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The Lonely Passion of Judith Hearne (New York Review Books Classics) [Paperback]

Brian Moore (Author), Mary Gordon (Afterword)
4.6 out of 5 stars  See all reviews (14 customer reviews)

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Book Description

June 15, 2010 New York Review Books Classics
The Lonely Passion of Judith Hearne is an unflinching and deeply sympathetic portrait of a woman destroyed by self and circumstance. First published in 1955, it marked Brian Moore as a major figure in English literature (he would go on to be short-listed three times for the Booker Prize) and established him as an astute chronicler of the human soul.

Judith Hearne is an unmarried woman of a certain age who has come down in society. She has few skills and is full of the prejudices and pieties of her genteel Belfast upbringing. But Judith has a secret life. And she is just one heartbreak away from revealing it to the world.

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Editorial Reviews

Review

Selected by The Guardian as one of 1,000 novels you must read before you die.

 

"Moore has absolute control over his narrative, and Judith Hearne's descent is both excruciating and enthralling."  –  Anne Enright in O, The Oprah Magazine

 

“With his first serious book Brian was already in full possession of his technical accomplishment, his astounding ability to put himself into other people’s shoes, and his particular view of life: a tragic view....He was to prove incapable of writing a bad book, and his considerable output was to include several more that were outstandingly good; but to my mind he never wrote anything more moving and more true than Judith Hearne.”—Diana Athill

 

“In virtually all of Moore's novels, there is a dramatic, vital connection between protagonist and place: Judith Hearne, the Catholic spinster drifting into alcoholism and isolation, is the lyric embodiment of repressed, claustrophobic Belfast, a descendant of the ageing spinsters of James Joyce's Dubliners”—Joyce Carol Oates, TLS

 

“Brian Moore [wrote] a superb first novel; The Lonely Passion of Judith Hearne reads as freshly, and as heart-breakingly, today as it did when it first appeared in 1955.”—John Banville

 

The Lonely Passion of Judith Hearne is, to my notion, everything a novel should be.”—Harper Lee (New York Times, 1960)

 

"Each book of [Moore’s] is dangerous, unpredictable, and amusing. He treats the novel as a trainer treats a wild beast."—Graham Greene

 

 

“Brian Moore was a wonderful writer, one of the few genuine masters of the contemporary novel.” —Thomas Flanagan

 

Judith Hearne is a masterpiece.” —Richard Yates

 

The Lonely Passion of Judith Hearne reads as freshly, and as heart-breakingly, today as it did when it first appeared in 1955.” —John Banville

 

The Lonely Passion of Judith Hearne is undoubtedly the best-written, most intense, wildly imaginative, exuberant and powerful of [Brian Moore’s] books, and along with Connell’s Mrs. Bridge, Wallant’s The Pawnbroker, and Yates’s Revolutionary Road, remains one of the authentic if uncelebrated classics of the last twenty years.”

—DeWitt Henry, Ploughshares

 

"Set in Belfast in the early 1950s, Brian Moore’s The Lonely Passion of Judith Hearne is not a kind book, no, but it is utterly transfixing.... By the end of this truly brilliant, shocking novel, a story peopled by characters who make your skin crawl, the impossible has occurred: The reader both understands and feels compassion for a really awful woman."

— Katherine A. Powers, Boston Globe

From the Publisher

'Moore is surely one of the most versatile and compelling novelists writing today.' Daily Telegraph

Brian Moore's extraordinary talent was immediately recognised when The Lonely Passion of Judith Hearne, his debut novel, won the Authors' Club First Novel Award. A highly-acclaimed film based on the novel was recently made, starring Maggie Smith.

'I can't think of another living male novelist who writes about women with such sympathy and understanding.' Times Literary Supplement

'Remarkable... seldom in modern fiction has any character been revealed so completely or been made to seem so poignantly real.' New York Times

'An almost classic example of the power given by unity of theme... Mr Moore reveals all the qualities of a born novelist.' Sunday Times --This text refers to an out of print or unavailable edition of this title.


Product Details

  • Paperback: 240 pages
  • Publisher: NYRB Classics (June 15, 2010)
  • Language: English
  • ISBN-10: 159017349X
  • ISBN-13: 978-1590173497
  • Product Dimensions: 5 x 0.5 x 8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #90,376 in Books (See Top 100 in Books)

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Customer Reviews

14 Reviews
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Average Customer Review
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51 of 53 people found the following review helpful:
4.0 out of 5 stars A woman imprisoned by the passage of time., February 27, 2002
After cranking out a string of pot-boiler thrillers, Judith Hearne was Moore's debut venture into the world of the serious novel. Here he sought to depict the epic, cosmic conflicts that are under the surface of the most seemingly ordinary of lives. He set it squarely in 1950's Belfast, where he was raised as one of the Catholic minority. He hated Belfast, calling it a "claustrophobic, provincial backwater... trapped in the nightmare of history" and plagued equally with Protestant self-righteousness and Catholic repressiveness. All of these sentiments find their way into this, his first literary novel.
Judith, convent-raised, unmarried, and forty-something moves into Mrs. Rice's boarding house on Camden Street. It is her sixth relocation in the last few years. We find out WHY later. She teaches piano and embroidery to an ever diminishing handful of students, has very few possessions, and fewer social attachments. In fact, her only social involvement is tea with the O'Neill family on Sunday afternoons. Only later do we find how one-sided even this relationship is. The O'Neills secretly dread her visits.
We are soon to sense the brooding cloud of narrowness, plainness, loneliness, and ignorance that hovers over this poor soul. Moore captures it. Even her physical frame, he says, is "plain as a cheap clothes rack."
To sustain herself she lives in a world of religious faith and imagination... or illusion. She daydreams, and surrounds herself with iconic totems from her uneventful past. And she has a secret vice that isn't revealed until almost midway in the novel. She's a(n) _____! (I won't say).
The novel revolves around Judith's interactions with the many other residents of Mrs. Rice's home. Because of Judith's long repressed desires and vivid imagination, she is quick to assume that Mr. Madden's attentions will lead to a splendid marriage. But in their mutually illusive worlds they are both nursing dissimilar motives as regards each other. And meanwhile, Judith is being horribly set up for a total spiritual/emotional breakdown by a certain nefarious Iago-like presence in the home. As a result of her mounting disappointments she questions (abandons?) her religious faith, and is led in increasing measure to wallow in her secret vice... the real "passion" of Judith Hearne. And it is indeed, partaken in abject loneliness. Even the Church, represented by the tactless Father Quigley, rejects her cry for help. He heaps penitence and guilt where forgiveness and grace are needed.

This novel is brilliant in its portrayal of a woman at the very outer limits of disillusionment. Trapped by the passage of time. In the end, she looks in the mirror and smiles a costly smile. It has cost her the illusion, the pretence, and the ill-founded faith of all her years.

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24 of 24 people found the following review helpful:
5.0 out of 5 stars Essential reading, June 30, 2007
This slender novel is a master class in fiction writing. I've read it at least ten times, and every time I learn something new. Mr. Moore's command of fictional technique is astonishing. He uses the basic elements of the craft (point of view, narrative voice, recurring details, etc.) like brushstrokes in a painting. Bit by bit, sentence by sentence, Judith Hearne and the people around her are revealed. The plot moves forward with the inevitability of a Greek tragedy, and when the climax comes, we are devastated. We know everything there is to know about this plain, brave, flawed woman, and we know that things could not have turned out otherwise for her.

In addition to its flawless execution, this book reveals an almost unbearable depth of compassion for human weakness and a keen understanding of human nature. While Judith Hearne may seem to belong very much to a particular time and place, we should not be so quick to label the book a period piece. We are still struggling to connect to each other, to find love and security, to reconcile faith and fact. Mr. Moore's themes are timeless. As long as there are human beings, Judith Hearne will have something to teach them. Her story gives us much to mourn about who (and what) we are, but in revealing her to us, Mr. Moore also gives us much to celebrate.

I can't recommend this book highly enough. Please read it.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Modern masterpiece., April 28, 2005
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It cannot be emphasized enough what a masterpiece this book is. It is packed tight like a little bomb and like a bomb it explodes in your hands. Writers especially should take note of this book: not a single word is wasted. Every sentence furthers the plot -- that of a desperate and near-hysterical drunken Irish spinster who is feebly holding onto her faith. It is also one of those rare books that manages to be both literary and plot-driven. Merciless tension is sustained throughout.

The writing will remind you of early Joyce (Dubliners) coupled with the pained humor of Chekhov. It is rich in imagery and detail and the pacing is perfect. Unforgettable characters abound, from the Yank-wannabe cripple James Madden, to the pudgy, poetaster Bernard Rice, to Judith herself, a shabby-genteel dame who only wants to be loved.

This is classic writing by a great writer who deserves a wider audience.
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Inside This Book (learn more)
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First Sentence:
THE first thing Miss Judith Hearne unpacked in her new lodgings was the silver-framed photograph of her aunt. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
horrid sister, aunt dear, red raincoat
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Miss Hearne, Father Quigley, New York, Sacred Heart, Miss Friel, James Madden, Aunt D'Arcy, Uncle James, Moira O'Neill, Edie Marrinan, Professor O'Neill, Saint Finbar, Father Farrelly, Judy Hearne, Sign of the Cross, Dan Breen, Plaza Hotel, Royal Avenue, Times Square, John Grogan, Judith Hearne, Major Mahaffy-Hyde, Mister William Creegan, Sister Mary Annunciata, Victor Mature
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