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38 of 39 people found the following review helpful:
5.0 out of 5 stars
"In Flanders Fields," A Booker Nominee About War, September 18, 2005
Willie Dunne, who at seventeen is too short to follow in his father's footsteps and become a Dublin police officer, in 1914 volunteers to fight in the First World War. With beautiful prose that often rises to the level of poetry ("When the snow came it lay over everything in impersonal dislike.") Sebastian Barry weaves Willie's tale. As in every story of war, whether it is the ILIAD or THE RED BADGE OF COURAGE-- the soldiers opine, however, that Dante and Dostoevsky would have written about their plight-- the events are similar: the comraderie of fellow soldiers, the homesickness (much of the fighting takes place in Belgium), the filth, the omnipresent specter of death, the confusion of battle, the desire to live. Even though much of the plot then is predictable, it does not make for a lesser novel. Willie would like to marry and grow old with Gretta. The fighting Irish must believe that God in on their side. They must believe that they will prevail in the end.
In addition to the usual concerns of every soldier, Willie also must confront and resolve his differences with his own father over political tensions in his own country as well as his love and betrayal (his soul is "filleted") of the beautiful Gretta. There are many memorable characters (Willie's sister Dolly, Father Buckley, Sergeant-Major Christy Moran) and scenes here: when Willie sees his first death in battle (of Captain Pasley), when he kills his first German, when he returns to Dublin on leave and his father bathes him, when he visits the empty grave back in Ireland of Captain Pasley.
The horrors of war of course forever change Willie. He figures out that not King George but Death was the "King of England. . . Emperor of all the empires." His comrades try to define victory. "'You put out a crowd of lads on the field, and the other side put out a crowd of lads, and you had musket shot and calvary. . . And when everyone was dead on the other side, you had a victory. A victory, you know? Well, and that's not the same with us, then is it?' said Willie. . . 'And if more of us is left standing, then they might be calling that a sort of victory. . . Some f-----g victory. . . Some f-----g war.'"
Sadly some stories do not change.
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28 of 29 people found the following review helpful:
5.0 out of 5 stars
Young men, empires, and mustard gas, June 19, 2005
My first novel by Sebastian Barry and the story had me slowing down to read becuase of the double whammy it packs: a deeply personal look at the young Dubliner Willie Dunne at the time of World War I and the precision of language and imagery. When I have book in my hands that has the double hook of story and language, it means it will be a slow delightful read, even if it leaves my heart in shrapnel-like fragments, as this particular novel does.
The protagonist, Willie Dunne, is trapped in colonized Ireland while the world wages its war. Fighting in another land while his own country remains under the thumb of Britain, Willie's questions haunt him as he tries to battle in the trenches. On leave while at home, family and internal political events turn him even more confused and strain his personal relationships. Barry could not have composed a better story than A Long Long Way, to depict the intense human dilemma of a young man like Willie Dunne.
Irish and Russian writers seem to be able to best locate where things fall apart and how they affect us all. Barry now writes from within that haunting tradition.
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26 of 27 people found the following review helpful:
5.0 out of 5 stars
sad and true, November 6, 2005
Don't even consider reading this novel unless you can handle extremes of cruelty, blood and guts - and, most of all, sadness; for this is one of the saddest tales I have read in a long time. Young Willie is very amiable but a bit simple... but he has gained some wisdom by the book's tragic end.
Mr Barry depicts the bottom-of-the-barrel place of young Irish Catholics in the hierarchy of Britain's WWI. When this fundamental problem is accentuated by the rejection of his father and girlfriend, the uncomplicated youth senses that his only community is that of his Flanders comrades.
Once you are used to the book's lilting language, it sweeps you up in the mud, guts and body parts that are its sad staffage.
This is an extremely fine book, but is not in any sense an easy read.
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