Customer Reviews

Long Goodbye

5 star:		(3)
4 star:		(6)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

The Essex Green was one of the last bands to nibble on the blades of grass that came with the Elephant 6 Recording Company's stamp of approval. However, it was not long after that when the once fertile landscape turned harsh for even the most peripheral of E6 associates. Under the glare of so many critical lights and a cresting wave of backlash, the Essex Green and much of the E6 posse went underground. Here the Green resurface with The Long Goodbye to say hello again.

And for the most part, little has changed. The band, less psychedelic than most of the E6 fold, continues to play wholesome sounding MOR ripped from the '70s, complete with its golden-haired charms and occasional dips in orchestral cheese. Sasha Bell, who also is a member of the Ladybug Transistor, sings with a honeyed voice that rings out pure and true on the bulk of these 12 tracks. Her breezy vocals on songs like "By The Sea" and "Our Lady In Havana" make for enchanting, timeless pop.

Unfortunately the band sometimes overdoes the sweetness and ends up being too precious. "Julia," a wispy flute laced laze in the shade is but one example of the band crossing this threshold.

The overall vibe of this album in akin to the old Coke commercial where cheery faces try to "teach the world to sing" on a mountainside under dappled sunlight. As much as one may have snickered, it was hard not to be secretly uplifted by the sincerity and innocence of such sentiments. The Long Goodbye is likely to do the same for you if given half the chance.

Barin McGrath
...

It's obvious these guys don't give a [dang] about anything going on today. And that's a good thing. This is a great record that keeps growing on you the more you listen to it. It's eclectic, but there are common themes running throughout the record that hold it together. An album's album. One of my favorite new records.

I don't listen to a whole lot of music similar to this. My music tastes are founded on mostly metal and rock. However, I was browsing free songs on Last.fm in hope to expand my taste to more of the Indie scene when I stumbled upon a free song, being "Our Lady in Havana". From the first note in I knew this album would have to be in my hands. This song has many different instruments and melodies forming a very rich, fulfilling listen.

This exceptionally melodious trio creates quite a unique sound for themselves, with mostly alternating male and female vocals between songs, prominent bass lines, keyboards, slight licks of country melodies, and a little violin.

They create friendly, simple, catchy tunes however being diverse and rewarding, resulting in a very `fun' album that doesn't get boring despite its relative simplicity.

The songs are mostly relaxing, keeping a steady rhythm to them. The most upbeat song is perhaps "The Late Great Cassiopia," complete with some clapping, a fast, melodic guitar riff, rapid drumming, and what sounds like all three (maybe just two) members harmonizing throughout the whole song. All these elements make for a very distinct, memorable tune.

I shall definitely be collecting more albums by this band over time. Honestly, I have no idea where these guys came from or what bands they were in before, but I will slowly start looking into it. Meanwhile, If you like this band check out the following: Paatos, Pineforest Crunch, Tori Amos, American Football, Cake, and Circa Survive.

Every song on this album is pretty catchy, but not as memorable as some of the tunes on the previous 3 albums. This ordinarily would be a bad thing, but this album just keeps growing on me. Zach Ward's voice is missed on this release as well as Mike Barretts, but somehow the EG have made another masterpiece - it just isn't as immediate as the 3 previous releases. I actually had to come back and edit my review, this album finally clicked with me and it deserves to be heard. The difference between The Essex Green and The Sixth Great Lake used to be Timothy Barnes in EG and not in SGL while Zach Ward was in SGL but not EG....if Barnes isn't in the band anymore, can't we just make Zach a member of both bands???

The 2nd full-length CD from Brooklyn's Essex Green is very good, although their debut Everything Is Green was a little better. I was happy with the packaging and condition of the CD as well.

A very enjoyable CD when you want some chill time. While not quite as polished as their next album (Cannibal Sea), you can still enjoy the Green's exceptionally listenable and uplifting efforts while knowing that you've found a band that grows and matures with each passing year. If you're looking for a CD to study by, to drive by, to chill by, then you've found it!

A masterpiece. And what a great live band! I can enjoy this record from begining to end with no stops. Beautiful songs all along. The last song "Berlin" might be the most stunnigly beautiful song on the record, but there are too many favorites to pick. This is like that Vivaldi record, there's a song for every season. And every mood. And every occation.
They are currently in the studio making the follow up to this wonderful record.

After the charming psychedelic pop of their debut, the Essex Green takes a different path in their sophomare album. Second album "Long Goodbye" has more of a rock and alt-country flavor, which doesn't suit the bouncy, poppy music quite as well.

Songs like "Lazy May" wouldn't sound out of place on a country-rock album, with the drawling vocals and banjo riffs. The slower songs like "Julia" follow the same formula in a more balladic way, but have touches of psychedelic pop, with echoing backing vocals and a swelling melody.

Other songs have a softer, less grounded sound, like the airy pop of "Chartiers" and the oddball sound of "The Boo Hoo Boy," which has a dash of psychedelic folk flair. "The Late Great Cassopeia" is perhaps the highlight, perfectly balancing the bright quickness of Essex Green's pop with a driving guitar rhythm.

"Long Goodbye" isn't really a continuation of "Everything is Green" -- it's basically a different album that has a few musical flourishes in common. And this album harkens back to their earlier country-flavored work in Sixth Great Lake and Guppyboy, but it doesn't really fit them in this guise.

The main flaw is that the alt-country sound is mixed in with psychedelic flourishes -- something that might work for some bands, but it sounds awkward and contrived here. It also lacks the sunniness and prettiness, in favor of a grittier, more stripped-down sound. In other words, no discernable Vox organ or fuzz guitar.

Musically, it's actually pretty good -- the guitar riffs are fairly solid, occasionally a bit monotonous but overall quite solid. The occasional flicks of chimes add a more ethereal touch to it, as do the soft flute melodies. The drums are a mixed bag -- in "Lazy May," the beat is monotonous and too front-and-center.

But the vocals make up for that: Sasha Bell, also of Ladybug Transistor, has a lovely voice -- bright, airy and clear as a... well, as a bell. She manages to add an ethereal note to songs like "Southern States." I'm not so enchanted by the male vocals, which tend to be rather pedestrian.

Don't expect the best here, because "Long Goodbye" doesn't live up to the promise of their debut. That said, it is a pleasant enough alt-country listen.

I discovered this album almost by mistake. I was visiting New York one night when my plans fell through and I found myself looking through the paper for something to do. That led me to an Essex Green show -- these were long-lost friends I hadn't seen or heard from in years. The show was an incredibly pleasant surprise. My old friends had emerged as a mature, tight, melodic unit that oozed fun, edge, and love. I bought the CD.

Whatever I thought about the show, the CD has long since eclipsed it. I agree with other reviewers that every song on the CD is a quality listen. Even the ones I didn't particularly like at first (e.g. Southern States) I still find stuck in my head and I have come to appreciate. Our Lady of Havana has become one of my favorite songs. Lazy May and the Late Great Cassiopia are fantastically fun. Old Dominion is one of those tunes that can get stuck in your head for a week at a time. Berlin could get stuck there for 6 months. I have come to love this album so much that I had a dream recently where I kissed Sasha Bell in gratitude. Seriously. I buy a lot of music, from the highly commercial to the obscure. This is my favorite album of 2003.

I give this album 4 stars instead of 5 because while it is musically dy-no-mite, the content of the lyrics is not profound. Don't get me wrong, there are some very clever turns of phrase and some excellent lines. Sasha writes some lyrics that can really tug at your heart as well. But overall I don't come away inspired to be a better person or start a revolution or anything of that magnitude. That's what it takes to get 5 stars out of me. Call me picky. Nonetheless, this is a fabulous album that everybody should buy. It makes a great gift, too -- a little bundle of joy in a plastic case. Viva la Green!

I'm not kidding. While the Essex Green is unlikely to have the commercial appeal of "Rumours" - it is intensely melodic and original.

This is my first written review on Amazon - I'm picky and don't like to write - I buy alot of music - recently that's included Iron and Wine, Damien Jurado, Dolly Varden, Low, Ladybug Transistor, Andrew WK (ok, so that pushes my taste a bit - but what collection is complete without 1 stoner-rock release?), Stereolab, Broken Social Scene, Pretty Girls Make Graves - I could go on, but I figure this gives you and idea of whether you might like this release based on you liking any of these other artists.

I'm a 47 year old psychologist with a love for melody - that has to drive the music even more than the lyrics or style.

Back to Essex Green - I saw them in Grand Rapids, MI - very good, what I liked most was the way they were into the music, despite the very small crowd (I think it was a Tuesday night).

A couple more comments - the review on All Music Guide said Sasha had the best voice in the band "by far". And her voice is really nice and distinctive. I'm probably even more partial to female vocalists. (The first Goldfrapp release was easily my favorite of 2000-2001.) But Chris' voice is just as good and just as distinctive. You hear voices like these and realize how hard it is to sound unique - you have it or you don't - not alot you can do with that part...

What's so impressive is the, on the one hand, simple pleasant music, but on repeated listens, the variety in the songs themselves and the structure of the melodies.

There is REAL TALENT here. I don't know if the songs are truly written by all three of the major players - Chris, Sasha, and Jeff, and not to short-change Jeff, who was great on lead guitar and fits the band perfectly - but the Ziter/Bell (Chris/Sasha) combo is the best since Buckingham/Nicks. I don't know how a solo album will be with either Chris or Sasha (Buckingham/Nicks solo releases were never as good - and Sasha did just release Finishing School, which I plan to get - maybe hers will be the exception) - but I do know that having 2 extremely gifted songwriters with 2 orignally distinctive voices is an absolute treat on 1 release.

I give it 4 1/2 - I think 5 should be reserved for "absolute classic" and that will take 5 years or so - keep posted... (ha).

Buy this - don't make these guys have to get day jobs...