing a small Nevada town off the map, the duo holds four major cities hostage, demanding a multi-billion dollar ransom. Naturally, it's up to good old Alex Cross and his team of FBI agents to put a stop to their diabolical scheme.

When the series started, Alex Cross tracked serial killers, expertly piecing together clues to solve crimes that baffled other detectives. Seemingly overnight, he seems to have switched his focus to combating world espionage. It's not that the writing itself is bad, the problem lies in the fact that the plot is so contrived and unrealistic, readers can't help but think "yeah, right". And isn't it interesting that with each new novel, Patterson describes the villian as Cross' most formitable foe??? Formitable or not, the Weasel served absolutely no purpose here. His role in the story seemed like nothing more than a cheap way to win back fans who have long since abandoned this lukewarm series.
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19 of 21 people found the following review helpful By Julia A. Allen on November 22, 2004
Format: Hardcover
This is by far the weakest of the Alex Cross series. Several things:

1) How does the Wolf go from a sadistic, homocidal, slave-trading maniac to an international, celibate, terrorist?

2) This maniac was blowing up bridges in major cities. He killed about 1,000 people in Paris. The book doesn't even get into the implications of this, except to say that maybe "the French want him as bad, maybe more, than we do".

3) His family was missing for at least 5 days. Where were they? What happened? He doesn't even touch upon this.

4) The Wolf never addresses Cross killing The Weasel. Hell, Patterson barely touches upon it - it's almost a footnote. What the...?.

Of course, Patterson left it wide-open for a sequel... "The Wolf is dead... at least that's what I told myself over and over again until I believed it". Something like that. But I tell you, I could almost care nothing about a sequel. I'm guessing that "The Wolf" is really an organization of some kind, but, again, who cares at this point? Not me.
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15 of 16 people found the following review helpful By Bayou Boy on November 17, 2004
Format: Hardcover
I have read every book by Patterson & this is the first one that I consider unworthy of his past efforts.

Mr. Patterson should be looking over his shoulder for a multitude of reasons - thin plot, convoluted closing, and just not up to par. We bring back the WOLF and the WEASEL and perhaps these "rats" are a reflection of the text.

But an even bigger problem is what Mr. Patterson has done with the pages. A classic example of caveat emptor.

The book is 391 pages but then again, it is not.

FIRST, the font size is much larger so let's assume that reduces the text by 20 pages.

SECOND, the book has a Prologue and 5 Parts. Each one allows for blank pages that total 14 pages included in the total.

THIRD, we have 123 chapters, all of which start mid-page and end mid-page. That deducts another 123 pages from the book.

So we reduce the readable text from 391 pages to 234. And, guess what, the price did not shrink.

This book and the manner in which it is presented is a bummer.

Future books by Patterson, if I read them, will be on the library list so I may save my money for OTHER authors.
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