Journey to Sobriety: Journey to God the Mother
China Galland is a writer, a mother of three, an alcoholic and a pilgrim, and "Longing for Darkness" is an account of her pilgrimage toward wholeness and healing.
This book is firstly an account of China Galland's spiritual journey toward sobriety. Secondly it is an account of her journey to and through Buddhism, of both Tibetan and Zen flavors, to the recovery of her own Catholic spiritual heritage, abandoned in the wake of patriarchal authoritarianism and misogyny, only to discover through the former's female deity, Tara, the strong, resilient, resisting feminine spirit inspiring the Black Madonnas of her own ancestry, blending the two traditions.
China Galland found a spirituality that satisfied her longing for the female face of God. "Longing For Darkness" is an absolutely compelling work, impossible to set down once one has begun the journey with the author. Her complete honesty about her inner being, her wllingness to place herself in a position of total vulnerability, to live in the moment, makes this book unique. Wherever the author journeys - whether to the Shrines of the Black Madonna in Poland, Switzerland, and southern France or to the temples of the Green and White Taras in Himalayan fastnesses or to the Temples of Kali, the Black Mother, in Delhi, she encounters people of deep faith and learns from every tradition, discovering that all of these variant images of God the Mother are but collateral descendents of a common ancestor and synthesizing her own way, a path strewn with flowers but without a name.
Though this is by no means a scholarly work on the historical derivations of the Maternal God (nor does it wish to be), it does provide a large amount of useful and interesting data, elaborating the dynamic interchanges between East and West since ancientmost times. Could Tara, Durga, Kali and the Blessed Virgin Mary and the host of Mother Gods of pre-Christian Europe all trace their ancestry to Astar/Astarte/Ishtar of ancient Persia, and could she herself be but a later manifestation of Isis, the black Mother God of the ancient Egyptians?
It is a possible, if not probable, thesis, but that is not the point of this book. Its work is not the elaboration of her Divine ancestry, but of her availability and her universality. There is a wonderful Sanskrit hymn translated in "Longing for the Darkness," which I quote here:
"Alas I do not know either the mystical word or the mystical diagram, nor do I know the songs of praise to thee, nor how to meditate upon thee nor how to welcome thee, nor how to inform thee of my distress. But this much I know, oh Mother: that to take refuge in thee is to destory all my miseries."
I have no wish to take the author to task for leaving undone something she's not undertaken to do, but I would have loved to have read something in this work dealing with the many images of the Dark Mother existing in various Afro-American traditions, particularly the treatment of Ezili Danto (or Danto, as she is more commonly known in the Voodoo/Voudoun tradition) whose ancestry is directly traceable to the Madonna of Czestochowa; indeed, the image of Danto re-presents exactly the two scratches on the face of the Polish icon left from a vandal's sword attack in 1430 and in Haiti attributed to Ezili's battles with her rival deity, Freda.
