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London Calling Original recording reissued, Original recording remastered


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Audio CD, Original recording reissued, Original recording remastered, January 25, 2000
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$7.29
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Audio, Cassette, May 21, 1980
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Biography

Formed in 1976 in the vanguard of British punk, The Clash would soon become the most iconic rock band of their era, a symbol of intelligent protest and stylish rebellion in the turbulent years of the late ’70s and early ’80s. Just as importantly, they were to become unflinching musical pioneers, integrating first militant reggae, then dub, funk, jazz and hip hop into their music, ... Read more in Amazon's The Clash Store

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London Calling + Combat Rock
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Product Details

  • Audio CD (January 25, 2000)
  • Original Release Date: 1980
  • Number of Discs: 1
  • Format: Original recording reissued, Original recording remastered
  • Label: Epic
  • ASIN: B00004BZ0N
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (563 customer reviews)
  • Amazon Best Sellers Rank: #2,036 in Music (See Top 100 in Music)

1. London Calling
2. Brand New Cadillac
3. Jimmy Jazz
4. Hateful
5. Rudie Can't Fail
6. Spanish Bombs
7. The Right Profile
8. Lost In The Supermarket
9. Clampdown
10. The Guns Of Brixton
11. Wrong 'Em Boyo
12. Death Or Glory
13. Koka Kola
14. The Card Cheat
15. Lover's Rock
16. Four Horsemen
17. I'm Not Down
18. Revolution Rock
19. Train In Vain

Editorial Reviews

Product Description

Their sprawling 1980 masterpiece, including the title anthem plus Train in Vain; Clampdown; I'm Not Down; The Guns of Brixton; Death or Glory; Wrong 'Em Boyo; Spanish Bombs; Brand New Cadillac , and 11 more.

Amazon.com

Bursting at the seams with creative energy, the Clash's stunning 1979 double album more than made up for the artistic and commercial disappointment of its predecessor, 1978's tried-too-hard Give 'Em Enough Rope. With ex-Mott the Hoople producer Guy Stevens harnessing their sound as never before, the band yielded what proved to be the best work of their career. Bouncing from hard rock (the apocalyptic vision of the title track) to rockabilly ("Brand New Cadillac") to reggae ("Rudy Can't Fail") to pop (the Top 40 hit "Train in Vain"), the Clash knocked down all musical walls and, in the process, ended the argument over punk's viability in the U.S. --Billy Altman

Customer Reviews

This is one of the best albums ever recorded.
L. D
This album, in my opinion, was where the Clash started to leave behind their original punk rock sound and explore a wide range of different musical genres.
Skitz Nightingale
I don't care if its rock or its punk, its just good music that is worth a good listen if you actually want to know what real rock sounds like.
the lost

Most Helpful Customer Reviews

190 of 200 people found the following review helpful By Robert Moore HALL OF FAMETOP 500 REVIEWERVINE VOICE on February 28, 2004
Format: Audio CD
This is one of the few rock albums ever released that is almost impossible to over praise. One can heap on the superlatives, pile on a few more, and still have room for even more laurels. It is probably by any standard one of the five greatest albums released in the rock era, unquestionably the greatest album released by a band with its roots in punk, the greatest explicitly political album ever released by someone who was not Bob Dylan, and one of those rare albums that doesn't seem to age at all. There isn't a weak cut on the album. In fact, the songs are not merely good but great.
Although The Clash started off as a punk band, they were never adequately defined by that phenomenon. Although rooted in the attitudes and political sympathies of the punk movement (and above all else, English Punk, as opposed to the earlier American Punk, was highly political; originator Malcolm McLaren was deeply influenced by Guy Debord and the Situationist International, and included many political ideas in promoting the Sex Pistols and his punk fashions), The Clash quickly outgrew the punk aesthetic. While most of the original punks were merely two-chords-and-a-cloud-of-dust bands, the Clash almost immediately began effortlessly and seamlessly assimilating a host of musical influenced. They were the first rock band, for instance, to use reggae rhythms and not make them sound like a gimmick (compare The Clash's extraordinary "The Guns of Brixton" with Led Zeppelin's "D'yer Maker," which while good sounds a bit like a novelty song, while The Clash sound like they ripped the song off some Jamaicans). The songs are remarkably sophisticated and polished, even when they sound casually.
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207 of 224 people found the following review helpful By Gundy Brain on February 10, 2000
Format: Audio CD
The album that changed my life. In 1980 I was 17 years old living in Seattle--a total 70s rocker when I saw London Calling in Tower Records. It had the coolest cover I had ever seen--a black and white photo of Paul Simonon smashing his bass on stage. Something just clicked in my brain and instead of buying the latest Aerosmith album, I bought London Calling and at first the Clash were a total shock to my Led Zeppelin soaked system. Now in 1980, American rock radio consisted of songs that consisted of a really cool guitar intro, 1rst verse, chorus, 2nd verse, chorus, a really bitchin solo by Jimmy Page, Michael Schenker, or Ted Nugent, the 3rd verse, and the chorus. Usually the song was about partying, chicks (and sex), or enchanted forests and castles and such and if the song didnt sound like this we hated it. And here in my innocent hands was a record about revolutions, fascists, junkies, race riots, nuclear destruction, gangsters, rude boys, suburban alienation, consumerism, and Montgomery Clift for Gods sake! And all of this was played in all different styles--ferocious punk with snarling vocals, rockabilly, jazz, ska, and reggae. It totally blew away my perception of what rock music was supposed to be. (I became more aware of the world and what was happening politically thanks to the Clash)
This is one of those rare records that never lets up from beginning to end and is truly packed with with some of the Clash's greatest songs.
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93 of 104 people found the following review helpful By G. L Vince on September 30, 2004
Format: Audio CD
Disc One: The Original LP

Hands down, The Clash's "London Calling" is one of the strongest albums in rock history. Despite being a punk rock group, The Clash explored reggae, ska, jazz, pop with strong melodies with equally as strong lyrics. Throughout the album's 19 tracks, it is never boring and is essential in anyone's record collection.

Disc Two: The Vanilla Tapes

The demos from the "London Calling" sessions are very interesting but it is by no means something one just sits back and listens to. The sound quality is poor, and the songs are not quite in the form that they would take on later. The most intresting is the cover of Bob Dylan's "The Man in Me". It would have been interesting to hear a better cut of that song. Interesting listening for fans but newcomers might not welcome it as much.

DVD: The Last Testament

There is some cool videos on the DVD of "Train in Vain", "London Calling" and "Clampdown" but the documentary itself really kind of drags. Listening to the album take form on disc 2 is interesting but nothing is really learned in the documentary. Plays a lot like a "Behind the Music" episode but not nearly as in depth. Pretty much just an added bonus.

FINAL REVIEW:

As I mentioned, "London Calling" is a must have. A Five Star classic that ranks among the greatest albums of all time. Not having this is like not having "Sgt. Pepper" or "Kind of Blue". The album in its new extended package is excessive and for die hard fans. The demos are interesting but nothing to listen to repeatedly and the DVD is a throw away. Not a waste of money but if you own the original remastered CD, that should suffice.
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Is this a 180 gram vinyl?
no. we don't
Mar 24, 2014 by icecube |  See all 2 posts
listen to the sex pistols if you want real punk rock. the clash is just...
Are you insane?
There's no way I believe you've been listening to punk music for twenty years. The sheer volume of spelling errors made in this long and rambling post makes you seem like a thirteen year old. That and your total lack of knowledge on the whole punk genre. You mention two bands... Read More
Jul 6, 2006 by Bendalie |  See all 32 posts
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