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A Long Strange Trip: The Inside History of the Grateful Dead
 
 
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A Long Strange Trip: The Inside History of the Grateful Dead [Paperback]

Dennis McNally (Author)
3.6 out of 5 stars  See all reviews (47 customer reviews)

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Book Description

August 12, 2003
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist–a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes.

Dennis McNally, the band’s historian and publicist for more than twenty years, takes readers back through the Dead’s history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band’s intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead’s early days in late-sixties San Francisco–an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey’s acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley “Bear” Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead’s saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation.

Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band’s inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.


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Editorial Reviews

From Publishers Weekly

The Grateful Dead forever changed popular music by ushering in the psychedelic sound of the 1960s as they valiantly toured almost nonstop for three decades and consumed loads of illegal substances. Yet the most fascinating, and revealing, thing about the Dead is their fans the Deadheads: tie-dyed, drugged up and devoted in a way that makes Beatlemania look rational. What did the Dead have that fellow San Francisco bands Jefferson Airplane, Quicksilver Messenger Service and Moby Grape lacked? As author McNally (Desolate Angel: Jack Kerouac, the Beat Generation, and America) explains in this entertaining and well-written book, the Dead built up their loyal following by treating fans as equals, as "companions in an odyssey." After improvisation, writes McNally, "the single largest element in the Dead's weltanschauung was their pursuit of group mind under the influence of LSD...." As the Dead's publicist for more than 20 years, McNally packs this 600-pager full of intimate details otherwise unavailable, such as the time the group's janitor vetoed a suggestion from multimillion-dollar promoter Bill Graham as too "commercial." On the other hand, McNally clearly dodges the more unflattering and controversial aspects of the musicians' lives offstage; indeed, every living member of the original lineup provides glowing endorsements on the book's back cover. But perhaps McNally thinks the Dead's underside has been done to death; in any case, with a little prettifying he still manages to pen the most exhaustively researched book on the band to date.
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

McNally has been the Grateful Dead's official historian since 1980.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 704 pages
  • Publisher: Three Rivers Press (August 12, 2003)
  • Language: English
  • ISBN-10: 0767911865
  • ISBN-13: 978-0767911863
  • Product Dimensions: 6.1 x 1.5 x 9.2 inches
  • Shipping Weight: 1.8 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (47 customer reviews)
  • Amazon Best Sellers Rank: #297,653 in Books (See Top 100 in Books)

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Customer Reviews

47 Reviews
5 star:
 (10)
4 star:
 (18)
3 star:
 (14)
2 star:
 (2)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (47 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

22 of 24 people found the following review helpful:
5.0 out of 5 stars A Long, Strange Trip and a Great Read!, August 13, 2002
By 
Believe me, McNally's book is going to be the definitive Dead book from now on. Only Blair Jackson's GARCIA is in the same league. Not only is the whole story of the band told, but it's told well and is a terrific read. McNally is to be commended for concentrating on the band, their world, and their music without getting bogged down in their personal lives. That's not the point here. His decision to break the narrative flow with occasional interludes works, giving details on different aspects of the Dead's world that flesh out the story. My only quibbles (and they're small ones) are these: I wish he had included more about Tom Constanten and Vince Welnick--they were both members of the band (if briefly) and deserve a little more attention. And there is an occasional needless swipe at other artists like Frank Zappa and the Velvet Underground (who did not hate their audience, as McNally claims). But aside from that, a great tale well-told.
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16 of 17 people found the following review helpful:
3.0 out of 5 stars Official but hardly definitive, August 19, 2004
By 
Ryan McNabb (Ooltewah, TN USA) - See all my reviews
(REAL NAME)   
This is a troubled book. For one thing, you've read most of it already if you've read the other 4 or 5 important books on the band that have come out since Garcia's death. He quotes liberally from all of them, including the hilarious but scarcely dependable "Living With the Dead" by Rock Scully. In fact, that's probably where you need to start - with Scully's book. For fun, to remind yourself that it was all about fun after all. Then treat yourself to one of the best biographies you'll ever read with "Garcia", then get a look at the dark underbelly with "Dark Star", and you'll begin to get a sense of the big stories from at least 3 perspectives. Then if you still need more read "A Long Strange Trip" to patch in the cracks. McNally's unbalanced but highly detailed work provides loads of names, dates, places, addresses, etc.; enough to keep trivia buffs and collectors busy for years. But the big questions (you know the ones) will still go maddeningly unanswered. I cynically opine in my idle hours that this is because access to The Band is still probably limited to those who don't kick up too much dust, like it always was. The Grateful Dead is still one of the most potent social and musical phenomena of the post war period, and their influence continues to echo (ripple?) throughout countless millions of lives, and will for the next several thousand years. (Stop and think about it. There will be Deadheads 1000 years from now.) This is a good but not great look into the origins of that organism.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars Fun, May 14, 2003
By 
Mark Twain (Sydney, Australia) - See all my reviews
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I enjoyed this book. I learned about the Dead, and the general environment that their characters, culture, and music developed in. The majority of the book chronicles the early years of the Dead, with less and less time being spent documenting the later years. At first, I was disappointed that not enough time was devoted to developing the 'characters'. Relatively few quotes are attributed directly to band members, and there is not much characterization of the band members in general. Towards the end of the book, more of this happens, and I realize why it was good that the majority of this book didn't concentrate on this. Its petty, and one-dimensional, and (most importantly) doesn't have a lot to do with 'The Grateful Dead' and their music.

I believe there are many more books which do more of the gossip thing, but this book is intentionally not about that. It carefully develops and follows the Dead, their music, and their cultural and musical upbringing. McNally does a great job of putting just the right amount of generic historical information within the story to give it some context and relevance.

The only thing I didn't understand, and wish he would have developed further are some internal conflicts within the band early on. He spends a good amount of time explaining that Jerry and Phil were pretty set on 'firing' pigpen and Weir. He never really explains why, except for a brief mention of Weir's general spaciness, and uninspired guitar playing. Pigpen was co-frontman in the early days, and for good reason. He was a great performer, and gave a side to the dead that was never replaced. McNally mentions they wanted a better keyboardist, but personally I loved Pig's minimalist approach, and organ sound. (Much better than Vince Welnick, who I believe ruined the sound of the Dead with his unchecked synthesizer 'percussion' banging away through all parts of every song)

Also, I was shocked when very little description was given to how Pig's death affected the band, aside from the fact that they held a huge party in his honor. Alternately, McNally describes Brent's death as a huge blow to the band and the individual bandmembers. If there was no great feeling of solidarity during the early days with Pig, why doesn't McNally say so? And if there was, why so little description of it? The abundance of recordings from these days shows that there had to be some serious commitment to the idea of The Grateful Dead, at least musically.

One more complaint I have is the lack of development of the 'management' side of the family. There were a number of sound people, management and organizing elements to the Grateful Dead family, which McNally spends a good amount of time describing. Their involvement in the development and events of the band is unquestionable; but McNally just keeps throwing their names around when we really have no image of who these characters are. Bill Graham is the exception to this, as at least his name is familiar to most Deadheads, and his character is well developed in the book. But, Rock Scully, and some others are often mentioned, but I never get a good image of what type of people they are, and why the Dead really had them around? What did they really do? I found myself mixing them up most of the time.

Otherwise, the pace of the book was perfect, especially for a relatively big book. I enjoyed every minute of it, and would recommend it to anyone who wants to know where this beautiful music and culture came from!

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Inside This Book (learn more)
First Sentence:
Shortly before every Grateful Dead concert, there is a luminous, suspended moment. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
china cat sunflower, band meeting, grateful dead, spring tour
Key Phrases - Capitalized Phrases (CAPs): (learn more)
San Francisco, New York, Bill Graham, Dead Heads, Ram Rod, Mickey Hart, Palo Alto, Phil Lesh, Los Angeles, Jerry Garcia, Warner Bros, Bay Area, Rock Scully, Bob Weir, Haight Street, Big Brother, Danny Rifkin, Fillmore East, Family Dog, Jefferson Airplane, United States, Dan Healy, Robert Hunter, Joe Smith, Sam Cutler
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