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Long Walks and Intimate Talks: Stories, Poems and Paintings (Women & Peace)
 
 
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Long Walks and Intimate Talks: Stories, Poems and Paintings (Women & Peace) [Library Binding]

Grace Paley (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Women & Peace January 1, 1993
   This first collaboration of two long-time feminist and antiwar activists is a wonderful melding of word and image that creates a powerful call for world peace. Paley's poems and short fiction and William's vivid watercolors depict the beauty and dignity of "ordinary" lives from El Salvador to the Bronx, from New Hampshire to Vietnam. Scenes and stories of domestic life, solitude, and nature are interspersed with heart-wrenching images of women widowed and children crippled by war and incarcerated by urban poverty, Here, too, are stories and paintings of protest, joyous and defiant.

Editorial Reviews

From Publishers Weekly

With the hope that their work will, "by its happiness and sadness, demonstrate against militarists, racists, earth poisoners, and women haters," Paley ( Later the Same Day ) and Williams ( A Chair for My Mother ) have created a book that speaks of the injustices of a world spinning out of control. Paley's poems and prose pieces tell of her crusades against the draft during the Vietnam War, against a nuclear power plant in Seabrook, N.H., and against our patriarchal goverment's "deep proprietary interest" in "the womb, the cervix, the belly, the vagina, the entire female body." The prose pieces can hardly be called stories. Some are vignettes of Paley's experiences at various protest rallies; others are conversations between opposing political mouthpieces. As impressive as Paley's lifelong devotion to social causes is, the reader still desires more in the way of enlivening characters and wordplay. The poems, particularly those depicting the tragedy of the Mothers of the Disappeared in Latin America, have an aching, bittersweet quality, yet their themes are underdeveloped. Williams's bright and cheery paintings, of the type found in a children's book, seem strangely out of place in such a serious milieu.
Copyright 1991 Reed Business Information, Inc.

About the Author

Grace Paley is a cooperative anarchist and combative pacifist. She has taught at Columbia University, Syracuse University, City College and Sarah Lawrence College. In 1989, she was named the first official New York State Writer. Her many publications include Later the Same Day, Enormous Changes at the Last Minute, The Little Disturbances of Man, and Leaning Forward.

Product Details

  • Library Binding: 80 pages
  • Publisher: The Feminist Press at CUNY (January 1, 1993)
  • Language: English
  • ISBN-10: 155861043X
  • ISBN-13: 978-1558610439
  • Product Dimensions: 8.5 x 5.4 x 0.4 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,744,178 in Books (See Top 100 in Books)

More About the Author

Vera B. Williams lives in New York City.

In Her Own Words..."Throughout my childhood I was encouraged to make pictures, tell stories, act, and dance--all of this at a heaven in our New York City neighborhood called the Bronx House.

"Saturdays I painted with a crusading art director, Florence Cane. In her book The Growth of the Child Through Art, I appear under the name Linda. I was sixteen when the book appeared and embarrassed by it. But at age nine I had been totally proud when a painting of mine was exhibited at the Museum of Modern Art and I was later shown in the Movietone News explaining to Eleanor Roosevelt its Yiddish title, "Yentas."

"In 1945 I went to Black Mountain College in North Carolina, a unique educational community. I graduated in 1949 in graphic art, which I studied with Josef Albers. Along the way I planted corn, made butter, worked on the printing press, and helped to build the house in which I lived with Paul Williams, a fellow student I married there.

"I wanted that connection of art and community to continue. And it did at the Gate Hill Cooperative, a community we built with other Black Mountain people, a poet, musicians, and potters. I lived and worked there from 1953-1970 (after which I moved to Canada). My children (Sarah, Jenny, Merce) grew up there. For them, we branched out into a school, part of the Surnmerhill movement. The gingerbread houses that led to my first book for Greenwillow I first made in sticky variety at our school. I have always liked to teach and have taught art, cooking, writing, nature study, for nursery age on.

"At forty-six, no longer married, living in a houseboat on the bay at Vancouver, British Columbia, I did my first book. But before that could happen, the fates decreed a stint of cooking and running a bakery at a small school in the Ontario countryside. My love affair with Canada included also a 500-mile trip on the Yukon River. Many of those adventures I put in Three Days on a River in a Red Canoe.

"I also write and draw for adults-short stories, leaflets, and posters. As a lover of children, I try to do what I can to help save their earth from nuclear disaster. This pursuit, too, has added its excitement to my biography, including, in 1981, a month's stay in the federal penitentiary in Alderson, West Virginia (an outcome of a women's peaceful blockade of the Pentagon). Perhaps this experience will some day appear in one of my books. So far I've found children's books a wonderfully accommodating medium where any of my various activities might pop up."

 

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Powerful poems sweetened with the gift of art, December 27, 2005
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A book to read and savour and to dip into again and again and for sure to pass along to fellow travelers working for peace and justice.

The poems are simple and powerful and often stark and unblinking. Paley's head on wide opened look at war and poverty and sorrow is softened with the gift of beautiful paintings by Vera Williams.

"For George" (or in my case, my dad)

"What was left before crumbling
was sweetness in the maple leaf

in our friend George a brilliant
attentive sweetness

in the wild red maple leaf
before winter in our friend
George Dennison before death"



"People in My Family"

"In my family
people who are 82 are very different
from people who are 92

The 82-year old people grew up
The year was 1914
This is what they knew World War 1
War World War War
That's why when they speak to the grandchild
they say poor little one

The 92-year old people grew up
The year was 1905
They went to prison
They went into exile
They said ah soon
That's why when they speak to the grandchild
they say first there will be revolution
then there will be revolution then once more
then the earth itself will turn and turn
and cry out Oh I have been made sick
then you my little bud
will flower and save it."
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