Most Helpful Customer Reviews
24 of 25 people found the following review helpful:
5.0 out of 5 stars
Lonesome Gods: History, action, courage, and more . . ., June 7, 2000
By A Customer
This review is from: The Lonesome Gods (Paperback)
I love fiction books that include factual, historical data that teach you about California, as you read. Louis L'Amour is a master story teller. He captures your imagination with his courageous, but human, characters (male & female alike). I couldn't put this book down and was disappointed when it ended. It touched me in a way that caused me to look harder at myself, as a person. It encouraged me to say to myself, "I am a child of God and nothing will cause me to be afraid." -- I'm a tougher, better person because of this book. Read it and let it move you, too!
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11 of 14 people found the following review helpful:
4.0 out of 5 stars
Classic Louis, October 27, 2003
This review is from: The Lonesome Gods (Paperback)
You could review this book critically detail by detail, but in the end this is classic L'Amour. I don't believe he ever wrote a bad book. No, I'm sure he never did. Some of the books are similar, some are vastly different. He proved himself able to write more than "just westerns". Louis' depth is seen in books like Last of the Breed, The Walking Drum, and Hills of Homicide. The book is interesting in that the lead role, Johannes Verne, is without full time adult supervision from a very young age and with the help of friendly indians must provide for himself. From my recollection this is the youngest character of L'Amour's to "go it alone". In this way, this book is similar to Reilly's Luck ( another youngster alone). This book seems to take a look at eternal things. There is mention of God and the story line is developed along the idea that many gods have existed through time. Men come and go and their gods are left behind with no one remembering who they are or what purpose they served. Unlike God, they are lonesome and left with no followers or those that look after their shrines. Johannes Verne identifies with them out of pity for there lonliness. Although somewhat predictable, I say "who cares". L'Amour's work is excellent. The reasons we love it are the imagery, storytelling, and the close bond we feel with the characters.
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9 of 12 people found the following review helpful:
3.0 out of 5 stars
Not one of L'amour's better efforts, June 16, 2000
This review is from: The Lonesome Gods (Paperback)
I'm a big fan of Louis L'amour but, ultimately, I found "The Lonesome Gods" to be a rather mediocre effort. It suffers from an excess of historical data which, while interesting, doesn't really serve to advance the plot, weak character development, and an ending that's just a little too pat. The story moves along at a good pace at first with the tale of how Johannes Verne's dying father brought him west in the hopes that his estranged grandfather would take the boy in once his father passed on. However, once Johannes reach Los Angeles the story slows down considerably. At this point not a lot is happening with his characters so L'amour glosses over the passage of large spans of time and spends a great deal of time presenting historical information about the early years of the city but most of it isn't really relevant to the story. The result is that the story becomes bogged down in useless data that doesn't do anything to advance the plot. Making matters worse, I found his handling of the passage of time to be somewhat disorienting and on more than one occasion I found myself wondering if it had just been a few days or a few years since something had happened in the story. Usually I feel that L'amour is pretty good about developing his characters within the constraints allowed by his stories. Unfortunately that's not the case here. The only character to really feel fully fleshed out is Johannes, though the elder Verne and Miss Nesselrode are also fairly well presented. Everyone else is just sort of presented in a peripheral manner and never really achieve a status above stock character types. This becomes very frustrating later in the book when a number of characters are introduced who clearly have interesting stories of their own (Yacub Khan really deserves his own book) but we never really learn the stories. Instead the characters just appear out of nowhere with a little foreshadowing, perform their appointed tasks, and disappear again as if they were never there. Finally, the ending is just a bit too neat. It really feels like L'amour decided the novel had reached the right length and decided to just wrap things up in a nice, neat little package. Everything just suddenly falls into place to bring the story to an end. For example, one villainous character suddenly has a complete change of heart and instantly goes from bad guy to romantic interest with no real explanation. All that said, it's still an enjoyable read. It's just that it's far from the best that L'amour ever wrote. I would not recommend this book as an introduction to his work as I can see the slow pace of the book turning off some people. Instead I would suggest something like "Hondo".
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