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71 of 75 people found the following review helpful:
5.0 out of 5 stars
There is more than one way to win the race, July 25, 2001
I saw this British film when it first came out in 1962 and never forgot it. I even remember an argument I had with my aunt about its controversial theme - that of an alienated angry young man who defiantly refuses to conform to the system. Shot in black and white, the video stars Tom Courtenay as a working class Nottingham youth who is sent to a reformatory because of a robbery. Michael Redgrave is cast as the warden, referred to as the "governor" as this is a British film. It is a modern reformatory, and plans are being made to for it to compete in sports with a private school. The long distance run is considered the biggest prize and Courtenay is granted special privileges as he stands out as someone who could actually win. He's allowed to take long runs outside of the reformatory gates each day, and the cinematography here is outstanding. During these runs, Courtenay experiences flashbacks of his life and we see a picture of its grimness. We see his anger at the system and admire him for belief in his ideals. And yet we also want him to win the race and move into a more privileged life. Finally the day of the run arrives. And young Courtenay makes his decision. It is startling and yet something we can understand. No wonder it's haunted me all these years. Now, watching the video all these years later, I found it a little slow for my taste, especially since I already knew the ending. And, also, as with many British films on video, I sometimes wish there were subtitles. But this is a film that makes me think. I think about choices I've made in my own life. I think about how they turned out. And I think about the message of the film - still fresh after all this time. Recommended.
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39 of 39 people found the following review helpful:
5.0 out of 5 stars
"Rebel with a Pause", August 21, 2002
This British film is a stark masterful portrayal of a young working class man, and the urban world he is trapped inside. The black and white photography lends a honest depiction of his tough bare existence. Colin watches his foolish widowed mother fritter away her meagre inheritance, and he seems to be as incarcerated in this world, as in the reform school he ends up in, after a bungled robbery. His stolen cash, stashed away in a drain pipe at the front door, floats out during a rainy day at the very feet of a detective making inquiries at his house. So it goes for Colin, a man trapped at every turn. His life gets a lift when he joins the cross country team at the reform school. The scenes of him running freely through the woods during meets are poetry on film. Colin lashes out against his fate and lot with one bold pause at the end. His expression as he stands there is priceless. This film's images will last with the viewer for a life time. This is great art.
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33 of 37 people found the following review helpful:
5.0 out of 5 stars
The British version of The Longest Yard, June 4, 2004
This was the story later used in the American film with Burt Reynolds, The Longest Yard. British actor, Tom Courtenay, in his first major film role plays the downcast, but likeable youth from the seedy side of town. Courtenay's character is saturated with events in his life for which he has no control. He lives in poverty, his father dies, his mother's waiting in the wings-boyfriend is a jerk, and he has no job skills or future. He is ultimately placed in a youth detention facility where he finds, to his warden's joy, that he has athletic ability. He is ambivalent about this skill, but he can obtain privileges and possible early freedom if only he wins the running trophy for the warden. The Burt Reynolds film, centered on his character developing an interest in his fellow prisoners to decide on how to respond to the warden's promised rewards and punishments. The British version focuses almost completely on the character's internal conflict. Ultimately, his decision is based on how he could best gain an aspect of control in his life. His decision is based not for his peers, and not for the authorities, but for his own sense of self. Aspects of the youth prison may seem funny by today's standard, but the story remains fresh and interesting. I highly recommend it.
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