From Publishers Weekly
Distinguished poet Kumin (Connecting the Dots, etc.), who has found inspiration in her rural life on a New Hampshire horse farm, garnered critical praise and respectable sales last year with her prose memoir, Inside the Halo and Beyond: Anatomy of a Recovery, an account of grievous injuries she sustained after a fall from a horse. This new collection, her first after a well-received Selected Poems: 1960-1990 (1997), contains poems that pertain to this experience, with observant details about physical therapy classes that would have daunted a writer of less steely strength. Always buoyantly optimistic in previous books, the poet is put to the test here by potentially gloomy subject matter, as in the poem "Grand Canyon": "Outings for wheelchair postulants/ are regular affairs here on the brink/ of this improbably upheaved landscape/... The fact is, no conjecture can resolve/ why I survived this broken neck/ known in the trade as the hangman's fracture,/ this punctured lung, eleven broken ribs,/ a bruised liver, and more...." Kumin is able to find humor in her situation, and carefully keeps an ear to her fellow patients' speech patterns. In "Grady, Who Lost a Leg in Korea, Addresses Me in the Rehab Gym," she records plausible speech: "Now those guys over there/ in chairs? They got the sugar/ Diabetes. Works like a cannibal,/ one leg, then the other." There are also poems in homage to Muriel Rukeyser and to birds. The book is uneven and overlong, but Kumin's avid readership will find irresistible this evidence of her overcoming severe physical injury.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Library Journal
In her recent prose memoir, Inside the Halo (Norton, 2000), Pulitzer Prize-winning poet Kumin wrote of her torturously slow recovery from an equestrian accident, which left her with a broken neck and other serious injuries. This is the first book of poems to emerge after that accident in July 1998, and its contents display an even more developed richness of spirit than do previous works. Although several of the poems treat Kumin's 50-plus year marriage, one feels that the book's title may refer to "marriage" as a kind of covenant between the poet and her environment. Kumin lives in rural New England, and the farming atmosphere is never far from her heart ("a black melt has seized the squash vines"). Divided into seven sections, this collection also includes poems about sociopolitical situations (capital punishment, extinct wildlife, revolutions), considerations of aging and rehabilitation, and tributes to Hopkins, Wordsworth, Rukeyser, and Rilke. Kumin concludes with two poems on the agony and confused emotions of surviving a friend's suicide (her mentor and close colleague, poet Anne Sexton, committed suicide in 1974): "We are trapped in the plot, every one./ Left behind, there is no oblivion." Highly recommended. Judy Clarence, California State Univ. Lib., Hayward
Copyright 2001 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.