Customer Reviews

The Long Voyage Home

5 star:		(7)
4 star:		(9)
3 star:		(5)
2 star:		(0)
1 star:		(0)

 

 

If this is the movie I think it is (in how many movies did Johh Wayne have a Swedish accent?), it wasn't but a few years ago when I got a chance to see it from beginning to end as an adult.

When I think of this movie, there is one scene that stands out from all the rest; and it is the haunting musical score that caused this. The scene, as I said, is quite simple. We see nothing but the ship itself leaving a dock in the harbor at night. And then the music - "Those Harbor Lights" - begins in what strikes me as a bitter-sweet tone - building gradually during its short duration in such a fashion that it left me feeling almost empty, desperate, hopeless, helpless - for want of better adjectives. I had heard that tune many times over the years - but never as so hauntingly and piercingly as it was performed in that movie - and without words, too! It turned out to be one of those tunes that - once it entered my head - would bounce around and around - taking me days to finally purge it from my system.

Not too many movie scenes have affected me this way.

I highly recommend this movie for this scene alone. To me it is a different type of John Ford movie, but with top-notch acting, including Thomas Mitchell, Barry Fitzgerald, Barry's brother Arthur Shields, and John Wayne (and with a Swedish accent in the bargain!). A real joy to watch.

Enjoy!

Wonderful work by John Ford and his team, who stitched together some Eugene O'Neill playlets about the merchant marine into the only film of his own work the writer could stand to watch. The real star here is Thomas Mitchell, the Duke is just a supporting player, and Mitchell gives the best performance of his great career. The moment in which Mitchell realizes that he is delving into a fellow shipmate's sad private life under the mistaken impression that the man is a spy has rarely been equalled in the American movies for emotional power. The film doesn't get mentioned enough in the litany of Ford's great movies but he never surpassed it, in my view.

Although a slow paced movie, there is an underlying tension as everyday life of merchant sailors as they labor and die to deliver crucial supplies as war rages far away or is it just over the horizon. From one scene to another, the dreams and fears of crew members are exposed. Many of the crew show their emotions as tension peaks and wanes. These are men here who would rather be somewhere else or who don't know any other life or who have hidden from the reality of their lives on a ship that is sailing in waters where U-Boats could be sighted at any moment. The Kreigsmarine is looking for you as the Nazi's have declared an open season on you and other Allied shipping. Will the next ship torpedoed and sent to the bottom be one of those others or will it be you? Enjoy the sound track as it has some wonderful music that you might otherwise miss. It is a gem of a movie you will be able to appreciate, if you just take the time.

Based on four of Eugene O'Neill's one-act plays, director John Ford presents a magnificent portrayal of humanity at sea and its struggle to not only survive but remain civilized during the early stages of WWI. Wayne was cast as a young Swedish sailor, and Ford insisted that he employed an accent which Wayne resisted fearing he would appear comical. The resulting performance is one of Wayne's best: very reserved and effective as Ole Olsen, who's essentially a simple man. Mitchell is wonderful as the old salt, and Hunter is moving as the tortured seaman who has ruined his life on land. This was playwright O'Neill's favourite film and he wore out a print of the film Ford gave from watching it over and over!

The Long Voyage Home is yet another film featuring John Wayne and director John Ford, and though it may be very different from the other movies the duo made, it is as good, if not better, than some of their other collaborations. In the early years of WWII, the SS Glencairn, a freighter in the Atlantic, receives a shipment of ammunition to transport to England from the West Indies. The ship must then sail through the dangerous waters of the Atlantic, hoping to not run into German subs. This simple plot is very much secondary to the real storyline, the lives of the crew of the Glencairn. Over the course of the film, the viewer comes to know all of the crew pretty well through four separate stories from writer Eugene O'Neil; a party with local girls on the boat before setting sail, the accidental death of a crewman during a storm, a possible German spy posing as one of the crew, and the efforts of the crew to get one of their own on a boat home after the Glencairn docks. Don't go into this movie expecting action, it is a character driven movie with many great scenes of dialogue that lets the cast do their thing. It might not be your typical John Ford and John Wayne teaming, but The Long Voyage Home is a worthy addition to any fans of the director/star combo.

While John Wayne gets top billing, he really has a somewhat smaller supporting part. Wayne plays Ole Olsen, a Swedish sailor trying to save money to get back home to Stockholm. The Duke pulls off a good Swedish accent, and does an excellent turn overall in his supporting part. The star of the movie is Thomas Mitchell as Aloysius Driscoll, "Drisk" to the crew, a veteran Irish crewman who stands as the crew's leader through the movie. Ian Hunter is also very good as Smitty, an educated man who comes under the suspicion of the Glencairn's crew. The rest of the crew is a who's who of John Ford stock company actors including Barry Fitzgerald as Cocky, John Qualen as Axel Swanson, Ward Bond as Yank, Arthur Shields as Donkeyman, Joe Sawyer as Davis, and Jack Pennick as Johnny Bergman. The ensemble cast works perfectly together and holds the movie together through the four episodic storylines.

The DVD only offers one special feature, a featurette called "Serenity at Sea: John Ford and the Araner," which has some home movies of Ford on his personal ship. The B & W presentation looks really strong overall for a movie made almost 70 years ago, and shows what a good job cinematographer Gregg Toland did in shooting the film. So for a good ensemble character study that is beautifully shot and all builds to a surprising ending, check out The Long Voyage Home! John Ford and John Wayne fans will not be disappointed!

Director John Ford took big lug John Wayne out of his usual prairie wanderings in this sad, slowly deliberate film about a group of merchant marines eager to make it home, with the shadow of WWII hovering over them, and German U-boats haunting the waters of the Atlantic. It turns out the Germans are less of a menace than their fellow sailors, as Wayne's naive young Swede, Ole Olafson, falls prey to a criminal pack of shanghai-ers in a seedy local tavern. The ever-dependable Thomas Mitchell brings this film its emotional core, playing his old-timer experience beautifully off of the Swede's wide-eyed innocence. Nice flick; not as exciting or robust as other wartime offerings, but complex and emotionally resonant. From a story by Eugene O'Neill.

I've just recieved my DVD copy of John Ford's,forgotten masterpiece,"The Long Voyage Home",from 4 short playlets by the noted Irish author Eugene O'Neil,adapted by Dudley Nichols,with a cast filled with "The John Ford Stock Company",John Wayne,Thomas Mitchell,Ward Bond,John Qualen,Joe Sawyer, Mildred Natick(her first film),Barry Fitzgerald,Arthur Shields,and (non Ford stock member) Ian Hunter,in perhaps his greatest role(aside from Frank Borzage's "Stange Cargo",with Gable,Crawford,and Lorre.Another film in which much of the action takes place at sea)as "Smitty",a tormented Englishmen.
This is a story of a merchant marine ship,and its mixed nationality crew, at sea,carrying a cargo of munitions,during WW2.Some of the crew,especially a young John Wayne,with a Swedish accent(!)are eager to get home and stay as from the sea as possible!NOT ALL of the crew makes it back home.
Before this DVD viewing I've seen this film at least 20 times(more like 40!),and my heart is tugged EVERYTIME,in the same places,even though I KNOW what is about to happen.A great film,director,a great director of Photography(Greg Toland-Citizen Kane),a great musical score by Richard Hageman,a Fantastic motion picture event.JOHN FORD AT HIS BEST AND YOU CAN'T GET ANY BETTER!!-----THe DVD transfer is very good!

This film is pure Ford. The murky sets remind me of "The Informer." And the cast is John Ford's famous stock company: Barry Fitzgerald, Mildred Natwick, John Qualen, Jack Pennick, Thomas Mitchell, and John Wayne. The story is based on a group of Eugene O'Neill one act plays about life on a merchant marine ship during wartime. The movie updated the story from O'Neill's WWI to the contemporary WWII. The actors drink, fight, cavort with loose women, fend off German attacks, and try to protect a naive, young Swedish sailor from being shanghaied.

That naive, young Swede is played by none other than the Duke, John Wayne. Although Thomas Mitchell, just coming off his Academy Award winning role in Ford's "Stagecoach," is the star; the Duke is very good in his supporting role. Here he's not playing some larger than life hero who rides tall in the saddle; instead he is naive Ole Olson who just wants to go home to his mother's farm in Sweden. Anyone who believes that John Wayne "just played himself" will be in for a pleasant surprise with his performance in "The Long Voyage Home."

My dad told me about this movie about twenty years ago, I watched it, and have loved it ever since. He's an old merchant seaman, and says the film very movingly and accurately evokes the feelings of melancholy and loneliness that so often permeate the lives of many merchant seamen.

I think this is the best movie ever made by both John Wayne and John Ford. That's saying a lot. It's just brilliant. Most of Ford's stock company of actors are here, and in top form. Great, atmospheric camerawork from Greg Toland, in what I believe was the film he shot right before his legendary work on Citizen Kane. Orson Welles was so impressed by the film, that he had the entire cast of Kane watch it before they began filming. It has a similar look and feel as Welles masterpiece. The dark, gloomy compositions, and deep focus camerawork, are a testament to Toland's well deserved status as one of the greatest cinematographers in the history of film.

The final moments of this movie are simply some of the saddest and most beautiful I have ever seen in a film. If you haven't seen it, do so as soon as possible. It's one of the greatest films of the forties, and one of the greatest ever made.

Can you imagine John Wayne with a Swedish accent? Don't laugh, because his performance is better than you'd think. This is a touching and very entertaining film by the legendary director John Ford. The film is about life on a merchant vessel and how the crew deals with the fear of being hunted by the German navy and Air Force.