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After paying tribute to
Stan Kenton Band vocalists
June Christy and
Chris Connor on 1997's auspicious
When the Wind Was Cool, singer Dominique Eade heeds her own muse on this neatly refined follow-up. It's a smart but playful project, loosely based on emotional and geographical journeys, and given exquisite accompaniment by luminaries such as bassist
Dave Holland and guitarist Mick Goodrick. Instead of trying to dazzle anybody, Eade pitches her warm, unpretentious tone with enough nuance to sound both coy and abashed on "Have I Stayed Away Too Long?"; wry and rueful on "Velvet"; and eager to flit and chirp alongside percussionist Cyro Baptista on Hoagy Carmichael's "Baltimore Oriole." Whether languid (as on
Elton John's "Come Down in Time") or sprightly (the title track), Eade's scatting encompasses both harmonic and rhythmic innovation. And she's smart enough to leave ample solo space for her ace band (which also includes pianist
Bruce Barth) on the four originals mixed among the CD's 13 tunes.
--Britt Robson
From Jazziz
"The songs on this album are close to my heart, close to the experiences I'm going through," says vocalist Dominique Eade of her new RCA Victor release, The Long Way Home. "I knew I wanted this album to be about home, but as I began choosing songs, I realized it was more about home being a place to yearn for and dream from." Since Eade has hung her hat in a number of places - London, Stuttgart, New York, Boston - it makes sense that the album features an eclectic array of songs. Composer credits range from Harold Arlen to Ornette Coleman to Elton John. "I'm interested in pushing the
musical vocabulary of jazz a little further, but in a subtle way, not just to sound edgy or strident," Eade says. "Even if I re-craft a standard, there's still a foundation there, a context - it's not just nostalgia, but a way of measuring the distance we've come."
--- JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.